Lyric forms in the sonnet sequences of Barnabe Barnes PDF Download
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Author: Philip E. Blank
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111342484
Category : Language Arts & Disciplines
Languages : en
Pages : 164
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Book Description
No detailed description available for "Lyric forms in the sonnet sequences of Barnabe Barnes".
Author: Philip E. Blank
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111342484
Category : Language Arts & Disciplines
Languages : en
Pages : 164
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Book Description
No detailed description available for "Lyric forms in the sonnet sequences of Barnabe Barnes".
Author: Philip E. Blank (Jr.)
Publisher:
ISBN:
Category : Sonnets, English
Languages : en
Pages : 454
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Book Description
Author: Philip Everett Blank
Publisher:
ISBN: 9783111966670
Category :
Languages : en
Pages : 162
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Book Description
Author: Laetitia Sansonetti
Publisher: Manchester University Press
ISBN: 1526144417
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
This volume updates current assumptions about the early modern English sonnet and its reception and inclusion in poetic collections. It deals both with major (Shakespeare, Sidney, Spenser) and minor (Harvey, Barnes) sonneteers, and includes the first modern edition of a 1603 printed miscellany, The Muses Garland.
Author: Arthur F. Kinney
Publisher: Routledge
ISBN: 1136745297
Category : History
Languages : en
Pages : 1747
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Book Description
This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays.Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux fami
Author: David Duff
Publisher: Routledge
ISBN: 1317879325
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Since Aristotle, genre has been one of the fundamental concepts of literary theory, and much of the world's literature and criticism has been shaped by ideas about the nature, function and value of literary genres. Modern developments in critical theory, however, prompted in part by the iconoclastic practices of modern writers and the emergence of new media such as film and television, have put in question traditional categories, and challenged the assumptions on which earlier genre theory was based. This has led not just to a reinterpretation of individual genres and the development of new classifications, but also to a radically new understanding of such key topics as the mixing and evolution of genres, generic hierarchies and genre-systems, the politics and sociology of genres, and the relations between genre and gender. This anthology, the first of its kind in English, charts these fascinating developments. Through judicious selections from major twentieth-century genre theorists including Yury Tynyanov, Vladimir Propp, Mikhail Bakhtin, Hans Robert Jauss, Rosalie Colie, Fredric Jameson, Tzvetan Todorov, Gérard Genette and Jacques Derrida, it demonstrates the central role that notions of genre have played in Russian Formalism, structuralism and post-structuralism, reception theory, and various modes of historical criticism. Each essay is accompanied by a detailed headnote, and the volume opens with a lucid introduction emphasising the international and interdisciplinary character of modern debates about genre. Also included are an annotated bibliography and a glossary of key terms, making this an indispensable resource for students and anyone interested in genre studies or literary theory.
Author: Heather Dubrow
Publisher: Cornell University Press
ISBN: 1501722840
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Echoes of Desire variously invokes and interrogates a number of historicist and feminist premises about Tudor and Stuart literature by examining the connections between the anti-Petrarchan tradition and mainstream Petrarchan poetry. It also addresses some of the broader implications of contemporary critical methodologies. Heather Dubrow offers an alternative to the two predominant models used in previous treatments of Petrarchism: the all-powerful poet and silenced mistress on the one hand and the poet as subservient patron on the other.
Author: Gary F. Waller
Publisher: Routledge
ISBN: 1317895576
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
Explores the poetry of the Renaissance, from Dunbar in the late 15th century to the Songs and Sonnets of John Donne in the early 17th. The book offers more than the wealth of literature discussed: it is a pioneering work in its own right, bringing the insights of contemporary literary and cultural theory to an overview of the period.
Author: Book Builders LLC.
Publisher: Infobase Publishing
ISBN: 1438108699
Category : Authors, English
Languages : en
Pages : 817
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Book Description
Presents a two-volume A to Z reference on English authors from the sixteenth, seventeenth and eighteenth centuries, providing information about major figures, key schools and genres, biographical information, author publications and some critical analyses.
Author: Matteo A. Pangallo
Publisher: University of Pennsylvania Press
ISBN: 0812294254
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience. Using a range of familiar and lesser-known print and manuscript plays, as well as literary accounts and documentary evidence, Playwriting Playgoers in Shakespeare's Theater shows how these playgoers wrote and revised to address what they assumed to be the needs of actors, readers, and the Master of the Revels; how they understood playhouse materials and practices; and how they crafted poetry for theatrical effects. The book also situates them in the context of the period's concepts of, and attitudes toward, playgoers' participation in the activity of playmaking. Plays by playgoers such as the rogue East India Company clerk Walter Mountfort or the highwayman John Clavell invite us into the creative imaginations of spectators, revealing what certain audience members wanted to see and how they thought actors might stage it. By reading Shakespeare's theater through these playgoers' works, Matteo Pangallo contributes a new category of evidence to our understanding of the relationships between the early modern stage, its plays, and its audiences. More broadly, he shows how the rise of England's first commercialized culture industry also gave rise to the first generation of participatory consumers and their attempts to engage with mainstream culture by writing early modern "fan fiction."
