Machado de Assis and Narrative Theory PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Machado de Assis and Narrative Theory PDF full book. Access full book title Machado de Assis and Narrative Theory by Earl E. Fitz. Download full books in PDF and EPUB format.
Author: Earl E. Fitz
Publisher: Rutgers University Press
ISBN: 1684481120
Category : Literary Criticism
Languages : en
Pages : 223
Get Book Here
Book Description
This book makes the argument that Machado de Assis, hailed as one of Latin American literature’s greatest writers, was also a major theoretician of the modern novel form. Steeped in the works of Western literature and an imaginative reader of French Symbolist poetry, Machado creates, between 1880 and 1908, a “new narrative,” one that will presage the groundbreaking theories of Swiss linguist Ferdinand de Saussure by showing how even the language of narrative cannot escape being elusive and ambiguous in terms of meaning. It is from this discovery about the nature of language as a self-referential semiotic system that Machado crafts his “new narrative.” Long celebrated in Brazil as a dazzlingly original writer, Machado has struggled to gain respect and attention outside the Luso-Brazilian ken. He is the epitome of the “outsider” or “marginal,” the iconoclastic and wildly innovative genius who hails from a culture rarely studied in the Western literary hierarchy and so consigned to the status of “eccentric.” Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Earl E. Fitz
Publisher: Rutgers University Press
ISBN: 1684481120
Category : Literary Criticism
Languages : en
Pages : 223
Get Book Here
Book Description
This book makes the argument that Machado de Assis, hailed as one of Latin American literature’s greatest writers, was also a major theoretician of the modern novel form. Steeped in the works of Western literature and an imaginative reader of French Symbolist poetry, Machado creates, between 1880 and 1908, a “new narrative,” one that will presage the groundbreaking theories of Swiss linguist Ferdinand de Saussure by showing how even the language of narrative cannot escape being elusive and ambiguous in terms of meaning. It is from this discovery about the nature of language as a self-referential semiotic system that Machado crafts his “new narrative.” Long celebrated in Brazil as a dazzlingly original writer, Machado has struggled to gain respect and attention outside the Luso-Brazilian ken. He is the epitome of the “outsider” or “marginal,” the iconoclastic and wildly innovative genius who hails from a culture rarely studied in the Western literary hierarchy and so consigned to the status of “eccentric.” Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Joaquim Maria Machado de Assis
Publisher: Liveright Publishing
ISBN: 0871404974
Category : Fiction
Languages : en
Pages : 992
Get Book Here
Book Description
New York Times Critics’ Best of the Year A landmark event, the complete stories of Machado de Assis finally appear in English for the first time in this extraordinary new translation. Widely acclaimed as the progenitor of twentieth-century Latin American fiction, Machado de Assis (1839–1908)—the son of a mulatto father and a washerwoman, and the grandson of freed slaves—was hailed in his lifetime as Brazil’s greatest writer. His prodigious output of novels, plays, and stories rivaled contemporaries like Chekhov, Flaubert, and Maupassant, but, shockingly, he was barely translated into English until 1963 and still lacks proper recognition today. Drawn to the master’s psychologically probing tales of fin-de-siecle Rio de Janeiro, a world populated with dissolute plutocrats, grasping parvenus, and struggling spinsters, acclaimed translators Margaret Jull Costa and Robin Patterson have now combined Machado’s seven short-story collections into one volume, featuring seventy-six stories, a dozen appearing in English for the first time. Born in the outskirts of Rio, Machado displayed a precocious interest in books and languages and, despite his impoverished background, miraculously became a well-known intellectual figure in Brazil’s capital by his early twenties. His daring narrative techniques and coolly ironic voice resemble those of Thomas Hardy and Henry James, but more than either of these writers, Machado engages in an open playfulness with his reader—as when his narrator toys with readers’ expectations of what makes a female heroine in “Miss Dollar,” or questions the sincerity of a slave’s concern for his dying master in “The Tale of the Cabriolet.” Predominantly set in the late nineteenth-century aspiring world of Rio de Janeiro—a city in the midst of an intense transformation from colonial backwater to imperial metropolis—the postcolonial realism of Machado’s stories anticipates a dominant theme of twentieth-century literature. Readers witness the bourgeoisie of Rio both at play, and, occasionally, attempting to be serious, as depicted by the chief character of “The Alienist,” who makes naively grandiose claims for his Brazilian hometown at the expense of the cultural capitals of Europe. Signifiers of new wealth and social status abound through the landmarks that populate Machado’s stories, enlivening a world in the throes of transformation: from the elegant gardens of Passeio Público and the vibrant Rua do Ouvidor—the long, narrow street of fashionable shops, theaters and cafés, “the Via Dolorosa of long-suffering husbands”—to the port areas of Saúde and Gamboa, and the former Valongo slave market. One of the greatest masters of the twentieth century, Machado reveals himself to be an obsessive collector of other people’s lives, who writes: “There are no mysteries for an author who can scrutinize every nook and cranny of the human heart.” Now, The Collected Stories of Machado de Assis brings together, for the first time in English, all of the stories contained in the seven collections published in his lifetime, from 1870 to 1906. A landmark literary event, this majestic translation reintroduces a literary giant who must finally be integrated into the world literary canon.
Author: Machado de Assis
Publisher: Lebooks Editora
ISBN: 6558943514
Category : Fiction
Languages : en
Pages : 153
Get Book Here
Book Description
Machado de Assis (1839-1908) is considered one of the greatest, if not the greatest, Brazilian writers of all time. Author of "Dom Casmurro," "Memórias Póstumas de Braz Cubas," "Quincas Borba," and dozens of other unforgettable titles, Machado was a complete author, having written novels, short stories, poems, plays, critiques, chronicles, and correspondence. In the genre of short stories, Machado published over two hundred stories, always with the enormous talent that is peculiar to him, which makes any selection of his best short stories a challenging task; but it has been done! " Machado de Assis Best Short Stories" brings the reader an exquisite selection of his best stories, recognizing in each of them the unparalleled talent of this brilliant Brazilian writer.
Author: Machado de Assis
Publisher: Prabhat Prakashan
ISBN:
Category : Self-Help
Languages : en
Pages : 267
Get Book Here
Book Description
One night, coming from the city to Engenho Novo, I met on the Central train a young man from the neighborhood, whom I know by sight and wearing a hat. He greeted me, sat next to me, talked about the moon and the ministers, and ended up reciting verses to me. The journey was short, and the verses might not have been entirely bad. It happened, however, that as I was tired, I closed my eyes three or four times; it was enough for him to stop reading and put the verses in his pocket.
Author: Earl E. Fitz
Publisher: Bucknell University Press
ISBN: 1611486211
Category : Literary Criticism
Languages : en
Pages : 252
Get Book Here
Book Description
This book examines the nature and function of the main female characters in the nine novels of Machado de Assis. The basic argument is that Machado had a particular interest in female characterization and that his fictional women became increasingly sophisticated and complex as he matured and developed as a writer and social commentator. This book argues that Machado developed, especially after 1880 (and what is usually considered the beginning of his “mature” period), a kind of anti-realistic, “new narrative,” one that presents itself as self-referential fictional artifice but one that also cultivates a keen social consciousness. The book also contends that Machado increasingly uses his female characterizations to convey this social consciousness and to show that the new Brazil that is emerging both before and after the establishment of the Brazilian Republic (1889) requires not only the emancipation of the black slaves but the emancipation of its women as well.
Author: Amândio Reis
Publisher:
ISBN: 9783031066825
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
This book proposes a comparative approach to the supernatural short stories of Machado de Assis, Henry James and Guy de Maupassant. It offers an alternative to predominantly novel-centric and Anglo-centric perspectives on literary pre-modernism by investigating a transnational and multilingual connection between genre, theme and theory, i.e., between the modern short story, the supernatural and the problem of knowledge. Incorporating a close analysis of the literary texts into a discussion of their historical context, the book argues that Machado, James and Maupassant explore and reinvent the supernatural short story as a metafictional genre. This modernized and innovative form allows them to challenge the dichotomies and conventions of realist and supernatural fiction, inviting their past and present readers to question common assumptions on reality and literary representation. Amândio Reis is a Research Fellow and member of the Centre for Comparative Studies at the University of Lisbon, Portugal. He is the editor-in-chief of Compendium: Journal of Comparative Studies. He has taught comparative literature, Romantic poetry and painting, and contemporary and late nineteenth-century short fiction. His work is mostly focused on narrative theory, comparative literature, and interarts studies, with a special focus on the late nineteenth century and transatlantic modernisms.
Author: Roberto Schwarz
Publisher: Duke University Press
ISBN: 9780822322399
Category : Biography & Autobiography
Languages : en
Pages : 236
Get Book Here
Book Description
DIVA translation of Schwarz's study of the work of Brazilian novelist Machado de Assis (1839-1908)./div
Author: Maria Nunes
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 184
Get Book Here
Book Description
Author: G. Reginald Daniel
Publisher: Penn State University Press
ISBN: 9780271052472
Category : Identity (Philosophical concept) in literature
Languages : en
Pages : 0
Get Book Here
Book Description
Examines how racial identity and race relations are expressed in the writings of Joaquim Maria Machado de Assis (1839-1908), Brazil's foremost author of the late nineteenth and early twentieth centuries.
Author: João Cezar de Castro Rocha
Publisher: MSU Press
ISBN: 1628952407
Category : Literary Criticism
Languages : en
Pages : 399
Get Book Here
Book Description
This book offers an alternative explanation for one of the core dilemmas of Brazilian literary criticism: the “midlife crisis” Machado de Assis underwent from 1878 to 1880, the result of which was the writing of The Posthumous Memoirs of Brás Cubas, as well as the remarkable production of his mature years—with an emphasis on his masterpiece, Dom Casmurro. At the center of this alternative explanation, Castro Rocha situates the fallout from the success enjoyed by Eça de Queirós with the publication of Cousin Basílio and Machado’s two long texts condemning the author and his work. Literary and aesthetic rivalries come to the fore, allowing for a new theoretical framework based on a literary appropriation of “thick description,” the method proposed by anthropologist Clifford Geertz. From this method, Castro Rocha derives his key hypothesis: an unforeseen consequence of Machado’s reaction to Eça’s novel was a return to the classical notion of aemulatio, which led Machado to develop a “poetics of emulation.”
