Author: Michelangelo Buonarroti
Publisher: Peter Owen Publishers
ISBN: 9780720610406
Category : Italian poetry
Languages : en
Pages : 0
Book Description
The genius of Michelangelo as architect, sculptor and painter was recognised by his European contemporaries. Only recently has he been acknowledged as the greatest Italian lyric poet of his generation. From the time he was thirty he wrote verse all his long life, but what turned him into a great poet was his encounter at the age of fifty-seven with Tommaso de'Cavalieri, a young Roman nobleman. The versions given here are of the sonnets and madrigals generated by his love for Cavalieri. Whether that love was ever physical is debatable. It was certainly 'metaphysical', and in their conceptual toughness and power these poems anticipate the work of the English poets of that description. The themes are light and dark, cold and the fever of flesh and damnation, helplessness in the face of young beauty, hope for the divine countenance. Immortalized in these poems, Cavalieri has another aspect. Vasari tells us Michelangelo did a full-length cartoon of him. If Aretino is right, millions have admired his features - in all probability Christ in the Sistine Chapel Last Judgement is a portrait of Tommaso de'Cavalieri.
Love Sonnets and Madrigals to Tommaso De'Cavalieri
Author: Michelangelo Buonarroti
Publisher: Peter Owen Publishers
ISBN: 9780720610406
Category : Italian poetry
Languages : en
Pages : 0
Book Description
The genius of Michelangelo as architect, sculptor and painter was recognised by his European contemporaries. Only recently has he been acknowledged as the greatest Italian lyric poet of his generation. From the time he was thirty he wrote verse all his long life, but what turned him into a great poet was his encounter at the age of fifty-seven with Tommaso de'Cavalieri, a young Roman nobleman. The versions given here are of the sonnets and madrigals generated by his love for Cavalieri. Whether that love was ever physical is debatable. It was certainly 'metaphysical', and in their conceptual toughness and power these poems anticipate the work of the English poets of that description. The themes are light and dark, cold and the fever of flesh and damnation, helplessness in the face of young beauty, hope for the divine countenance. Immortalized in these poems, Cavalieri has another aspect. Vasari tells us Michelangelo did a full-length cartoon of him. If Aretino is right, millions have admired his features - in all probability Christ in the Sistine Chapel Last Judgement is a portrait of Tommaso de'Cavalieri.
Publisher: Peter Owen Publishers
ISBN: 9780720610406
Category : Italian poetry
Languages : en
Pages : 0
Book Description
The genius of Michelangelo as architect, sculptor and painter was recognised by his European contemporaries. Only recently has he been acknowledged as the greatest Italian lyric poet of his generation. From the time he was thirty he wrote verse all his long life, but what turned him into a great poet was his encounter at the age of fifty-seven with Tommaso de'Cavalieri, a young Roman nobleman. The versions given here are of the sonnets and madrigals generated by his love for Cavalieri. Whether that love was ever physical is debatable. It was certainly 'metaphysical', and in their conceptual toughness and power these poems anticipate the work of the English poets of that description. The themes are light and dark, cold and the fever of flesh and damnation, helplessness in the face of young beauty, hope for the divine countenance. Immortalized in these poems, Cavalieri has another aspect. Vasari tells us Michelangelo did a full-length cartoon of him. If Aretino is right, millions have admired his features - in all probability Christ in the Sistine Chapel Last Judgement is a portrait of Tommaso de'Cavalieri.
A Detailed Explication of T. S. Eliot's The Love Song of J. Alfred Prufrock
Author: Harry Eiss
Publisher: Cambridge Scholars Publishing
ISBN: 1527581675
Category : Poetry
Languages : en
Pages : 417
Book Description
Do I dare disturb the universe? This is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best-known poems of the previous century, T. S. Eliotâs The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and The Waste Land, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If the reader works through Eliotâs love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work, but do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Danteâs Divine Comedy, and its inclusion of amour as a means to salvation. Danteâs work is generally seen as the greatest literature ever to come out of Italy. This book is an expanded revision of Seeking God in the Works of T. S. Eliot and Michelangelo. It explores how T.S Eliot struggled with the highest meanings of existence in his poetry and his own life, and perhaps managed to express what has become known as a modernist (and post-modernist) view of what Rudolph Otto designated the mysterium tremendum, the experience of a mystical awe, the experience of God.
Publisher: Cambridge Scholars Publishing
ISBN: 1527581675
Category : Poetry
Languages : en
Pages : 417
Book Description
Do I dare disturb the universe? This is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best-known poems of the previous century, T. S. Eliotâs The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and The Waste Land, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If the reader works through Eliotâs love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work, but do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Danteâs Divine Comedy, and its inclusion of amour as a means to salvation. Danteâs work is generally seen as the greatest literature ever to come out of Italy. This book is an expanded revision of Seeking God in the Works of T. S. Eliot and Michelangelo. It explores how T.S Eliot struggled with the highest meanings of existence in his poetry and his own life, and perhaps managed to express what has become known as a modernist (and post-modernist) view of what Rudolph Otto designated the mysterium tremendum, the experience of a mystical awe, the experience of God.
Sonnets and Madrigals of Michelangelo Buonarroti
Author: Michelangelo Buonarroti
Publisher:
ISBN:
Category :
Languages : en
Pages : 158
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 158
Book Description
Italian Literature Before 1900 in English Translation
Author: Robin Healey
Publisher: University of Toronto Press
ISBN: 1442642696
Category : Literary Criticism
Languages : en
Pages : 1185
Book Description
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.
Publisher: University of Toronto Press
ISBN: 1442642696
Category : Literary Criticism
Languages : en
Pages : 1185
Book Description
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.
Michelangelo
Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
ISBN: 1538123045
Category : Young Adult Nonfiction
Languages : en
Pages : 277
Book Description
Michelangelo: A Reference Guide to His Life and Works cover the life and works of Michelangelo Buonarroti. Michelangelo is considered to be one of the greatest masters in history and he produced some of the most notable icons of civilization, including the Sistine Ceiling frescoes, the Moses, and the Pietà at St. Peter’s. Includes a detailed chronology of Michelangelo’s life, family, and work. The A to Z section includes the major events, places, and people in Michelangelo’s life and the complete works of his sculptures, paintings, architectural designs, drawings, and poetry. The bibliography includes a list of publications concerning his life and work. The index thoroughly cross-references the chronological and encyclopedic entries.
Publisher: Rowman & Littlefield
ISBN: 1538123045
Category : Young Adult Nonfiction
Languages : en
Pages : 277
Book Description
Michelangelo: A Reference Guide to His Life and Works cover the life and works of Michelangelo Buonarroti. Michelangelo is considered to be one of the greatest masters in history and he produced some of the most notable icons of civilization, including the Sistine Ceiling frescoes, the Moses, and the Pietà at St. Peter’s. Includes a detailed chronology of Michelangelo’s life, family, and work. The A to Z section includes the major events, places, and people in Michelangelo’s life and the complete works of his sculptures, paintings, architectural designs, drawings, and poetry. The bibliography includes a list of publications concerning his life and work. The index thoroughly cross-references the chronological and encyclopedic entries.
Seeking God in the Works of T. S. Eliot and Michelangelo
Author: Harry Eiss
Publisher: Cambridge Scholars Publishing
ISBN: 144389365X
Category : Religion
Languages : en
Pages : 297
Book Description
Do I dare disturb the universe? It is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best known poems of the twentieth century, T. S. Eliot’s The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and his also famous The Wasteland, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If a reader works through his love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work. Many do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Dante’s Divine Comedy, and its inclusion of amour as a means to salvation. His work is generally seen as the greatest literature ever to come out of Italy, sometimes referred to as the epic representation of St. Thomas Aquinas’ Summa Theologica, one of the central documents establishing Catholic doctrine. This book explores how these brilliant men struggle with the highest meanings of life in their artistic expressions and perhaps manage to express what Rudolph Otto designates the mysterium tremendum, the experience of a mystical awe, what he calls the numinous or, in more common terms, the experience of God.
Publisher: Cambridge Scholars Publishing
ISBN: 144389365X
Category : Religion
Languages : en
Pages : 297
Book Description
Do I dare disturb the universe? It is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best known poems of the twentieth century, T. S. Eliot’s The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and his also famous The Wasteland, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If a reader works through his love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work. Many do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Dante’s Divine Comedy, and its inclusion of amour as a means to salvation. His work is generally seen as the greatest literature ever to come out of Italy, sometimes referred to as the epic representation of St. Thomas Aquinas’ Summa Theologica, one of the central documents establishing Catholic doctrine. This book explores how these brilliant men struggle with the highest meanings of life in their artistic expressions and perhaps manage to express what Rudolph Otto designates the mysterium tremendum, the experience of a mystical awe, what he calls the numinous or, in more common terms, the experience of God.
Renaissance Woman
Author: Ramie Targoff
Publisher:
ISBN: 0374140944
Category : Art
Languages : en
Pages : 353
Book Description
A biography of Vittoria Colonna, a confidante of Michelangelo, the scion of one of the most powerful families of her era, and a pivotal figure in the Italian Renaissance Ramie Targoff’s Renaissance Woman tells of the most remarkable woman of the Italian Renaissance: Vittoria Colonna, Marchesa of Pescara. Vittoria has long been celebrated by scholars of Michelangelo as the artist’s best friend—the two of them exchanged beautiful letters, poems, and works of art that bear witness to their intimacy—but she also had close ties to Charles V, Pope Clement VII and Pope Paul III, Pietro Bembo, Baldassare Castiglione, Pietro Aretino, Queen Marguerite de Navarre, Reginald Pole, and Isabella d’Este, among others. Vittoria was the scion of an immensely powerful family in Rome during that city’s most explosively creative era. Art and literature flourished, but political and religious life were under terrific strain. Personally involved with nearly every major development of this period—through both her marriage and her own talents—Vittoria was not only a critical political actor and negotiator but also the first woman to publish a book of poems in Italy, an event that launched a revolution for Italian women’s writing. Vittoria was, in short, at the very heart of what we celebrate when we think about sixteenth-century Italy; through her story the Renaissance comes to life anew.
Publisher:
ISBN: 0374140944
Category : Art
Languages : en
Pages : 353
Book Description
A biography of Vittoria Colonna, a confidante of Michelangelo, the scion of one of the most powerful families of her era, and a pivotal figure in the Italian Renaissance Ramie Targoff’s Renaissance Woman tells of the most remarkable woman of the Italian Renaissance: Vittoria Colonna, Marchesa of Pescara. Vittoria has long been celebrated by scholars of Michelangelo as the artist’s best friend—the two of them exchanged beautiful letters, poems, and works of art that bear witness to their intimacy—but she also had close ties to Charles V, Pope Clement VII and Pope Paul III, Pietro Bembo, Baldassare Castiglione, Pietro Aretino, Queen Marguerite de Navarre, Reginald Pole, and Isabella d’Este, among others. Vittoria was the scion of an immensely powerful family in Rome during that city’s most explosively creative era. Art and literature flourished, but political and religious life were under terrific strain. Personally involved with nearly every major development of this period—through both her marriage and her own talents—Vittoria was not only a critical political actor and negotiator but also the first woman to publish a book of poems in Italy, an event that launched a revolution for Italian women’s writing. Vittoria was, in short, at the very heart of what we celebrate when we think about sixteenth-century Italy; through her story the Renaissance comes to life anew.
Michelangelo on Parnassus
Author: Gandolfo Cascio
Publisher: BRILL
ISBN: 9004510257
Category : Poetry
Languages : en
Pages : 265
Book Description
This book presents an original investigation of the relationship of a variety of authors (Varchi, Aretino, Foscolo, Wordsworth, Stendhal, Mann, Montale, Morante and others) with Buonarroti’s verse. Through close analysis of the texts, it shows why Michelangelo should hold a more noble position on Parnassus than that which historiography has hitherto granted him.
Publisher: BRILL
ISBN: 9004510257
Category : Poetry
Languages : en
Pages : 265
Book Description
This book presents an original investigation of the relationship of a variety of authors (Varchi, Aretino, Foscolo, Wordsworth, Stendhal, Mann, Montale, Morante and others) with Buonarroti’s verse. Through close analysis of the texts, it shows why Michelangelo should hold a more noble position on Parnassus than that which historiography has hitherto granted him.
The Medici: Portraits and Politics 1512–1570
Author: Keith Christiansen
Publisher: Metropolitan Museum of Art
ISBN: 1588397300
Category : Art
Languages : en
Pages : 332
Book Description
Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 1512, Cosimo I de’ Medici, who became the second Duke of Florence in 1537, demonstrated a particularly shrewd ability to wield culture as a political tool in order to transform Florence into a dynastic duchy and give Florentine art the central position it has held ever since. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art.
Publisher: Metropolitan Museum of Art
ISBN: 1588397300
Category : Art
Languages : en
Pages : 332
Book Description
Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 1512, Cosimo I de’ Medici, who became the second Duke of Florence in 1537, demonstrated a particularly shrewd ability to wield culture as a political tool in order to transform Florence into a dynastic duchy and give Florentine art the central position it has held ever since. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art.
The Sonnets of Michael Angelo Buonarroti and Tommaso Campanella
Author: Michelangelo Buonarroti
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 158
Book Description
The Sonnets of Michael Angelo Buonarroti and Tommaso Campanella presents a lyrical journey through the minds of two of Italys most profound Renaissance figures. This anthology encompasses a variety of themes from the transient nature of beauty to the immutable forces of love and faith, showcasing the remarkable diversity and depth of the Renaissance literary style. Each piece stands as a testament to the eruditious blend of philosophy, art, and spirituality that marked this era. The collection invites readers to experience the richness of its poetic tapestry, integrating vivid imagery with profound introspection in a way that only this unique pairing of artists and thinkers could achieve. The contributing poets, Buonarroti and Campanella, bring to this anthology a fusion of backgrounds steeped in artistic mastery and radical philosophical inquiry, respectively. Both men navigated the turbulent waters of Renaissance thought, contributing significantly to the realms of literature, art, and political theology. This anthology does not merely present their work side by side but interweaves their voices, creating a dialogue that transcends the individual contributions and speaks to the universal concerns of human existence and creativity. This collection is essential for anyone drawn to the intricacies of Renaissance thought and the enduring power of poetic expression. It serves not only as a testament to the individual genius of Buonarroti and Campanella but as a vibrant conversation between their distinct yet harmonious perspectives. Readers seeking to immerse themselves in the depths of Renaissance creativity and philosophical discourse will find in this anthology a rare and enlightening compilation that bridges time and human sentiment, offering a unique lens through which to explore this pivotal era in history.
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 158
Book Description
The Sonnets of Michael Angelo Buonarroti and Tommaso Campanella presents a lyrical journey through the minds of two of Italys most profound Renaissance figures. This anthology encompasses a variety of themes from the transient nature of beauty to the immutable forces of love and faith, showcasing the remarkable diversity and depth of the Renaissance literary style. Each piece stands as a testament to the eruditious blend of philosophy, art, and spirituality that marked this era. The collection invites readers to experience the richness of its poetic tapestry, integrating vivid imagery with profound introspection in a way that only this unique pairing of artists and thinkers could achieve. The contributing poets, Buonarroti and Campanella, bring to this anthology a fusion of backgrounds steeped in artistic mastery and radical philosophical inquiry, respectively. Both men navigated the turbulent waters of Renaissance thought, contributing significantly to the realms of literature, art, and political theology. This anthology does not merely present their work side by side but interweaves their voices, creating a dialogue that transcends the individual contributions and speaks to the universal concerns of human existence and creativity. This collection is essential for anyone drawn to the intricacies of Renaissance thought and the enduring power of poetic expression. It serves not only as a testament to the individual genius of Buonarroti and Campanella but as a vibrant conversation between their distinct yet harmonious perspectives. Readers seeking to immerse themselves in the depths of Renaissance creativity and philosophical discourse will find in this anthology a rare and enlightening compilation that bridges time and human sentiment, offering a unique lens through which to explore this pivotal era in history.