Author: Pietro Metastasio
Publisher:
ISBN:
Category :
Languages : it
Pages : 72
Book Description
L'olimpiade, dramma per musica da rappresentarsi nel regio-ducal teatro di Milano, nel carnovale dell'anno 1748., ..
Author: Pietro Metastasio
Publisher:
ISBN:
Category :
Languages : it
Pages : 72
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 72
Book Description
Olimpiade. Dramma per musica da Rappresentarsi Nel Regio-Ducal Teatro di Milano, Nel Carnavale dell'Anno 1748. ...
Author:
Publisher:
ISBN:
Category :
Languages : it
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 0
Book Description
L'Olimpiade dramma per musica da rappresentarsi nel regio ducale teatro di Milano nella primavera del corrente anno 1758. Dedicato alla generosa nobiltà milanese
Author: Pietro Metastasio
Publisher:
ISBN:
Category :
Languages : it
Pages : 48
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 48
Book Description
Dance in Handel's London Operas
Author: Sarah Yuill McCleave
Publisher: University Rochester Press
ISBN: 1580464203
Category : Music
Languages : en
Pages : 282
Book Description
Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart. George Frideric Handel set himself apart from his contemporaries by employing choreographed instrumental music to complement and reinforce the emotional impact of his operas. Of his fifty-three operas, no fewer than fourteen -- including ten written for the London stage -- feature dances. Dance in Handel's London Operas explores the relationship between music, drama, and dance in these London works, dispelling the notion that dance was a largely peripheral element in Italian-language operas prior to those of Gluck. Taking a chronological approach, Sarah McCleave examines operas written throughout various periods in Handel's life, beginning with his early London operas, including his time at the Royal Music Academy and the "Sallé" operas of the 1730s, and concluding with his unstaged dramatic opera Alceste (1750). In considering the various influences on Handel (particularly the London stage), McCleave blends analysis of information from eighteenth-century treatises with that found in more modern studies, offering an informed and imaginative understanding of the role dance played in the work of this major figure --one who remained responsive throughout his career to the vital and innovative theatrical environment in which he worked. Sarah McCleave is a lecturer at The School of Creative Arts at Queen's University Belfast.
Publisher: University Rochester Press
ISBN: 1580464203
Category : Music
Languages : en
Pages : 282
Book Description
Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart. George Frideric Handel set himself apart from his contemporaries by employing choreographed instrumental music to complement and reinforce the emotional impact of his operas. Of his fifty-three operas, no fewer than fourteen -- including ten written for the London stage -- feature dances. Dance in Handel's London Operas explores the relationship between music, drama, and dance in these London works, dispelling the notion that dance was a largely peripheral element in Italian-language operas prior to those of Gluck. Taking a chronological approach, Sarah McCleave examines operas written throughout various periods in Handel's life, beginning with his early London operas, including his time at the Royal Music Academy and the "Sallé" operas of the 1730s, and concluding with his unstaged dramatic opera Alceste (1750). In considering the various influences on Handel (particularly the London stage), McCleave blends analysis of information from eighteenth-century treatises with that found in more modern studies, offering an informed and imaginative understanding of the role dance played in the work of this major figure --one who remained responsive throughout his career to the vital and innovative theatrical environment in which he worked. Sarah McCleave is a lecturer at The School of Creative Arts at Queen's University Belfast.
L'olimpiade
Author:
Publisher:
ISBN:
Category :
Languages : it
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 0
Book Description
History of Bel Canto, A.
Author: Rodolfo Celletti
Publisher:
ISBN: 9781280765063
Category : 19th century
Languages : en
Pages : 224
Book Description
Publisher:
ISBN: 9781280765063
Category : 19th century
Languages : en
Pages : 224
Book Description
La Merope dramma per musica da rappresentarsi nel Regio-Ducal Teatro di Milano, nel Carnovale dell'anno 1761. Dedicato a sua altezza serenissima il Duca di Modena, Reggio, Mirandola ec. ec. ..
Author: Apostolo Zeno
Publisher:
ISBN:
Category :
Languages : it
Pages : 62
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 62
Book Description
Demofoonte, dramma per musica da rappresentarsi nel regio-ducal teatro di Milano, nel carnovale dell'anno 1753., dedicato a sua eccellenza il signor conte Gian
Author: Pietro Metastasio
Publisher:
ISBN:
Category :
Languages : it
Pages : 64
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 64
Book Description
L'Olimpiade dramma per musica da rappresentarsi nel regio Teatro di via della Pergola il carnevale del 1792. ..
Author: Pietro Metastasio
Publisher:
ISBN:
Category :
Languages : it
Pages : 46
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 46
Book Description
Demetrio, dramma per musica da rappresentarsi nel Regio-Ducal Teatro di Milano, nel Carnovale dell'anno 1760. Dedicato a sua altezza serenissima il Duca di Modena, Reggio, Mirandola ec. ec. ..
Author: Pietro Metastasio
Publisher:
ISBN:
Category :
Languages : it
Pages : 60
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 60
Book Description