Author: Jacques Offenbach
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 40

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Book Description

Author: Albert MILLAUD
Publisher:
ISBN:
Category :
Languages : en
Pages : 42

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Book Description

Author: Jacques Offenbach
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 68

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Book Description

Author: Charles Coote (the Younger.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 40

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Book Description

Author: Sidney Jackson Jowers
Publisher: Routledge
ISBN: 1136746412
Category : History
Languages : en
Pages : 568

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Book Description
This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.

Author: Kurt Gänzl
Publisher: State University of New York Press
ISBN: 1438487525
Category : Performing Arts
Languages : en
Pages : 610

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Book Description
The Musical, Second Edition, introduces students and general readers to the entire scope of the history of musical theater, from eighteenth-century ballad operas to nineteenth-century operettas, to the Golden Age of Broadway to today. In this comprehensive history, master theater historian Kurt Gänzl draws on his vast knowledge of the productions, the actors, the music and dance, and the reception of the central repertory of the musical theater. Focus boxes on key shows are included in every chapter, along with a chronology of the major musical productions described in the text. Production photographs from around the world enhance the descriptions of the costumes and staging. This book is an ideal introduction for college-level courses on the History of Musical Theater and will also appeal to the general theatergoer who wants to learn more about how today’s musical developed from its earliest roots.

Author:
Publisher:
ISBN:
Category : Melodeon music, Arranged
Languages : en
Pages : 164

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Book Description

Author: Andrew Lamb
Publisher: Yale University Press
ISBN: 9780300075380
Category : Music
Languages : en
Pages : 400

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Book Description
Covers the development of musicals, from the earliest European operetta styles of France and Germany to the modern musical of the United States and Britain.

Author: Frederick Herman Martens
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 508

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Book Description

Author: John H. Baron
Publisher: LSU Press
ISBN: 0807150843
Category : Music
Languages : en
Pages : 645

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Book Description
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.