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Author: Lourdes Grobet
Publisher: Editorial Rm
ISBN:
Category : Art
Languages : en
Pages : 86
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Book Description
Lourdes Grobet has documented the spectacle of Mexican professional wrestling, known as lucha libre (free fighting), for more than 25 years. The only woman to have worked in such proximity to the sport, Grobet has photographed the masked luchadores in many contexts--and always in their signature disguises, which practitioners have worn since 1942, when a wrestler named El Santo stepped into a Mexico City ring wearing a silver mask, literally changing the face of the game forever. The mask, always a symbolically rich object in Mexican culture, serves both as a retreat (into anonymity) and as an attack, as a weapon with which to disconcert and terrorize the opponent. Its visual appeal, especially when set in scenarios outside the ring, was quickly apparent to Grobet, who describes El Santo as "one of the teachers that most influenced me early on." In Lucha Libre: The Family Portraits, Grobet shows the wrestlers with their mothers, wives and girlfriends, sitting for what would almost be a generic family portrait, but for the fantastic costumes of the luchadores themselves. By this simple recontextualizing gesture, we are brought to the threshold of their identities--and held there. The ungainly, monstrous and splendidly defiant stance they convey with this final preservation of anonymity is of course what gives Grobet's pictures their edge. One of Mexico's leading contemporary photographers, Lourdes Grobet was a student of artists Mathias Goeritz, Gilberto Aceves Navarro and Katy Horna, among others. For the past 20 years, she has surveyed Mexican popular culture, from female wrestling, northern emigration and neo-Mayan architecture to Cuban immigration. Her influence on younger generations of Mexican artists, including Gabriel Orozco and Rubén Ortiz Torres, has been considerable.
Author: Lourdes Grobet
Publisher: Editorial Rm
ISBN:
Category : Art
Languages : en
Pages : 86
Get Book Here
Book Description
Lourdes Grobet has documented the spectacle of Mexican professional wrestling, known as lucha libre (free fighting), for more than 25 years. The only woman to have worked in such proximity to the sport, Grobet has photographed the masked luchadores in many contexts--and always in their signature disguises, which practitioners have worn since 1942, when a wrestler named El Santo stepped into a Mexico City ring wearing a silver mask, literally changing the face of the game forever. The mask, always a symbolically rich object in Mexican culture, serves both as a retreat (into anonymity) and as an attack, as a weapon with which to disconcert and terrorize the opponent. Its visual appeal, especially when set in scenarios outside the ring, was quickly apparent to Grobet, who describes El Santo as "one of the teachers that most influenced me early on." In Lucha Libre: The Family Portraits, Grobet shows the wrestlers with their mothers, wives and girlfriends, sitting for what would almost be a generic family portrait, but for the fantastic costumes of the luchadores themselves. By this simple recontextualizing gesture, we are brought to the threshold of their identities--and held there. The ungainly, monstrous and splendidly defiant stance they convey with this final preservation of anonymity is of course what gives Grobet's pictures their edge. One of Mexico's leading contemporary photographers, Lourdes Grobet was a student of artists Mathias Goeritz, Gilberto Aceves Navarro and Katy Horna, among others. For the past 20 years, she has surveyed Mexican popular culture, from female wrestling, northern emigration and neo-Mayan architecture to Cuban immigration. Her influence on younger generations of Mexican artists, including Gabriel Orozco and Rubén Ortiz Torres, has been considerable.
Author:
Publisher: Cinco Puntos Press
ISBN: 1935955349
Category : Juvenile Fiction
Languages : en
Pages : 218
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Book Description
Margarito acts like any other eleven-year-old aficionado of lucha libre. He worships all the players. But in the summer just before sixth grade, he tumbles over the railing at a match in San Antonio and makes a connection to the world of Mexican wrestling that will ultimately connect him—maybe by blood!—to the greatest hero of all time: the Guardian Angel. A 2012 Pura Belpré Author Honor Award winner! Xavier Garza was born in the Rio Grande Valley of Texas. An enthusiastic author, artist, teacher, and storyteller, his work is a lively documentation of the dreams, superstitions, and heroes in the bigger-than-life world of south Texas.
Author: Julia R. Brown
Publisher: Taylor & Francis
ISBN: 1003852149
Category : Art
Languages : en
Pages : 194
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Book Description
The photographers discussed in this book probe the most contentious aspects of social organization in Mexico, questioning what it means to belong, to be Mexican, to experience modernity, and to create art as a culturally, politically, or racially marginalized person. By choosing human subjects, spaces, and aesthetics excluded from the Lettered City, each of the photographers discussed in this volume produces a corpus of art that contests dominant narratives of social and cultural modernization in Mexico. Taken together, their work represents diverging and diverse notions of what is meant by Mexican modernity. The book will be of interest to scholars working in art history, history of photography, women’s studies, and Mexican studies.
Author:
Publisher: Distributed Art Publishers (DAP)
ISBN:
Category : Art
Languages : en
Pages : 326
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Book Description
Take one part Mexi-Monster cinema, one part Teenage Mutant Ninja Turtles, throw in a little Zoro, the WWF and the knit-costume-wearing performance art collective Forcefield, and you come up with the raw, vivid, and psychologically unhinged world of "Lucha Libre" the sports-entertainment phenomenon that first swept Mexico and now the world. Photographer Lourdes Grobet's penentrating study of Mexican professional wrestling culture features more than 500 photographs of "luchadores" like Blue Demon, Santo, The Witch, Adorable Rub', El Solitario and Hurricane Ramirez, as well as pictures of their families, friends and fans--onstage, backstage and even at home. "Lucha Libre" also includes photographs of stickers, flyers, postcards, stills from "Mexi-lucha-cinema," interviews with the wrestlers, essays and much, much more! In this comprehensive 20-year study, Grobet has put together "the" definitive look at Mexico's masked superstars.
Author:
Publisher: Cinco Puntos Press
ISBN: 193595587X
Category : Juvenile Fiction
Languages : en
Pages : 37
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Book Description
A bilingual tale about Little Lilly Lujan who loves her chanclas (flip-flops) going slippety-slappety and flippity-flop. In fact, Lilly refuses any footwear except her favorite pair of flip-flops. "Why does Lilly love her chanclas so much?" her family cries. Lilly doesn't listen. That's why her family nicknames her "Little Chanclas." At baptisms, barbecues, quinceñeras, and picnics, you can hear Little Chanclas going slippety-slap and flippity-flop. Then one day Lilly dances a little too much at a fiesta, her chanclas come apart, a pit bull chews up the remains, and there is no more flip for her flop! Little Chanclas is inconsolable. Crisis ensues as she rejects shoe after shoe. But then a miracle happens. Lilly puts on a pair of soccer shoes. She's a natural. She goes clickety-click. She scores a goal. She's a star! José Lozano is a rising star in the thriving Latino art scene in Los Angeles, California. Born in Los Angeles, his family moved to Juárez, Chihuahua, México, when he was a baby. Growing up on the border, he found many of the cultural touchstones that continue to influence his work today—bad Mexican cinema, lucha libre, fotonovelas, ghost stories, and comic books. Lozano prefers to work in a series, focusing on themes like Mexican wrestlers, paper dolls, and lotería. In fact, the Los Angeles Metro System commissioned his loteria card portraits of various light rail riders for the La Brea/Expo Station. Lozano lives in Fullerton, California, and teaches elementary school in Anaheim.
Author: Cynthia Leonor Garza
Publisher: POW! Kids Books
ISBN: 9781576878279
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
Lucía zips through the playground in her cape just like the boys, but when theytell her "girls can't be superheroes," suddenly she doesn't feel so mighty. That'swhen her beloved abuela reveals a dazzling secret: Lucía comes from a family ofluchadoras, the bold and valiant women of the Mexican lucha libre tradition.Cloaked in a flashy new disguise, Lucía returns as a recess sensation! But whenshe's confronted with a case of injustice, Lucía must decide if she can stay true tothe ways of the luchadora and fight for what is right, even if it means breaking thesacred rule of never revealing the identity behind her mask. A story about courageand cultural legacy, Lucía the Luchadora is full of pluck, daring, and heart.
Author: Tim Tingle
Publisher: Cinco Puntos Press
ISBN: 1935955187
Category : Juvenile Nonfiction
Languages : en
Pages : 41
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Book Description
Bee stings on the backside! That was just the beginning. Tim was about to enter a world of the past, with bullying boys, stones and Indian spirits of long ago. But they were real spirits, real stones, very real memories… In this powerful family saga, author Tim Tingle tells the story of his family’s move from Oklahoma Choctaw country to Pasadena, TX. Spanning 50 years, Saltypie describes the problems encountered by his Choctaw grandmother—from her orphan days at an Indian boarding school to hardships encountered in her new home on the Gulf Coast. Tingle says, “Stories of modern Indian families rarely grace the printed page. Long before I began writing, I knew this story must be told.” Seen through the innocent eyes of a young boy, Saltypie — a 2011 Skipping Stones honor book, WordCraft Circle 2012 Children's Literature Award-winner, and winner of the 2011 Paterson Prize for Books for Young People in the category of Grades 4-6 — is the story of one family’s efforts to honor the past while struggling to gain a foothold in modern America. Tim Tingle, a member of the Choctaw Nation of Oklahoma, is a sought-after storyteller for folklore festivals, library conferences, and schools across America. At the request of Choctaw Chief Pyle, Tim tells a story to the tribe every year before Pyle’s State of the Nation Address at the Choctaw Labor Day Gathering. Tim’s previous and often reprinted books from Cinco Puntos Press—Walking the Choctaw Road and Crossing Bok Chitto—received numerous awards, but what makes Tim the proudest is the recognition he receives from the American Indian communities. Karen Clarkson, a Choctaw tribal member, is a self-taught artist who specializes in portraits of Native Americans. She did not start painting until after her children had left home; she has since been widely acclaimed as a Native American painter. She lives in San Leandro, California.
Author: Jennifer A. González
Publisher: Duke University Press
ISBN: 1478003405
Category : Art
Languages : en
Pages : 552
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Book Description
This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor
Author: Gail Buckland
Publisher: Knopf
ISBN: 0385352239
Category : Photography
Languages : en
Pages : 345
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Book Description
From the creator/editor of Who Shot Rock & Roll (“I loved this book” —Dwight Garner, The New York Times. “Whatever Gail Buckland writes, I want to read”), a book that brings together the work of 165 extraordinary photographers, most of their images heralded, most of their names unknown; photographs that capture the essence of athletes’ mastery of mind/body/soul against the odds, doing the impossible, seeming to defy the laws of gravity, the laws of physics, and showing what human will, discipline, drive, and desire look like when suspended in time. The first book to show the range, cultural importance, and aesthetics of sports photography, much of it legendary, all of it powerful. Here, in more than 280 spectacular images—more than 130 in full color—are great action photographs; portraits of athletes, famous and unknown; athletes off the field and behind the scenes; athletes practicing, working out, the daily relentless effort of training and achieving physical perfection. Buckland writes that sports photographers have always been central to the technical advancement of photography, that they have designed longer lenses, faster shutters, motor drives, underwater casings, and remote controls, allowing us to see what we could never see—and hold on to—with the naked eye. Here are photographs by such masters as Henri Cartier-Bresson, Robert Capa, Danny Lyon, Walker Evans, Annie Leibovitz, and 160 more, names not necessarily known to the public but whose photographic work is considered iconic . . . Here are photographs of Willie Mays . . . Carl Lewis . . . Ian Botham . . . Kobe Bryant . . . Magic Johnson . . . Muhammad Ali . . . Serena Williams . . . Bobby Orr . . . Stirling Moss . . . Jesse Owens . . . Mark Spitz . . . Roger Federer . . . Jackie Robinson. Here is the work of the great sports photographers Neil Leifer, Walter Iooss Jr., Bob Martin, Al Bello, Robert Riger, and Heinz Kleutmeier of Sports Illustrated, who was the first to put a camera at the bottom of an Olympic swimming pool and photograph swimmers from below . . . Here are pictures by Charles Hoff, the New York Daily News photographer of the 1930s, 1940s, and 1950s, whose images of the 1936 Berlin Olympics still inspire shock and awe . . . and those of Ernst Haas, whose innovative color pictures of bullfighting of the 1950s remain poetic evocations of a bloody sport . . . To make the selections for Who Shot Sports, Buckland, a former curator of the Royal Photographic Society of Great Britain and Benjamin Menschel Distinguished Visiting Professor at Cooper Union, has drawn upon the work of more than fifty archives, from the Museum of Fine Arts, Houston, to Sports Illustrated, Condé Nast, Getty Images, the National Baseball Hall of Fame, L’Équipe, The New York Times, and the archives of the International Olympic Committee in Lausanne. Here are classic and unknown sports images that capture the uncapturable, that allow us to experience “kinetic beauty,” and that give us the essence and meaning—the transcendent power—of sports.
Author: Jaime Hernandez
Publisher: Fantagraphics Books
ISBN: 1683964454
Category : Art
Languages : en
Pages : 140
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Book Description
For the past 40 years, acclaimed graphic novelist Jaime Hernandez has been creating a Love and Rockets-adjacent world ― set in the heyday of 1960s and ’70s women’s wrestling and lucha libre! ― with an entirely separate cast of characters who have aged and evolved: the beautiful and brutal Bettie Rey, the I.F.W. Pacific Women’s Champion ― a.k.a. Golden Girl ― as well as former champions Pantera Negra, Miss Kitty Perez, and many more. As Hernandez puts it, “It’s my Love and Rockets world that’s not my Love and Rockets world.” This best-of book spotlights the women who are often ignored in pro wrestling in 125 full color illustrations: pin-ups, action shots, fake wrestling magazine covers, all presented in a large paperback format that echoes the lucha libre magazines of the 1960s. Hernandez also discusses the work in an interview with fellow cartoonist Katie Skelly. Despite having created one of the most expansive and remarkable casts of characters of any cartoonist who ever lived (under the umbrella of the ongoing L&R comic book series), acclaimed graphic novelist Jaime Hernandez ― Will Eisner Hall of Famer; Eisner, Harvey, Ignatz, and PEN Award winner; L.A. Times Book Prize winner; and on a very short list of contenders for the title of America’s Greatest Living Cartoonist ― has been privately amassing a body of work that no one else has ever seen for over 40 years. Until now.
