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Author: Bhāsa
Publisher:
ISBN:
Category : Madhyama Vyayoga
Languages : en
Pages : 58
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Book Description
Author: Bhāsa
Publisher:
ISBN:
Category : Madhyama Vyayoga
Languages : en
Pages : 58
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Book Description
Author: Bhasa Bhasa
Publisher: Legare Street Press
ISBN: 9781016508711
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Bhāsa
Publisher: Bharatiya Vidya Bhavan Chowkhamba
ISBN:
Category :
Languages : en
Pages : 90
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Book Description
Author: British Museum. Department of Oriental Printed Books and Manuscripts
Publisher:
ISBN:
Category : Pali literature
Languages : en
Pages : 864
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Book Description
Author: Manohar Laxman Varadpande
Publisher: Abhinav Publications
ISBN: 9788170174301
Category : Dramatists, Sanskrit
Languages : en
Pages : 408
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Book Description
Author: Bhāsa
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 92
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Book Description
One-act play about Bhīma, Hiḍimbā and their son Ghatotkaca.
Author: C. D. Narasimhaiah
Publisher: Sahitya Akademi
ISBN: 9788172013851
Category : Poetics
Languages : en
Pages : 310
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Book Description
The Papers Brought Together In This Volume Were Presented At A Seminar Organised In January 1991 Under The Joint Auspices Of The Sahitya Akademi And The Literary Criterion Centre, Dvanyaloka, Mysore. In Collaboration With The Indian Association Of Commonwealth Literature. Several Scholarly Papers Were Presented At The Seminar On The Indian Concept Of Natya, Dhvani, Aucitya And Alankara. Erudite Scholars From All Parts Of The Country Took Part. This Seminar Represents The Third Phase Of The Interaction Between Indian And Western Critical Endeavours. Sahitya Akademi Is Happy To Bring Out These Papers In Book-Form For The Benefit Of Discerning Scholars, Academics And General Readers.
Author: A. C. Woolner
Publisher: Motilal Banarsidass
ISBN: 8120809084
Category : Religion
Languages : en
Pages : 396
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Book Description
This translation is of thirteen Sanskrit plays discovered in South India by the late Pandit Ganapati Sastri and edited by him in the Trivandrum Sanskrit Series. It comprises the following titles: 1. Pratijnayaugandharayana, 2. Svapnavasavadatta, 3. Carudatta, 4. Pancaratra, 5. Madhyamavyayoga, 6.Pratima-nataka, 7.Dutavakya, 8.Dutaghatotkaca, 9.Karnabhara, 10.Urubhanga, 11.Avimaraka, 12.Balacarita, and 13.Abhiseka. Sastri attributed all the thirteen plays to Bhasa and the prevailing opinion of the scholars is in agreement with him, though the available evidence is not conclusive and so the question still remains open. The translation was done by two eminent Sanskrit scholars. It was published s early as 1930 and a reprint is now issued in view of a persistent demand of scholars. Pandit Ganapati Sastri attributed all thirteen plays to Bhasa, a famous dramatist earlier than Kalidasa. Some verses are ascribed to Bhasa by medieval anthologies, but only ten with unanimity. We are told that he composed a Svapnavasavadattam (his best play) and that in another play the device of the wooden elephant was used. Characteristic features of his work are described by Bana, and other poets evidently held him in high estimation. One or two verses from his plays are quoted by writers on poetics. Otherwise, the text of BhasaÍs numerous plays had completely disappeared. The learned editor of the Trivandrum plays found that they contained a Svapnavasavadattam (the best play in the collection), and, in the Pratijna-Yaugandharayanam, a scene dealing with the wooden elephant. He noticed also certain peculiarities in the technique of the plays which he regarded as signs of antiquity. All these points confirmed the opinion that Bhasa was the author.
Author: Shirin M. Rai
Publisher: Oxford University Press
ISBN: 0190863471
Category : Political Science
Languages : en
Pages : 749
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Book Description
Political scientists and political theorists have long been interested in social and political performance. Theatre and performance researchers have often focused on the political dimensions of the live arts. Yet the interdisciplinary nature of this labor has typically been assumed rather than rigorously explored. Further, it is crucial to bring the concepts of theatre and performance deployed by other disciplines such as psychology, law, political anthropology, sociology among others into a wider, as well as deeper, interdisciplinary engagement. Embodying and fostering that engagement is at the heart of this new handbook. The Handbook brings together leading scholars in the fields of Politics and Performance to map out the evolving interdisciplinary engagement. The authors--drawn from a wide range of disciplines--investigate the relationship between politics and performance to show that certain features of political transactions shared by performances are fundamental to both disciplines, and that they also share, to a large extent, a common communicational base and language. The volume is organized into seven thematic sections: the interdisciplinary theory of politics and performance; performativity and theatricality (protest, regulation, resistance, change, authority); identities (race, gender, sexuality, class, citizenship, indigeneity); sites (states, borders, markets, law, religion); scripts (accountability, authority and legitimacy, security, ceremony, sustainability); body, voice, and gesture (representation, leadership, participation, rhetoric, disruption); and affect (media, care, love empathy, comedy, populism, memory).
Author: Aparna Bhargava Dharwadker
Publisher: Oxford University Press
ISBN: 0199095442
Category : Performing Arts
Languages : en
Pages : 536
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Book Description
The urban theatre which emerged under Anglo-European and local influences in colonial metropolises such as Calcutta and Bombay around the mid-nineteenth century marked the beginning of the ‘modern period’ in Indian theatre, distinct from classical, postclassical, and more proximate precolonial traditions. A Poetics of Modernity offers a unique selection of original, theoretically significant writings on theatre by playwrights, directors, actors, designers, activists, and policy–makers, to explore the full range of discursive positions that make these urban practitioners ‘modern’. The source-texts represent nine languages, including English, and about one-third of them have been translated into English for the first time; the volume thus retrieves a multilingual archive that so far had remained scattered in print and manuscript sources around the country. A comprehensive introduction by Dharwadker argues for historically precise definitions of theatrical modernity, outlines some of its constitutive features, and connects it to the foundational theoretical principles of urban theatre practice in modern India.
