Maarten Van Heemskerck: New Testament, allegories, mythology, history and miscellaneous subjects PDF Download
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Author: Martin van Heemskerk
Publisher:
ISBN:
Category : Allegories
Languages : en
Pages : 282
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Book Description
I: Old Testament, including series with Old & New Testament subjects II: New Testament, Allegories, Mythology, History and miscellaneous subjects
Author: Martin van Heemskerk
Publisher:
ISBN:
Category : Allegories
Languages : en
Pages : 282
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Book Description
I: Old Testament, including series with Old & New Testament subjects II: New Testament, Allegories, Mythology, History and miscellaneous subjects
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Vol. 1 Teil 2.
Author:
Publisher:
ISBN: 9789072658258
Category :
Languages : en
Pages :
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Book Description
I: Old Testament, including series with Old & New Testament subjects II: New Testament, Allegories, Mythology, History and miscellaneous subjects
Author: Ilja M. Veldman
Publisher:
ISBN: 9789072658395
Category :
Languages : en
Pages : 0
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Book Description
Author: Karl A.E. Enenkel
Publisher: BRILL
ISBN: 9004437894
Category : Literary Collections
Languages : en
Pages : 503
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Book Description
This volume explores early modern recreations of Ovid’s Metamorphoses, focusing on the creative ingenium of artists and writers who freely handled the original text so as to adapt it to different artistic media and genres.
Author: David Freedberg
Publisher: Getty Publications
ISBN: 0892362014
Category : Art
Languages : en
Pages : 458
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Book Description
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Author: Georg Satzinger
Publisher:
ISBN:
Category : Germany
Languages : de
Pages : 410
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Book Description
Author: George R. Goldner
Publisher: Getty Publications
ISBN: 0892362197
Category : Drawing
Languages : en
Pages : 374
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Book Description
The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
Author: Karl A. E. Enenkel
Publisher: Intersections
ISBN: 9789004424890
Category : History
Languages : en
Pages : 504
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Book Description
"This volume explores early modern recreations of myths from Ovid's immensely popular Metamorphoses, focusing on the creative ingenium of artists and writers and on the peculiarities of the various media that were applied. The contributors try to tease out what (pictorial) devices, perspectives, and interpretative markers were used that do not occur in the original text of the Metamorphoses, what aspects were brought to the fore or emphasized, and how these are to be explained. Expounding the whatabouts of these differences, the contributors discuss the underlying literary and artistic problems, challenges, principles and techniques, the requirements of the various literary and artistic media, and the role of the cultural, ideological, religious, and gendered contexts in which these recreations were produced. Contributors are: Noam Andrews, Claudia Cieri Via, Daniel Dornhofer, Leonie Drees-Drylie, Karl A.E. Enenkel, Daniel Fulco, Barbara Hrysko, Gerlinde Huber-Rebenich, Jan L. de Jong, Andrea Lozano-Vásquez, Sabine Lütkemeyer, Morgan J. Macey, Kerstin Maria Pahl, Susanne Scholz, Robert Seidel, and Patricia Zalamea"--
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
