Author: Copley Society (Boston, Mass.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 36
Book Description
Loan Collection [of] Oil Paintings, Water Colors, Pastels & Drawings
Author: Copley Society (Boston, Mass.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 36
Book Description
Catalogue of the ... Annual Exhibition of Water Colors, Pastels and Miniatures by American Artists
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
After 1944 the Exhibition of Water Colors and Drawings Held Biennially, Alternating with the Institute's Exhibition of Paintings and Sculpture
Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 510
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 510
Book Description
Academy Notes
Author: Buffalo Fine Arts Academy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 20
Book Description
Official Catalogue of Exhibitors
Author:
Publisher:
ISBN:
Category : Agricultural exhibitions
Languages : en
Pages : 1850
Book Description
Publisher:
ISBN:
Category : Agricultural exhibitions
Languages : en
Pages : 1850
Book Description
Report
Author: Commonwealth Shipping Committee
Publisher:
ISBN:
Category : Shipping
Languages : en
Pages : 888
Book Description
Publisher:
ISBN:
Category : Shipping
Languages : en
Pages : 888
Book Description
Art Digest
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 872
Book Description
Includes section "The great calender of American exhibitions."
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 872
Book Description
Includes section "The great calender of American exhibitions."
American Paintings at Harvard
Author: Theodore E. Stebbins
Publisher: Yale University Press
ISBN: 030015352X
Category : Art
Languages : en
Pages : 649
Book Description
This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.
Publisher: Yale University Press
ISBN: 030015352X
Category : Art
Languages : en
Pages : 649
Book Description
This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.
Arts Digest
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 762
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 762
Book Description
American Watercolor in the Age of Homer and Sargent
Author: Kathleen A. Foster
Publisher: Yale University Press
ISBN: 030022589X
Category : Art
Languages : en
Pages : 497
Book Description
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
Publisher: Yale University Press
ISBN: 030022589X
Category : Art
Languages : en
Pages : 497
Book Description
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.