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Author: Lyle Ashton Harris
Publisher: Gregory R. Miller & Co.
ISBN: 9780974364803
Category : Biography & Autobiography
Languages : en
Pages : 64
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Book Description
Known for self-portraits which explore issues of performance, identity, family, gender, masculinity and race, Lyle Ashton Harris here presents a new series featuring himself in a variety of loaded guises: Billie Holiday, Josephine Baker and the "Boxer." Anna Deavere Smith's essay powerfully explores her relationship to the photographs and the artist.
Author: Lyle Ashton Harris
Publisher: Gregory R. Miller & Co.
ISBN: 9780974364803
Category : Biography & Autobiography
Languages : en
Pages : 64
Get Book Here
Book Description
Known for self-portraits which explore issues of performance, identity, family, gender, masculinity and race, Lyle Ashton Harris here presents a new series featuring himself in a variety of loaded guises: Billie Holiday, Josephine Baker and the "Boxer." Anna Deavere Smith's essay powerfully explores her relationship to the photographs and the artist.
Author: Okwui Enwezor
Publisher: Gregory R. Miller
ISBN: 9780974364872
Category : Photography
Languages : en
Pages : 0
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Book Description
Text by Okwui Enwezor. Foreword by Henry Louis Gates, Jr. Interview with Chuck Close.
Author: Thelma Golden
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 228
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Book Description
Author: Amber Jamilla Musser
Publisher: NYU Press
ISBN: 1479886513
Category : Social Science
Languages : en
Pages : 247
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Book Description
Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters. To do so, Sensual Excess analyzes moments of brown jouissance that exceed these constraints. These ruptures illuminate multiple epistemologies of selfhood and sensuality that offer frameworks for minoritarian knowledge production which is designed to enable one to sit with uncertainty. Through examinations of installations and performances like Judy Chicago’s The Dinner Party, Kara Walker’s A Subtlety, Patty Chang’s In Love and Nao Bustamante’s Neapolitan, Musser unpacks the relationships between racialized sexuality and consumption to interrogate foundational concepts in psychoanalytic theory, critical race studies, feminism, and queer theory. In so doing, Sensual Excess offers a project of knowledge production focused not on mastery, but on sensing and imagining otherwise, whatever and wherever that might be.
Author: LaCharles Ward
Publisher: Yale University Press
ISBN: 0300264267
Category : Photography
Languages : en
Pages : 312
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Book Description
A comprehensive survey of the photography of rising and influential Black artist Joshua Rashaad McFadden American artist Joshua Rashaad McFadden (b. 1990) makes photographs that explore and celebrate Black life in the United States. Published in conjunction with his first solo museum exhibition, Joshua Rashaad McFadden: I Believe I'll Run On demonstrates his mastery of a wide range of photographic genres--social documentary, reportage, portraiture, and fine art--and his use of the medium to confront racism and anti-Black violence. Like Black photographers before him, such as Gordon Parks, Roy DeCarava, Carrie Mae Weems, Dawoud Bey, and LaToya Ruby Frazier, McFadden documents the beauty of Black life and illuminates the specificity of Black living in our historical present, including a series of impactful photographs devoted to the Black Lives Matter protests in 2020. Along with a candid conversation between McFadden and artist Lyle Ashton Harris and an essay that traces McFadden's meteoric career, this catalogue offers an overview of and insight into a poignant and deeply personal body of work, asserting McFadden's key role in shaping the art and visual culture of the United States.
Author:
Publisher:
ISBN:
Category : Art festivals
Languages : en
Pages : 45
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Book Description
Sixteen artists from 9 countries created works of art inspired by ecology and the environment that were specifically developed for the exhibition, in dialogue with the MAMBO curatorial team. Most of the artistic projects were specially commissioned for the 32nd São Paulo Biennial. "Incerteza viva is a collective process that began in early 2015 and brings together teachers, students, artists, activists, educators, scientists and thinkers in Brazil, Colombia and other places." --Page [1].
Author: Jonathan Weinberg
Publisher: Rizzoli Publications
ISBN: 0847864065
Category : Art
Languages : en
Pages : 306
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Book Description
Winner of the 2020 Award for Excellence from the Association of Art Museum Curators, Art After Stonewall explores the powerful art that emerged in the wake of the Stonewall Riots and the rise of the LGBTQ liberation movement in the U.S. Art after Stonewall reveals the impact of the Lesbian, Gay, Bisexual, and Transgender civil rights movement on the art world. Illustrated with more than 200 works, this groundbreaking volume stands as a visual history of twenty years in American queer life. It focuses on openly LGBT artists like Nan Goldin, Harmony Hammond, Lyle Ashton Harris, Greer Lankton, Glenn Ligon, Robert Mapplethorpe, Catherine Opie, and Andy Warhol, as well as the practices of such artists as Diane Arbus, Jean-Michel Basquiat, and Karen Finley in terms of their engagement with queer subcultures. The Stonewall Riots of June 1969 sparked the beginning of the struggle for gay and lesbian equality, and yet fifty years later, key artists who fomented the movement remain little known. This book tells the stories behind their works--which cut across media, mixing performance, photographs, painting, sculpture, film, and music with images taken from magazines, newspapers, and television.
Author: Bob Holman
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 60
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Book Description
Daguerreotype portraits with praise poems written to accompany the photographs. Subjects include Laurie Anderson, Cecily Brown, Gregory Crewdson, Carroll Dunham, Ellen Gallagher, Philip Glass, Lyle Ashton Harris, Bob Holman, Elizabeth Murray, Elizabeth Peyton, Andres Serrano, Cindy Sherman, James Siena, Lorna Simpson, Kiki Smith, James Turrell, Robert Wilson, Terry Winters, Lisa Yuskavage, and Chuck Close. Also includes Rexer's joint interview with photographer Close and poet Holman.
Author: Andrew Perchuk
Publisher: Mit Press
ISBN: 9780262161541
Category : Philosophy
Languages : en
Pages : 159
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Book Description
The Masculine Masquerade explores often-ignored issues of masculinity in the visual arts as well as models and concepts of masculinity in literature, film, and the mass media. Drawing on the work of feminist and gay studies and the work being done in areas of psychology, sociology, and gender studies, the essays analyze the conventional and limited definition of masculinity as a social and cultural construct. They seek to expand that definition to include multiple masculinities and factors such as race, class, ethnicity, and object choice. Helaine Posner, Curator, MIT List Visual Arts Center, examines masculinity in the contemporary visual arts, including the works of Matthew Barney, Mary Kelly, Lyle Ashton Harris, Clegg & Guttmann, Keith Piper, and Donald Moffett. Andrew Perchuk, independent curator and critic, focuses on the art of the immediate postwar period to investigate T. J. Clark's notion that the terminology surrounding the New York School was expressed in the language of sexual difference, with severe consequences for artists whose work could not be inserted into this narrative. Steven Cohan, Associate Professor of English, Syracuse University, looks at postwar film in The Spy in the Gray Flannel Suit:Gender Performance and the Representation of Masculinity in North by Northwest. Harry Brod, Department of Philosophy, University of Delaware, traces the history of masculinity as masquerade, from classic conceptions of masquerade as distinctly feminine to contemporary theories of gender as performative. bell hooks, Professor of English, City College, investigates the historical definition of black male sex roles and the commodification of blackness through close readings of the films of Eddie Murphy and Spike Lee, among others. Simon Watney, writer, activist, and critic, considers the current and changing impact of AIDS on the gay male community in "Lifelike": Imagining the Bodies of People with AIDS. Finally, Glenn Ligon employs stereotypic images of black men constructed for white pleasure, drawn from 1970s pornographic magazines, and explores the possibility of recovering and transforming these images into non-racist expressions of pleasure and desire. Distributed for the MIT List Visual Arts Center
Author: Chaédria LaBouvier
Publisher: Guggenheim Museum Publications
ISBN: 9780892075485
Category : African Americans
Languages : en
Pages : 153
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Book Description
An exploration of a formative chapter in Basquiat's brief career through the lens of his identity and the role of cultural activism in New York City during the early years of the 1980s Jean-Michel Basquiat painted Defacement (The Death of Michael Stewart) in 1983 to commemorate the death of a young, black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Published to accompany a focused exhibition of Basquiat's response to anti-black racism and police brutality, this catalogue explores a chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s. With an introduction by Chaédria LaBouvier, Nancy Spector, and Joan Young, and an essay by Johanna F. Almiron are supplemented by commentary from artists, activists, and other cultural figures who were part of this episode in the city's history, which invokes today's urgent conversations about state-sanctioned racism. Ephemera related to Stewart's death, including newspaper clippings and protest posters, and samples of artwork from Stewart's estate are also featured along with paintings and prints made by other artists from Keith Haring, Andy Warhol, David Hammons, in response to Stewart's death.
