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Author: David Sterritt
Publisher: SIU Press
ISBN: 9780809321803
Category : History
Languages : en
Pages : 278
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Book Description
Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with main-stream and experimental film, and the interactions of all of these with American society and the culture of the 1950s. Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success. After an introductory overview of the Beat Generation, its history, its antecedents, and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers-who were inspired by jazz and other liberating influences-as carnivalesque rebels against what they perceived as a rigid and stifling social order. Showing the Beats as social critics, Sterritt looks at the work of 1950s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films. Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis; nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries.
Author: David Sterritt
Publisher: SIU Press
ISBN: 9780809321803
Category : History
Languages : en
Pages : 278
Get Book Here
Book Description
Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with main-stream and experimental film, and the interactions of all of these with American society and the culture of the 1950s. Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success. After an introductory overview of the Beat Generation, its history, its antecedents, and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers-who were inspired by jazz and other liberating influences-as carnivalesque rebels against what they perceived as a rigid and stifling social order. Showing the Beats as social critics, Sterritt looks at the work of 1950s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films. Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis; nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries.
Author: LaVonda Rita Campbell
Publisher: WestBow Press
ISBN: 1449744869
Category : Body, Mind & Spirit
Languages : en
Pages : 108
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Book Description
My purpose for sharing my personal story is to inspire those who are hurt to know Jesus and receive all that he died for us to have. The freedom that the Lord offers is for those who are lost, mad, bitter, angry, and hurt. I pray that those who read this book will know that the Word of God contains the answer to every situation that can be encountered. The Word of God is powerful and has the capability of restoring and mending relationships. For anyone who has been molested, raped, hurt, persecuted, and void of hope, I encourage you to read this book. Hear and allow God to minister to you. He wants to help you to become the person that he died for you to be. Dont live in bondage. Now is the time for you to break free and take your life back! You are more than a conqueror through Christ Jesus, and no problem is bigger than God.
Author: M. Mehmet Unver
Publisher: Foremost Press, Inc.
ISBN: 1936154048
Category :
Languages : en
Pages : 182
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Book Description
A young Sumerian priest is taken from his idyllic village and sold into slavery. This is the story of how he fights to escape bondage and rescue a banished goddess and in doing so, save his people from the tyrannical ruling god, Enki, and his power-hungry followers, who make up the ruling class in this ancient civilization.
Author: Zion Willingham
Publisher: Zion Willingham
ISBN:
Category : Religion
Languages : en
Pages : 200
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Book Description
Hell is mad! To complete your victory, you must execute a madness that surpasses the madness of hell. If you are ready to complete your battle plan, you must exercise a greater level of madness than the powers that began the attack. Zion Willingham explores an innovative new way to soak your home with prayers during sleep, and while you are away during the day. Use ingenuity to guard your home and perfect your victory in battle. The final title in the Battle Plan Series will complete your battle with acidic renunciations, radical decrees and brutal pronouncements that are designed to be recorded, and played while you sleep. Read the rules of engagement to your environment, and that of your loved ones,
Author: Dominic Sandbrook
Publisher: Anchor
ISBN: 1400077249
Category : History
Languages : en
Pages : 546
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Book Description
“I’m mad as hell, and I’m not going to take it anymore!” The words of Howard Beale, the fictional anchorman in 1976’s hit film Network, struck a chord with a generation of Americans. In this colourful new history, Dominic Sandbrook ranges seamlessly over the political, economic, and cultural high (and low) points of American life in the 1970s, exploring the roots of the fears, resentments, cravings, and disappointments we know so well today. From Richard Nixon and Ronald Reagan to Anita Bryant and Jerry Falwell, he shows how the 1970s saw the emergence of a new right-wing populism, setting the stage for the bitter partisanship and near-total cynicism of our modern political landscape.
Author: Hu Liqun
Publisher: Sellene Chardou
ISBN: 1304367592
Category : Art
Languages : en
Pages : 1357
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Book Description
In order to resist the power of human beings, the orcs and the inferno engaged in a series of marriages, and my grandfather was one of these political marriages. Through marriage, he married the daughter of a concubine of the Emperor of the inferno, that is, my grandmother
Author: Fredric Brown
Publisher: Gateway
ISBN: 0575102594
Category : Fiction
Languages : en
Pages : 158
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Book Description
BUG-EYED MONSTERS ON BROADWAY Pulp SF magazine editor Keith Winton was answering a letter from a teenage fan when the first moon rocket fell back to Earth and blew him away. But where to? Greenville, New York, looked the same, but Bems (Bug-Eyed Monsters) just like the ones on the cover of Startling Stories walked the streets without attracting undue comment. And when he brought out a half-dollar coin in a drugstore, the cops wanted to shoot him on sight as an Arcturian spy. Wait a minute. Seven-foot purple moon-monsters? Earth at war with Arcturus? General Dwight D. Eisenhower in command of Venus Sector? What mad universe was this? One thing was for sure: Keith Winton had to find out fast - or he'd be good and dead, in this universe or any other.
Author:
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Category : Congregational churches
Languages : en
Pages : 1710
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Book Description
Author: Dave Itzkoff
Publisher: Macmillan
ISBN: 0805095691
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
The behind-the-scenes story of the making of the iconic movie "Network," which transformed the way we think about television and the way television thinks about us "I'm mad as hell, and I'm not going to take this anymore " Those words, spoken by an unhinged anchorman named Howard Beale, "the mad prophet of the airwaves," took America by storm in 1976, when "Network" became a sensation. With a superb cast (including Faye Dunaway, William Holden, Peter Finch, and Robert Duvall) directed by Sidney Lumet, the film won four Academy Awards and indelibly shaped how we think about corporate and media power. In "Mad As Hell," Dave Itzkoff of "The New York Times" recounts the surprising and dramatic story of how "Network" made it to the screen. Such a movie rarely gets made any more one man's vision of the world, independent of studio testing or market research. And that man was Paddy Chayefsky, the tough, driven, Oscar-winning screenwriter whose vision outlandish for its time is all too real today. Itzkoff uses interviews with the cast and crew, as well as Chayefsky's notes, letters, and drafts to re-create the action in front of and behind the camera at a time of swirling cultural turmoil. The result is a riveting account that enriches our appreciation of this prophetic and still-startling film. Itzkoff also speaks with today's leading broadcasters and filmmakers to assess "Network"'s lasting impact on television and popular culture. They testify to the enduring genius of Paddy Chayefsky, who foresaw the future and whose life offers an unforgettable lesson about the true cost of self-expression."
Author: Sara Tilghman Nalle
Publisher: University of Virginia Press
ISBN: 0813934621
Category : History
Languages : en
Pages : 246
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Book Description
Convinced he was the Elijah Messiah, the Spanish peasant Bartolomé Sánchez believed that God had sent him in divine retribution for the crimes committed by the Inquisition and the Church. Sánchez's vocal and intolerable religious deviance quickly landed him in the very court he believed he was sent to destroy. Fortunately for him, the first inquisitor assigned to his case came to believe that Sánchez was not guilty by virtue of insanity, and tried to collect the proof that would save his life. For seven years, Sánchez shuttled between jails, hospitals, and his home village while his fate hung in the balance. Nalle convincingly evokes the compassion of Sánchez's first inquisitor, Pedro Cortes, as he struggled to save his prisoner's life, and argues that the Spanish, compared to other Europeans of the day, were remarkably rational and humane when dealing with the mentally ill. A gripping tale of madness and religious conviction, Mad for God offers new historical insight into the ongoing debate over the nature of religious inspiration, insanity, and criminal responsibility.
