The Trickster-function in the Theatre of García Lorca PDF Download
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Author: Sarah Wright
Publisher: Tamesis Books
ISBN: 9781855660748
Category : Literary Criticism
Languages : es
Pages : 149
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Book Description
An important contribution to the understanding of the theatrical output of major figure of Spanish literary canon.
Author: Sarah Wright
Publisher: Tamesis Books
ISBN: 9781855660748
Category : Literary Criticism
Languages : es
Pages : 149
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Book Description
An important contribution to the understanding of the theatrical output of major figure of Spanish literary canon.
Author: Charles Reade
Publisher:
ISBN:
Category :
Languages : en
Pages : 362
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Book Description
Author: Andrew A. Anderson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 478
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Book Description
Federico García Lorca (1898-1938), is often thought of as a fine lyric poet of the 1920s who then developed into one of Spain's greatest playwrights (1931-36). But other aspects of Lorca's literary career are equally significant: the earlier theatrical pieces, which he had started writing by 1918, the bold, experimental, expressionist plays of 1930-31, and (the subject of this volume) the later poetry written as his powers as a dramatist matured in the 1930s. Professor Anderson's book is the first in any language to focus specifically on Lorca's poetic output from 1931 to 1936. It offers extensive, detailed analyses of all the poetry composed during that period: Diván del Tamarit with its Arab-Andalusian flavour and stylization, the Llanto por Ignacio Sánchez Mejías, a sustained lament on the death of a bullfighter friend, Seis poemas galegos, and Sonetos, love poetry echoing Petrarch, Shakespeare and Góngora - four collections equal or superior in quality, power and suggestiveness to Lorca's canonic poetical works. Adopting a literary-critical approach based on the close reading of individual texts, with relevant background information, Professor Anderson elaborates on the themes and techniques, imagery and symbolism, strengths and weaknesses, of each poem in the four collections. Thereby he can relate this corpus to the whole of Lorca's work, showing that it cannot be neatly categorized under any of the avant-garde "-isms" prevalent in the 1920s and 1930s. His arguments for a revised appraisal of Lorca's creative development lead to a compelling case for a re-evaluation of his "late poetry". An Appendix gives English translations of all the poems under discussion (other Spanish quotations are translated in the text), and there is a fifteen-page bibliography of primary and secondary material.
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author: Nilo Cruz
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822221715
Category : Drama
Languages : en
Pages : 62
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Book Description
THE STORY: This play by Pulitzer Prize-winner Nilo Cruz is set in Andalusia, Spain, where the restless ghost of the Spanish poet Federico García Lorca still wanders through the streets and converses with the living. BEAUTY OF THE FATHER is about a
Author: Erich Neumann
Publisher: Princeton University Press
ISBN: 0691209995
Category : Social Science
Languages : en
Pages : 552
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Book Description
The Origins and History of Consciousness draws on a full range of world mythology to show how individual consciousness undergoes the same archetypal stages of development as human consciousness as a whole. Erich Neumann was one of C. G. Jung's most creative students and a renowned practitioner of analytical psychology in his own right. In this influential book, Neumann shows how the stages begin and end with the symbol of the Uroboros, the tail-eating serpent. The intermediate stages are projected in the universal myths of the World Creation, Great Mother, Separation of the World Parents, Birth of the Hero, Slaying of the Dragon, Rescue of the Captive, and Transformation and Deification of the Hero. Throughout the sequence, the Hero is the evolving ego consciousness. Featuring a foreword by Jung, this Princeton Classics edition introduces a new generation of readers to this eloquent and enduring work.
Author: Newton Phelps Stallknecht
Publisher:
ISBN: 9781258236588
Category :
Languages : en
Pages : 328
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Book Description
Contributing Authors Include Henry Remak, Edward Seeber, J. T. Shaw And Many Others.
Author: Evelyn Fishburn
Publisher: Institute of Latin American Studies
ISBN:
Category : Literary Criticism
Languages : en
Pages : 144
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Book Description
A re-examination of Borges's work from the perspectives of the dominant European culture of the time.
Author: Dante Alighieri
Publisher:
ISBN:
Category : Italian poetry
Languages : en
Pages : 0
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Book Description
Mr. Sinclair's three-volume prose translation of Dante's "Divine Comedy" should prove to be an invaluable source of pleasure to those English readers who would read this great medieval classic with understanding. The original Italian text and the Sinclair translation are arranged on facing pages, and the commentaries, brilliant examples of genuine literary criticism, appear after each canto. -- From publisher's description.
Author: Federico García Lorca
Publisher:
ISBN: 9781916003521
Category :
Languages : en
Pages : 108
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Book Description
