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Author: Louise D'Arcens
Publisher: Brepols Publishers
ISBN:
Category : History
Languages : en
Pages : 404
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Book Description
This volume explores the reciprocal relationships that can develop between medieval women writers and the modern scholars who study them. Taking up the call to 'research the researcher', the authors indicate not only what they bring to their study from their own personal experience, but how their methodologies and ways of thinking about and dealing with the past have been influenced by the medieval women they study. Medieval women writers discussed include those writing in the vernacular such as Christine de Pizan and Margaret Paston, those writing in Latin such as Hildegard of Bingen, Heloise, and Birgitta of Sweden, and the works transcribed from women mystics such as Margery Kempe, Hadewijch, and Julian of Norwich. Attention is also given to medieval women as the readers, consumers and patrons of written works. Issues considered in this volume include the place of ethics, interestedness and social justice in contemporary medieval studies, questions of alterity, empathy, essentialism and appropriation in dealing with figures of the medieval past, the permeable boundaries between academic medieval studies and popular medievalism, questions of situatedness and academic voice, and the relationship between feminism and medieval studies. Linked to these issues is the interrelation between medieval women and medieval men in the production and consumption of written works both for and about women and the implications of this for both female and male readers of those works today. Overarching all these questions is that of the intellectual and methodological heritage - sometimes ambiguous, perhaps even problematic - that medieval women continue to offer us.
Author: Louise D'Arcens
Publisher: Brepols Publishers
ISBN:
Category : History
Languages : en
Pages : 404
Get Book
Book Description
This volume explores the reciprocal relationships that can develop between medieval women writers and the modern scholars who study them. Taking up the call to 'research the researcher', the authors indicate not only what they bring to their study from their own personal experience, but how their methodologies and ways of thinking about and dealing with the past have been influenced by the medieval women they study. Medieval women writers discussed include those writing in the vernacular such as Christine de Pizan and Margaret Paston, those writing in Latin such as Hildegard of Bingen, Heloise, and Birgitta of Sweden, and the works transcribed from women mystics such as Margery Kempe, Hadewijch, and Julian of Norwich. Attention is also given to medieval women as the readers, consumers and patrons of written works. Issues considered in this volume include the place of ethics, interestedness and social justice in contemporary medieval studies, questions of alterity, empathy, essentialism and appropriation in dealing with figures of the medieval past, the permeable boundaries between academic medieval studies and popular medievalism, questions of situatedness and academic voice, and the relationship between feminism and medieval studies. Linked to these issues is the interrelation between medieval women and medieval men in the production and consumption of written works both for and about women and the implications of this for both female and male readers of those works today. Overarching all these questions is that of the intellectual and methodological heritage - sometimes ambiguous, perhaps even problematic - that medieval women continue to offer us.
Author: Louise D'Arcens
Publisher: Brepols Publishers
ISBN:
Category : History
Languages : en
Pages : 406
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Book Description
This volume explores the reciprocal relationships that can develop between medieval women writers and the modern scholars who study them. Taking up the call to 'research the researcher', the authors indicate not only what they bring to their study from their own personal experience, but how their methodologies and ways of thinking about and dealing with the past have been influenced by the medieval women they study. Medieval women writers discussed include those writing in the vernacular such as Christine de Pizan and Margaret Paston, those writing in Latin such as Hildegard of Bingen, Heloise, and Birgitta of Sweden, and the works transcribed from women mystics such as Margery Kempe, Hadewijch, and Julian of Norwich. Attention is also given to medieval women as the readers, consumers and patrons of written works. Issues considered in this volume include the place of ethics, interestedness and social justice in contemporary medieval studies, questions of alterity, empathy, essentialism and appropriation in dealing with figures of the medieval past, the permeable boundaries between academic medieval studies and popular medievalism, questions of situatedness and academic voice, and the relationship between feminism and medieval studies. Linked to these issues is the interrelation between medieval women and medieval men in the production and consumption of written works both for and about women and the implications of this for both female and male readers of those works today. Overarching all these questions is that of the intellectual and methodological heritage - sometimes ambiguous, perhaps even problematic - that medieval women continue to offer us.
Author: Robert E. Lewis
Publisher: University of Michigan Press
ISBN: 9780472011315
Category : Foreign Language Study
Languages : en
Pages : 134
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Book Description
The most important modern reference work for Middle English studies
Author: Florence Percival
Publisher: Cambridge University Press
ISBN: 0521416558
Category : History
Languages : en
Pages : 354
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Book Description
A comprehensive account of Chaucer's Legend of Good Women.
Author: Elizabeth Nicole Emery
Publisher: Boydell & Brewer
ISBN: 1843843854
Category : Social Science
Languages : en
Pages : 297
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Book Description
The discipline of medievalism has produced a great deal of scholarship acknowledging the "makers" of the Middle Ages: those who re-discovered the period from 500 to 1500 by engaging with its cultural works, seeking inspiration from them, or fantasizing about them. Yet such approaches - organized by time period, geography, or theme - often lack an overarching critical framework. This volume aims to provide such a framework, by calling into question the problematic yet commonly accepted vocabulary used in Medievalism Studies. The contributions, by leading scholars in the field, define and exemplify in a lively and accessible style the essential terms used when speaking of the later reception of medieval culture. The terms: Archive, Authenticity, Authority, Christianity, Co-disciplinarity, Continuity, Feast, Genealogy, Gesture, Gothic, Heresy, Humor, Lingua, Love, Memory, Middle, Modernity, Monument, Myth, Play, Presentism, Primitive, Purity, Reenactment, Resonance, Simulacrum, Spectacle, Transfer, Trauma, Troubadour Elizabeth Emery is Professor of French and Graduate Coordinator at Montclair State University (Montclair, NJ, USA); Richard Utz is Chair and Professor of Medievalism Studies in the School of Literature, Media, and Communication at Georgia Tech (Atlanta, GA, USA). Contributors: Nadia Altschul, Martin Arnold, Kathleen Biddick, William C. Calin, Martha Carlin, Pam Clements, Michael Cramer, Louise D'Arcens, Elizabeth Emery, Elizabeth Fay, Vincent Ferré, Matthew Fisher, Karl Fugelso, Jonathan Hsy, Amy S. Kaufman, Nadia Margolis, David Matthews, Lauryn S. Mayer, Brent Moberly, Kevin Moberly, Gwendolyn Morgan, Laura Morowitz, Kevin D. Murphy, Nils Holger Petersen, Lisa Reilly, Edward Risden, Carol L. Robinson, Juanita Feros Ruys, Tom Shippey, Clare A. Simmons, Zrinka Stahuljak, M. Jane Toswell, Richard Utz, Angela Jane Weisl.
Author: Michael St John
Publisher: Routledge
ISBN: 135195251X
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
Chaucer used the dream device to engage with the work of French and Italian authors and to explore the philosophical content of their poetry. His four dream visions therefore represent an important conduit through which the influence of European writers was received into English, enabling a profound transition in the way in which the 'self' was conceptualized in medieval courtly literature. Chaucer's Dream Visions is the first book length study to examine the poet's considered use of Aristotelian psychology to describe the mind of the courtly subject in its social context. The study shows that by drawing upon Aristotelian psychology, derived from his reading of Boethius, Dante, and the poets of the French court, Chaucer was able to articulate precisely those aspects of the courtly identity that are determined by language and empirical experience, and those which are transcendent of this determinism. A detailed engagement with the literature, language, and behaviour of the court therefore takes place in the dream visions, which are a genuine exploration of individual subjectivity in its social context. The author of this volume demonstrates that the motivation for this exploration is a product of Chaucer's Christian beliefs and philosophical awareness. Chaucer's Dream Visions thus constitutes a major contribution to the debate concerning distinctions between medieval and early modern culture.
Author: Geoffrey Chaucer
Publisher:
ISBN:
Category : Mythology, Classical, in literature
Languages : en
Pages : 296
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Book Description
Author: Geoffrey Chaucer
Publisher: Cosimo, Inc.
ISBN: 1605205214
Category : Literary Criticism
Languages : en
Pages : 602
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Book Description
It is impossible to overstate the importance of English poet GEOFFREY CHAUCER (c. 1343 c. 1400) to the development of literature in the English language. His writings which were popular during his own lifetime with the nobility as well as with the increasingly literate merchant class marked the first celebration of the English vernacular as a tongue worthy of literary endeavor, most notably in his unfinished narrative poem The Canterbury Tales, the format and structure of which continues to be imitated by writers today. But the impact of Chaucer s work was felt even into the 16th and 17th centuries, when the first major collections of his writings set a high standard for how authors should be presented to the reading public. This widely esteemed seven-volume set first published in the 1890s by British academic WALTER WILLIAM SKEAT (1835 1912), Erlington and Bosworth Professor of Anglo-Saxon at Cambridge University is based solely on Chaucer s original manuscripts and the earliest available published works (with any significant variations or deviations between versions highlighted in the extensive notes), and comes complete with Skeat s informative commentary on many passages. Volume III features: The Hous of Fame, one of Chaucer s earliest works, a poem some scholars consider a parody of Dante s Divine Comedy The Legend of Good Women, a dream-vision poem that represents an early major example of iambic pentameter in the English language A Treatise on the Astrolabe, the oldest work in English about a scientific instrument
Author: Geoffrey Chaucer
Publisher:
ISBN:
Category :
Languages : en
Pages : 612
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Book Description
![The Complete Works of Geoffrey Chauncer: The house of fame:The legend of good women: The treatise on the astrolabe: with an account of the sources of the Canterbury tales.[v. 4] The Canterbury tales: text PDF](https://books.google.com/books/content/images/frontcover/5l5KAAAAYAAJ?fife=w80-h100)
Author: Geoffrey Chaucer
Publisher:
ISBN:
Category :
Languages : en
Pages : 614
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Book Description
