Madam Fickle: or The witty false one. A comedy PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Madam Fickle: or The witty false one. A comedy PDF full book. Access full book title Madam Fickle: or The witty false one. A comedy by Thomas D'Urfey. Download full books in PDF and EPUB format.
Author: Thomas D'Urfey
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
Get Book
Book Description
Author: Thomas D'Urfey
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
Get Book
Book Description
Author: Thomas D'Urfey
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Get Book
Book Description
Author: Thomas D'Urfey
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Get Book
Book Description
Author: Thomas D'Urfey
Publisher:
ISBN:
Category :
Languages : en
Pages : 62
Get Book
Book Description
Author: Thomas D'Urfey
Publisher:
ISBN:
Category :
Languages : en
Pages : 55
Get Book
Book Description
Author: Robert Stanley Forsythe
Publisher:
ISBN:
Category :
Languages : en
Pages : 294
Get Book
Book Description
Author: Western Reserve University
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
Get Book
Book Description
Author: Dobell, P. J. & A. E., booksellers, London
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Get Book
Book Description
Author: Al Coppola
Publisher: Oxford University Press
ISBN: 0190269723
Category : Literary Criticism
Languages : en
Pages : 288
Get Book
Book Description
The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take. By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance.
Author: Andrew R. Walkling
Publisher: Routledge
ISBN: 1315524198
Category : Music
Languages : en
Pages : 344
Get Book
Book Description
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
