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Author: John Erskine
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 374
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Book Description
Author: John Erskine
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 374
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Book Description
Author: Margaret Baron- Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 426
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Book Description
Author: Frank Dempster Sherman
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
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Book Description
Author: Ming Gao
Publisher: Dramatic Publishing
ISBN: 9781583421963
Category : Musicals
Languages : en
Pages : 92
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Book Description
Playbook.
Author: FERRIS GREENSLET
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
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Book Description
Author: Daniel Fischlin
Publisher: Wayne State University Press
ISBN: 9780814326930
Category : History
Languages : en
Pages : 418
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Book Description
The English "ayre", which enjoyed a short vogue from about 1596 to 1622, is a distinctive subgenre of the lyric. Based on Edward Doughtie's seminal critical edition, LYRICS FROM ENGLISH AIRS, 1596-1622 and published in 1970, SMALL PROPORTIONS provides the first extended examination of the ayre's literary devices and attributes. 25 illustrations.
Author: John Clark Ridpath
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 552
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Book Description
Author: Scott A. Trudell
Publisher: Oxford University Press
ISBN: 0192571699
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the period's theatrical and poetic movements, yet its importance to literary history has long been ignored or effaced. This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which—and by whom—its songs were made. In a literary field that was never confined to writing, media were not limited to material texts. Scott Trudell argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study of song, Trudell outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history.
Author: Jeannette Leonard Gilder
Publisher:
ISBN:
Category :
Languages : en
Pages : 550
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Book Description
Author:
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 992
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Book Description
