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Author: Andrew A. Anderson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 486
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Book Description
Federico García Lorca (1898-1938), is often thought of as a fine lyric poet of the 1920s who then developed into one of Spain's greatest playwrights (1931-36). But other aspects of Lorca's literary career are equally significant: the earlier theatrical pieces, which he had started writing by 1918, the bold, experimental, expressionist plays of 1930-31, and (the subject of this volume) the later poetry written as his powers as a dramatist matured in the 1930s. Professor Anderson's book is the first in any language to focus specifically on Lorca's poetic output from 1931 to 1936. It offers extensive, detailed analyses of all the poetry composed during that period: Diván del Tamarit with its Arab-Andalusian flavour and stylization, the Llanto por Ignacio Sánchez Mejías, a sustained lament on the death of a bullfighter friend, Seis poemas galegos, and Sonetos, love poetry echoing Petrarch, Shakespeare and Góngora - four collections equal or superior in quality, power and suggestiveness to Lorca's canonic poetical works. Adopting a literary-critical approach based on the close reading of individual texts, with relevant background information, Professor Anderson elaborates on the themes and techniques, imagery and symbolism, strengths and weaknesses, of each poem in the four collections. Thereby he can relate this corpus to the whole of Lorca's work, showing that it cannot be neatly categorized under any of the avant-garde "-isms" prevalent in the 1920s and 1930s. His arguments for a revised appraisal of Lorca's creative development lead to a compelling case for a re-evaluation of his "late poetry". An Appendix gives English translations of all the poems under discussion (other Spanish quotations are translated in the text), and there is a fifteen-page bibliography of primary and secondary material.
Author: Andrew A. Anderson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 486
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Book Description
Federico García Lorca (1898-1938), is often thought of as a fine lyric poet of the 1920s who then developed into one of Spain's greatest playwrights (1931-36). But other aspects of Lorca's literary career are equally significant: the earlier theatrical pieces, which he had started writing by 1918, the bold, experimental, expressionist plays of 1930-31, and (the subject of this volume) the later poetry written as his powers as a dramatist matured in the 1930s. Professor Anderson's book is the first in any language to focus specifically on Lorca's poetic output from 1931 to 1936. It offers extensive, detailed analyses of all the poetry composed during that period: Diván del Tamarit with its Arab-Andalusian flavour and stylization, the Llanto por Ignacio Sánchez Mejías, a sustained lament on the death of a bullfighter friend, Seis poemas galegos, and Sonetos, love poetry echoing Petrarch, Shakespeare and Góngora - four collections equal or superior in quality, power and suggestiveness to Lorca's canonic poetical works. Adopting a literary-critical approach based on the close reading of individual texts, with relevant background information, Professor Anderson elaborates on the themes and techniques, imagery and symbolism, strengths and weaknesses, of each poem in the four collections. Thereby he can relate this corpus to the whole of Lorca's work, showing that it cannot be neatly categorized under any of the avant-garde "-isms" prevalent in the 1920s and 1930s. His arguments for a revised appraisal of Lorca's creative development lead to a compelling case for a re-evaluation of his "late poetry". An Appendix gives English translations of all the poems under discussion (other Spanish quotations are translated in the text), and there is a fifteen-page bibliography of primary and secondary material.
Author: Andrew A. Anderson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 478
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Book Description
Federico García Lorca (1898-1938), is often thought of as a fine lyric poet of the 1920s who then developed into one of Spain's greatest playwrights (1931-36). But other aspects of Lorca's literary career are equally significant: the earlier theatrical pieces, which he had started writing by 1918, the bold, experimental, expressionist plays of 1930-31, and (the subject of this volume) the later poetry written as his powers as a dramatist matured in the 1930s. Professor Anderson's book is the first in any language to focus specifically on Lorca's poetic output from 1931 to 1936. It offers extensive, detailed analyses of all the poetry composed during that period: Diván del Tamarit with its Arab-Andalusian flavour and stylization, the Llanto por Ignacio Sánchez Mejías, a sustained lament on the death of a bullfighter friend, Seis poemas galegos, and Sonetos, love poetry echoing Petrarch, Shakespeare and Góngora - four collections equal or superior in quality, power and suggestiveness to Lorca's canonic poetical works. Adopting a literary-critical approach based on the close reading of individual texts, with relevant background information, Professor Anderson elaborates on the themes and techniques, imagery and symbolism, strengths and weaknesses, of each poem in the four collections. Thereby he can relate this corpus to the whole of Lorca's work, showing that it cannot be neatly categorized under any of the avant-garde "-isms" prevalent in the 1920s and 1930s. His arguments for a revised appraisal of Lorca's creative development lead to a compelling case for a re-evaluation of his "late poetry". An Appendix gives English translations of all the poems under discussion (other Spanish quotations are translated in the text), and there is a fifteen-page bibliography of primary and secondary material.
Author: Federico García Lorca
Publisher: Knopf
ISBN: 1524733113
Category : Literary Collections
Languages : en
Pages : 577
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Book Description
For the first time in a quarter century, a major new volume of translations of the beloved poetry of Federico García Lorca, presented in a beautiful bilingual edition The fluid and mesmeric lines of these new translations by the award-winning poet Sarah Arvio bring us closer than ever to the talismanic perfection of the great García Lorca. Poet in Spain invokes the "wild, innate, local surrealism" of the Spanish voice, in moonlit poems of love and death set among poplars, rivers, low hills, and high sierras. Arvio's ample and rhythmically rich offering includes, among other essential works, the folkloric yet modernist Gypsy Ballads, the plaintive flamenco Poem of the Cante Jondo, and the turbulent and beautiful Dark Love Sonnets--addressed to Lorca's homosexual lover--which Lorca was revising at the time of his brutal political murder by Fascist forces in the early days of the Spanish Civil War. Here, too, are several lyrics translated into English for the first time and the play Blood Wedding--also a great tragic poem. Arvio has created a fresh voice for Lorca in English, full of urgency, pathos, and lyricism--showing the poet's work has grown only more beautiful with the passage of time.
Author: Stephen Roberts
Publisher: Reaktion Books
ISBN: 1789142466
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
Federico García Lorca (1898–1936) is perhaps Spain’s most famous writer and cultural icon. By the age of thirty, he had become the most successful member of a brilliant generation of poets, winning critical and popular acclaim by fusing traditional and avant-garde themes and techniques. He would go on to reinvent Spanish theater too, writing bold, experimental, and often shocking plays that dared openly to explore both female and homosexual desire. A vibrant and mercurial personality, by the time Lorca visited Argentina in late 1933, he had become the most celebrated writer and cultural figure in the Spanish-speaking world. But Lorca’s fame could not survive politics: his identification with the splendor of the Second Spanish Republic (1931–36) was one of the reasons behind Lorca’s murder in August 1936 at the hands of right-wing insurgents at the start of the Spanish Civil War. In this biography, Stephen Roberts seeks out the roots of the man and his work in the places in which Lorca lived and died: the Granadan countryside where he spent his childhood; the Granada and Madrid of the 1910s, ’20s, and ’30s where he received his education and achieved success as a writer; his influential visits to Catalonia, New York, Cuba, and Argentina; and the mountains outside Granada where his body still lies in an undiscovered grave. What emerges is a fascinating portrait of a complex and brilliant man as well as new insight into the works that helped to make his name.
Author: Cecelia J. Cavanaugh
Publisher: Bucknell University Press
ISBN: 9780838753026
Category : Art
Languages : en
Pages : 226
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Book Description
Lorca's Drawings and Poems focuses on the act of reading Lorca's drawn or written texts and how the reading of one genre can inform the reading of another. Throughout the study, poetry and drawings from every period of Lorca's career are examined. Selected drawings are interpreted; next, poems contemporary to those drawings are analyzed in their light. In chapter 1, a common poetics is extracted from Lorca's comments about his drawings and writing and placed in the context of the literary and artistic movements of his day. The evolution of the literary criticism that examines Lorca's drawings is traced and reviewed. Lorca's texts are examined from varying perspectives in the chapters that follow. In chapter 2, drawings and poems from 1927 to 1928 are analyzed in light of Lorca's participations in artistic and literary movements during those years. Texts from each period of Lorca's work are read in chapter 3 in a study of Lorca's employment of space and his depiction of setting and subject in his drawings and poems. Such a chronological approach allows the reading of Lorca's texts to reveal the evolution of his aesthetics as well as to identify the imagery and techniques that remained consistent throughout his career.
Author: Federico García Lorca
Publisher: Farrar, Straus and Giroux
ISBN: 1466898658
Category : Poetry
Languages : en
Pages : 1166
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Book Description
A revised edition of this major writer's complete poetical work And I who was walking with the earth at my waist, saw two snowy eagles and a naked girl. The one was the other and the girl was neither. -from "Qasida of the Dark Doves" Federico García Lorca was the most beloved poet of twentieth-century Spain and one of the world's most influential modernist writers. His work has long been admired for its passionate urgency and haunting evocation of sorrow and loss. Perhaps more persistently than any writer of his time, he sought to understand and accommodate the numinous sources of his inspiration. Though he died at age thirty-eight, he left behind a generous body of poetry, drama, musical arrangements, and drawings, which continue to surprise and inspire. Christopher Maurer, a leading García Lorca scholar and editor, has brought together new and substantially revised translations by twelve poets and translators, placed side by side with the Spanish originals. The seminal volume Poet in New York is also included here in its entirety. This is the most comprehensive collection in English of a poet who—as Maurer writes in his illuminating introduction—"spoke unforgettably of all that most interests us: the otherness of nature, the demons of personal identity and artistic creation, sex, childhood, and death."
Author: Federico GarciI a Lorca
Publisher: eBook Partnership
ISBN: 1907587829
Category : Poetry
Languages : en
Pages : 180
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Book Description
Federico Garcia Lorca wrote the Gypsy Ballads between 1924 and 1927. When the book was published it caused a sensation in the literary world. Drawing on the traditional Spanish ballad form, Lorca described his Romancero Gitano as 'the poem of Andalucia...A book that hardly expresses visible Andalusia at all, but where hidden Andalucia trembles'. Seeking to relate the nature of his proud and troubled region of Spain, he drew on a traditional gypsy form; yet the homely, unpretentious style of these poems barely disguises the undercurrents of conflicted identity never far from Lorca's work. This bilingual edition, translated by Jane Duran and Glora Garcia Lorca, is illuminated by photos and illustrations of and by Lorca, his own reflections on the poems and introductory notes by leading Lorca scholars: insights into the Romancero and the history of the Spanish ballad form by Andres Soria Olmedo; notes on the dedications by Manuel Fernandez-Montesinos; Lorca's 1935 lecture; and an introduction by Professor Christopher Maurer to the problems and challenges faced by translators of Lorca.
Author: Federico García Lorca
Publisher: Oxford University Press, USA
ISBN: 0192805657
Category : Poetry
Languages : en
Pages : 224
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Book Description
Federico Garcia Lorca is perhaps the most celebrated of all twentieth-century Spanish writers, known not only for his plays but also for several collections of poems published both in his short lifetime and after. Lorca's poetry is steeped in the land, climate, and folklore of his native Andalusia, though he writes memorably of New York and Cuba too. Writing often in modernist idiom, and full of startling imagery, he evokes a world of intense feelings, silent suffering, and dangerous love. This unique parallel-text edition balances poems from Lorca's early collections with his better-known later work, providing a clear vision of his poetic development and drawing attention to the brilliance and originality of some of the earlier work. Key poems from all Lorca's collections appear here, including the recently discovered Sonnets of Dark Love. Martin Sorrell's translations are thoughtful and accomplished, and D. Gareth Walters's shrewd Introduction, with its distinctive focus on the achievements of the poet, gives a clear and balanced appraisal of the poetry, while steering away from the tendency to mythologize Lorca's life and death. This edition also includes helpful notes, a bibliography, a chronology, and an index of titles."
Author: Jack Spicer
Publisher: New York Review of Books
ISBN: 1681375427
Category : Poetry
Languages : en
Pages : 97
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Book Description
Out of print for decades, this is the legendary American poet's tribute to Federico García Lorca, including translations of the great Spanish poet's work. Jack Spicer was one of the outstanding figures of the mid-twentieth-century San Francisco Renaissance, bent on fashioning a visionary new lyricism. Spicer called his poems “dictations,” and they combine outrageous humor, acid intelligence, brilliant wordplay, and sheer desolation to incandescent effect. “Frankly I was quite surprised when Mr. Spicer asked me to write an introduction to this volume,” writes the dead Federico García Lorca at the start of After Lorca, Spicer’s first book and one that, since it originally appeared in 1957, has exerted a powerful influence on poetry in America and abroad. “It must be made clear at the start that these poems are not translations,” Lorca continues. “In even the most literal of them Mr. Spicer seems to derive pleasure in inserting or substituting one or two words which completely change the mood and often the meaning of the poem as I had written it. More often he takes one of my poems and adjoins to half of it another of his own, giving rather the effect of an unwilling centaur. (Modesty forbids me to speculate which end of the animal is mine.) Finally there are an almost equal number of poems that I did not write at all (one supposes that they must be his).” What so puzzles Lorca continues to delight and inspire readers of poetry today.
Author: Tracy K. Smith
Publisher: Graywolf Press
ISBN: 1555978649
Category : Poetry
Languages : en
Pages : 97
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Book Description
The award-winning second collection by the Poet Laureate of the United States Duende, that dark and elusive force described by Federico García Lorca, is the creative and ecstatic power an artist seeks to channel from within. It can lead the artist toward revelation, but it must also, Lorca says, accept and even serenade the possibility of death. Tracy K. Smith's bold second poetry collection explores history and the intersections of folk traditions, political resistance, and personal survival. Duende gives passionate testament to suppressed cultures, and allows them to sing.
