Ludwig Van Beethoven: Fidelio PDF Download
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Author: Paul A. Robinson
Publisher: Cambridge University Press
ISBN: 9780521458528
Category : Music
Languages : en
Pages : 208
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Book Description
This book explores the fascinating musical and dramatic elements within Fidelio, Beethoven's only complete opera.
Author: Paul A. Robinson
Publisher: Cambridge University Press
ISBN: 9780521458528
Category : Music
Languages : en
Pages : 208
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Book Description
This book explores the fascinating musical and dramatic elements within Fidelio, Beethoven's only complete opera.
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 32
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Book Description
Author: Ludwig van Beethoven
Publisher: Calder Publications Limited
ISBN:
Category : Music
Languages : en
Pages : 104
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Book Description
In our evolving American political culture, whites and blacks continue to respond very differently to race based messages and the candidates who use them. This work examines the use and influence such appeals have on voters in elections for federal office in which one candidate is a member of a minority group. The authors use various methods of analysis to examine candidates who play the race card in political advertisements. They offer an analysis of the construction of verbal and visual racial appeals and how the news media covers campaigns involving candidates of color. The book combines rigorous analyses with in-depth case studies, including an examination of race based appeals in the historic 2008 presidential election.
Author: Alexander Wheelock Thayer
Publisher: Good Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1230
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Book Description
Alexander Wheelock Thayer's 'The Life of Ludwig van Beethoven' is a monumental three-volume biography that delves deep into the personal and professional life of the legendary composer. Thayer's meticulous research and comprehensive documentation provide readers with a detailed account of Beethoven's trials and triumphs, offering insights into his revolutionary compositions and enduring legacy. Written in a scholarly but approachable style, this biography sheds light on Beethoven's complex personality and the social and cultural context in which he created his immortal music. Thayer's work is not only a biography but also a valuable historical and artistic resource for anyone interested in classical music and the life of one of its greatest composers. Alexander Wheelock Thayer, a dedicated music historian, spent years studying Beethoven's life and works, collecting extensive materials to create this definitive account. His passion for Beethoven's music and commitment to accuracy shine through in every page of this meticulously researched biography. Thayer's expertise and deep understanding of Beethoven's music and life make 'The Life of Ludwig van Beethoven' a must-read for scholars, musicians, and music lovers alike. I highly recommend 'The Life of Ludwig van Beethoven' to anyone seeking a comprehensive and engaging exploration of Beethoven's life, music, and lasting influence on classical music. Thayer's scholarly approach and detailed analysis provide a rich and rewarding reading experience for those interested in the life and works of one of the greatest composers in history.
Author: Roman Rolland
Publisher: Read Books Ltd
ISBN: 1447495543
Category : Biography & Autobiography
Languages : en
Pages : 351
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Ludwig van Beethoven
Publisher: Alfred Music Publishing
ISBN: 9780757922633
Category : History
Languages : de
Pages : 52
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Book Description
A complete orchestral and vocal score for Beethoven's only opera, Fidelio, composed between 1803 and 1815. The opera is a Singspiel, with both singing and spoken dialogue, effectively using melodrama (action or dialogue accompanied by music) to create the proper mood for somber scenes. The lyrics and text in this edition are only in German."
Author: Myunghwa Jang
Publisher: GRIN Verlag
ISBN: 3640773608
Category : Social Science
Languages : en
Pages : 29
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Book Description
Research Paper (undergraduate) from the year 2010 in the subject Sociology - Media, Art, Music, The University of Malaya, language: English, abstract: Written with librettist, Joseph von Sonnleithner, Beethoven's first version was divided into three acts in the style of a German Singspiel. In a singspiel, a fresh start has to be made after every spoken interruption. Fidelio was first performed on November 20, 1805 after being delayed due to issues with the censors. The opera opened to a small audience and negative reviews. A year later Beethoven attempted a revision of Fidelio for the same theatre. Due to a change in management Beethoven was presented with a new librettist by the name of Stephan von Breuning. After a great deal of struggle, a very reluctant Beethoven agreed to a much more condensed and concise version of the opera. The newly revised version was performed on May 29, 1806. Again the audience was not Beethoven's ideal audience and the show failed once again. After reading a refined libretto by Georg Friedrich Treitschke, Beethoven agreed the revival but insisted on a complete revision in which he virtually started over. Nearly every number was altered in some fashion. The third and final version of the opera opened with great success on May 23, 1814. It took Beethoven over a decade to complete his only opera. Throughout the many revisions he produced four different overtures. The first, now known as Leonore #2 was written for the opera's premiere in 1805. Because some sections proved to be too difficult Beethoven began reworking the overture for the opera's revival in 1806. The new version became known as Leonore #3. Beethoven's final revision composed for the 1814. Production was called the Fidelio Overture. After his death a fourth overture was found. Entitled Leonore #1 it is believed he either wrote it first or for a production of Fidelio in Prague that never happened. Leonore #3 is often played between the two scenes in Act 2. However, many critic
Author: Laura Tunbridge
Publisher: Yale University Press
ISBN: 030025797X
Category : Biography & Autobiography
Languages : en
Pages : 289
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Book Description
A major new biography published for the 250th anniversary of Beethoven’s birth, offering a fresh, human portrayalThe iconic image of Beethoven is of him as a lone genius: hair wild, fists clenched, and brow furrowed. Beethoven may well have shaped the music of the future, but he was also a product of his time, influenced by the people, politics, and culture around him. Oxford scholar Laura Tunbridge offers an alternative history of Beethoven’s career, placing his music in contexts that shed light on why particular pieces are valued more than others, and what this tells us about his larger-than-life reputation. Each chapter focuses on a period of his life, a piece of music, and a revealing theme, from family to friends, from heroism to liberty. We discover, along the way, Beethoven’s unusual marketing strategies, his ambitious concert programming, and how specific performers and instruments influenced his works. This book offers new ways to understand Beethoven and why his music continues to be valued today.
Author: Carl Dahlhaus
Publisher: Oxford University Press
ISBN: 9780198163992
Category : Music
Languages : en
Pages : 302
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Book Description
Many books have been written about Beethoven. But it is rare to find one that seeks an alternative between the fragmentation found in most specialized studies and the superficial overview typical of popular biography. In this volume, Carl Dahlhaus, one of the century's leading musicologists, combines interpretations of individual works that focus on issues of composition and musical history, with excursions into the musical aesthetics of the period around 1800; an age that was not only a "classical" period in the history of the arts but also one in that aesthetics carved itself a place in the center of philosophical attention. The theme of the book is the reconstruction of Beethoven's "musical thinking" from the evidence in the works themselves and their context in the history of ideas.
Author: John Clubbe
Publisher: W. W. Norton & Company
ISBN: 0393242560
Category : Music
Languages : en
Pages : 633
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Book Description
A fascinating and in-depth exploration of how the Enlightenment, the French Revolution, and Napoleon shaped Beethoven’s political ideals and inspired his groundbreaking compositions. Beethoven imbibed Enlightenment and revolutionary ideas in his hometown of Bonn, where they were fervently discussed in cafés and at the university. Moving to Vienna at the age of twenty-one to study with Haydn, he gained renown as a brilliant pianist and innovative composer. In that conservative city, capital of the Hapsburg empire, authorities were ever watchful to curtail and punish overt displays of radical political views. Nevertheless, Beethoven avidly followed the meteoric rise of Napoleon. As Napoleon had made strides to liberate Europe from aristocratic oppression, so Beethoven desired to liberate humankind through music. He went beyond the musical forms of Haydn and Mozart, notably in the Eroica Symphony and his opera Fidelio, both inspired by the French Revolution and Napoleon. John Clubbe illuminates Beethoven as a lifelong revolutionary through his compositions, portraits, and writings, and by setting him alongside major cultural figures of the time—among them Schiller, Goethe, Byron, Chateaubriand, and Goya.
