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Author: Edwin Wilson
Publisher:
ISBN: 9780393602265
Category :
Languages : en
Pages :
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Book Description
Author: Edwin Wilson
Publisher:
ISBN: 9780393602265
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Edwin Wilson
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN:
Category : Performing Arts
Languages : en
Pages : 638
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Book Description
A history of theater, providing background information on each theatrical era from Ancient Greece through the late twentieth century, and discussing the activities and accomplishments of playwrights, performers, managers, architects, and designers.
Author: Edwin Wilson
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN:
Category : Drama
Languages : en
Pages : 528
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Book Description
This anthology of plays includes introductory sections which acquaint readers with the process of reading a playscript. There are also notes which provide background on both the play and playwright.
Author: Edwin Wilson
Publisher: McGraw-Hill Humanities/Social Sciences/Languages
ISBN:
Category : Performing Arts
Languages : en
Pages : 664
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Book Description
Living Theatre: A History conveys the excitement and variety of theatre throughout time, as well as the dynamic way in which our interpretation of theatre history is informed by contemporary scholarship. Rather than presenting readers with a mere catalog of historical facts and figures, it sets each period in context through an exploration of the social, political and economic conditions of the day, creating a vivid study of the developments in theatre during that time.
Author: John Ahart
Publisher: Publish Green
ISBN: 1936183854
Category : Performing Arts
Languages : en
Pages : 95
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Book Description
The living theatre is potentially the most affecting of all the arts. It not only explores who we are and where we are going, but how we are connected. As we are inundated with other versions of mass media, we have nearly forgotten how important that connection is. We cannot afford to lose the power of this art at this time in our history.
Author: John Tytell
Publisher:
ISBN: 9780802134868
Category : Drama
Languages : en
Pages : 434
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Book Description
Provides a biography of the Living Theatre a radical American theatrical group known for violating taboos of culture and government
Author: Judith Malina
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
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Book Description
The Enormous Despair is a record, in diary form, of the year 1968, when, after an extended tour of Europe, The Living Theatre returned to tour the United States.
Author: Judith Malina
Publisher: Routledge
ISBN: 041560074X
Category : Art
Languages : en
Pages : 257
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Book Description
Piscator founded the Workshop after emigrating to New York, having collaborated with Brecht to create "epic theatre" in Germany. The Piscator Notebook documents the author Malina's intensive and idiosyncratic training at Piscator's school.
Author: Arnold Aronson
Publisher: Psychology Press
ISBN: 9780415241397
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
This book offers the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s looking at its origins and its theoretical foundations through an examination of literature, cinema and art.
Author: Marco Pustianaz
Publisher: Routledge
ISBN: 1000450546
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
Written soon before and in the middle of the Covid-19 pandemic, when theatre ground to a halt and spectatorship was suspended, this book takes stock of spectatorship as theatre’s living archive and affirms its value in the midst of the present crisis. Drawing from a manifold affective archive of performances and installations (by Marina Abramović, Ron Athey, Forced Entertainment, Socìetas Raffaello Sanzio, Blast Theory, LIGNA, Doris Salcedo, Graeme Miller, Lenz Rifrazioni, Cristina Rizzo, etc.), and expanding on the work of many theorists and scholars, such as Roland Barthes and Jacques Rancière, Giorgio Agamben and Alain Badiou, Nicholas Ridout and Alan Read, among others, the book focuses on the spectator as the subject, rather than the object, of investigation. This is the right time to remember their secret power and theorise their collective time in the theatre. This book is an archive of their adventure and a manifesto rooted in their potentiality. It boldly posits the spectator as the inaugurator of theatre, the surplus that survives it. The book will be of great interest to spectators all and sundry, to scholars and students of theatre and performance studies, of spectatorship and politics.
