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Author: Sophie Page
Publisher: University of Toronto Press
ISBN: 9780802037978
Category : History
Languages : en
Pages : 70
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Book Description
Magic in Medieval Manuscripts explores the place of magic in the medieval world and the contradictory responses it evoked, through an exploration of images and texts in British Library manuscripts.
Author: Sophie Page
Publisher: University of Toronto Press
ISBN: 9780802037978
Category : History
Languages : en
Pages : 70
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Book Description
Magic in Medieval Manuscripts explores the place of magic in the medieval world and the contradictory responses it evoked, through an exploration of images and texts in British Library manuscripts.
Author: Sophie Page
Publisher:
ISBN: 9780712352055
Category : Illumination of books and manuscripts, Medieval
Languages : en
Pages : 0
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Book Description
Magic existed in diverse forms in the Middle Ages, from simple charms to complex and subversive demonic magic. Its negative characteristics were defined by theologians who sought to isolate undesirable rituals and beliefs, but there were also many who believed that the condemned texts and practices were valuable and compatible with orthodox piety. Magic in Medieval Manuscripts explores the place of magic in the medieval world and the contradictory responses it evoked, through an exploration of images and texts in British Library manuscripts. These range from representations of the magician, wise-woman and witch, to charms against lightning, wax images for inciting love, and diagrams to find treasure. Most elaborate of all the magical practices are rituals for communicating with and commanding spirits. Whether expressions of piety, ambition, or daring, these rituals reveal a medieval fascination with the points of contact between this world and the celestial and infernal realms.
Author: Sophie Page
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 82
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Book Description
"Magic in Medieval Manuscripts explores the place of magic in the medieval world and the contradictory responses it evoked, through an exploration of images and texts in British Library manuscripts. Whether expressions of piety, ambition or daring, magical rituals reveal a medieval fascination with the points of contact between this world and the celestial and infernal realms.
Author: Sophie Page
Publisher: Penn State Press
ISBN: 0271062975
Category : Religion
Languages : en
Pages : 246
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Book Description
During the late thirteenth and early fourteenth centuries a group of monks with occult interests donated what became a remarkable collection of more than thirty magic texts to the library of the Benedictine abbey of St. Augustine’s in Canterbury. The monks collected texts that provided positive justifications for the practice of magic and books in which works of magic were copied side by side with works of more licit genres. In Magic in the Cloister, Sophie Page uses this collection to explore the gradual shift toward more positive attitudes to magical texts and ideas in medieval Europe. She examines what attracted monks to magic texts, in spite of the dangers involved in studying condemned works, and how the monks combined magic with their intellectual interests and monastic life. By showing how it was possible for religious insiders to integrate magical studies with their orthodox worldview, Magic in the Cloister contributes to a broader understanding of the role of magical texts and ideas and their acceptance in the late Middle Ages.
Author: Frank Klaassen
Publisher: Penn State Press
ISBN: 0271061758
Category : Religion
Languages : en
Pages : 292
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Book Description
In this original, provocative, well-reasoned, and thoroughly documented book, Frank Klaassen proposes that two principal genres of illicit learned magic occur in late medieval manuscripts: image magic, which could be interpreted and justified in scholastic terms, and ritual magic (in its extreme form, overt necromancy), which could not. Image magic tended to be recopied faithfully; ritual magic tended to be adapted and reworked. These two forms of magic did not usually become intermingled in the manuscripts, but were presented separately. While image magic was often copied in the fourteenth and fifteenth centuries, The Transformations of Magic demonstrates that interest in it as an independent genre declined precipitously around 1500. Instead, what persisted was the other, more problematic form of magic: ritual magic. Klaassen shows that texts of medieval ritual magic were cherished in the sixteenth century, and writers of new magical treatises, such as Agrippa von Nettesheim and John Dee, were far more deeply indebted to medieval tradition—and specifically to the medieval tradition of ritual magic—than previous scholars have thought them to be.
Author: Benedek Lang
Publisher: Penn State Press
ISBN: 0271033789
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
During the Middle Ages, the Western world translated the incredible Arabic scientific corpus and imported it into Western culture: Arabic philosophy, optics, and physics, as well as alchemy, astrology, and talismanic magic. The line between the scientific and the magical was blurred. According to popular lore, magicians of the Middle Ages were trained in the art of magic in &“magician schools&” located in various metropolitan areas, such as Naples, Athens, and Toledo. It was common knowledge that magic was learned and that cities had schools designed to teach the dark arts. The Spanish city of Toledo, for example, was so renowned for its magic training schools that &“the art of Toledo&” was synonymous with &“the art of magic.&” Until Benedek L&áng&’s work on Unlocked Books, little had been known about the place of magic outside these major cities. A principal aim of Unlocked Books is to situate the role of central Europe as a center for the study of magic. L&áng helps chart for us how the thinkers of that day&—clerics, courtiers, and university masters&—included in their libraries not only scientific and religious treatises but also texts related to the field of learned magic. These texts were all enlisted to solve life&’s questions, whether they related to the outcome of an illness or the meaning of lines on one&’s palm. Texts summoned angels or transmitted the recipe for a magic potion. L&áng gathers magical texts that could have been used by practitioners in late fifteenth-century central Europe.
Author: W. Nikola-Lisa
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618496426
Category : Juvenile Fiction
Languages : en
Pages : 36
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Book Description
A young apprentice learns to tap his own wellspring of creativity with the help of the magical margins of an illuminated manuscript in this story about patience, talent, and imagination. Full color.
Author: Sophie Page
Publisher: University of Toronto Press
ISBN: 9780802085115
Category : History
Languages : en
Pages : 68
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Book Description
"Astrology in Medieval Manuscripts describes the complexity of western medieval astrology and its place in society, as revealed by a wealth of illustrated manuscripts and historical background."--BOOK JACKET.
Author: Frank Klaassen
Publisher: Penn State Press
ISBN: 0271085177
Category : Body, Mind & Spirit
Languages : en
Pages : 160
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Book Description
This volume presents editions of two fascinating anonymous and untitled manuscripts of magic produced in Elizabethan England: the Antiphoner Notebook and the Boxgrove Manual. Frank Klaassen uses these texts, which he argues are representative of the overwhelming majority of magical practitioners, to explain how magic changed during this period and why these developments were crucial to the formation of modern magic. The Boxgrove Manual is a work of learned ritual magic that synthesizes material from Henry Cornelius Agrippa, the Fourth Book of Occult Philosophy, Heptameron, and various medieval conjuring works. The Antiphoner Notebook concerns the common magic of treasure hunting, healing, and protection, blending medieval conjuring and charm literature with materials drawn from Reginald Scot’s famous anti-magic work, Discoverie of Witchcraft. Klaassen painstakingly traces how the scribes who created these two manuscripts adapted and transformed their original sources. In so doing, he demonstrates the varied and subtle ways in which the Renaissance, the Reformation, new currents in science, the birth of printing, and vernacularization changed the practice of magic. Illuminating the processes by which two sixteenth-century English scribes went about making a book of magic, this volume provides insight into the wider intellectual culture surrounding the practice of magic in the early modern period.
Author: Chantry Westwell
Publisher:
ISBN: 9780712354608
Category :
Languages : en
Pages : 384
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Book Description
Dragons, Heroes, Myths et Magic' presents fifty of the very first adventure stories, set out across seven sections, featuring Heroes and Heroines; Epic Battles; Magical Events and Miracles; Villains, Crime and Murder; Quests or Journeys; Animals; and Love Stories. Ranging from long and complex epics developed around historical figures including Charlemagne, King Arthur and Alexander the Great, to smaller, vibrant tales absorbing local characters on the periphery. Marvellously varied, surprising and enlightening, and featuring both the stories and art behind Merlin, Christine de Pisan, Sir Gawain, Renard the Fox, Dante and Beatrice, the Odyssey, Saint Brendon and Tristan and Isolde, this book provides an intimate insight into the medieval mind.0Chantry Westwell has used her profound knowledge of the British Library's illuminated manuscript collections to explore some of literature's most celebrated stories, together with the deep history of the books and chronicles in which they were first preserved. Presented alongside them in full colour are some of the most exquisite examples of art to survive from the 8th to the 16th centuries: works of supreme beauty inspired by the stories.
