Literature, Print Culture, and Media Technologies, 1880–1900 PDF Download
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Author: Richard Menke
Publisher: Cambridge University Press
ISBN: 1108492940
Category : Design
Languages : en
Pages : 279
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Book Description
Connects British and American literature to a changing media landscape in an era of innovation.
Author: Richard Menke
Publisher: Cambridge University Press
ISBN: 1108492940
Category : Design
Languages : en
Pages : 279
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Book Description
Connects British and American literature to a changing media landscape in an era of innovation.
Author: James Purdon
Publisher: Cambridge University Press
ISBN: 110863589X
Category : Literary Criticism
Languages : en
Pages : 733
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Book Description
During the first two decades of the twentieth century, Britain's imperial power and influence was at its height. These were years of daring, when adventurers sounded the mysteries of the deep sea and the distant poles, aviators sped through the skies, and new media technologies transformed communication. They were years of social upheaval, during which long-suppressed voices – particularly those of women, of the labouring classes, and of colonial subjects – grew louder and demanded to be heard. They were years of violence, of insurrection and political agitation, and of imperial conflicts that would encompass continents. By subjecting specific developments in literature and related culture to a fine-grained and historically-informed analysis, British Literature in Transition, 1900–1920: A New Age? explores the writing of this extraordinary period in all its complexity and vibrancy.
Author: Paul Fyfe
Publisher: Stanford University Press
ISBN: 1503640957
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing about Victorian new media continues to shape reactions to digital change. Among its unexpected legacies are what we call digital humanities, characterized by the self-reflexiveness, disciplinary reconfigurations, and debates that have made us digital Victorians, so to speak, struggling again to resituate humanities practices amid another technological revolution. Engaging with writers such as Thomas De Quincey, George Eliot, George du Maurier, Henry James, and Robert Louis Stevenson who confronted the new media of their day, Fyfe shows how we have inherited Victorian anxieties about quantitative and machine-driven reading, professional obsolescence in the face of new technology, and more—telling a longer history of how writers, readers, and scholars adapt to dramatically changing media ecologies, then and now. The result is a predigital history for the digital humanities through nineteenth-century encounters with telecommunication networks, privacy intrusions, quantitative reading methods, remediation, and their effects on literary professionals. As Fyfe demonstrates, well before computers, the Victorians were already digital.
Author: DEBORAH. LUTZ
Publisher: Oxford University Press
ISBN: 0198858795
Category :
Languages : en
Pages : 241
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Book Description
Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and Emily Brontë, Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Mary Shelley.
Author: Dennis Denisoff
Publisher: Routledge
ISBN: 0429018177
Category : Literary Criticism
Languages : en
Pages : 753
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Book Description
The Routledge Companion to Victorian Literature offers 45 chapters by leading international scholars working with the most dynamic and influential political, cultural, and theoretical issues addressing Victorian literature today. Scholars and students will find this collection both useful and inspiring. Rigorously engaged with current scholarship that is both historically sensitive and theoretically informed, the Routledge Companion places the genres of the novel, poetry, and drama and issues of gender, social class, and race in conversation with subjects like ecology, colonialism, the Gothic, digital humanities, sexualities, disability, material culture, and animal studies. This guide is aimed at scholars who want to know the most significant critical approaches in Victorian studies, often written by the very scholars who helped found those fields. It addresses major theoretical movements such as narrative theory, formalism, historicism, and economic theory, as well as Victorian models of subjects such as anthropology, cognitive science, and religion. With its lists of key works, rich cross-referencing, extensive bibliographies, and explications of scholarly trajectories, the book is a crucial resource for graduate students and advanced undergraduates, while offering invaluable support to more seasoned scholars.
Author: Will Abberley
Publisher: Cambridge University Press
ISBN: 1108477593
Category : Art
Languages : en
Pages : 311
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Book Description
The book reveals how Victorians biologized appearance, reimagining imitation, concealment and self-presentation as evolutionary adaptations.
Author: Richard Menke
Publisher: Stanford University Press
ISBN: 9780804756914
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
Telegraphic Realism demonstrates the connections between British nineteenth-century fiction, media technologies, and developing ideas about information, from the postage stamp to wireless.
Author: Frederik Van Dam
Publisher: Edinburgh University Press
ISBN: 1474424414
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
Explores the many ways in which Anthony Trollope is being read in the twenty-first centurySince the turn of the century, the Victorian novelist Anthony Trollope has become a central figure in the critical understanding of Victorian literature. By bringing together leading Victorianists with a wide range of interests, this innovative collection of essays involves the reader in new approaches to Trollope's work. The contributors to this volume highlight dimensions that have hitherto received only scant attention and in doing so they aim to draw on the aesthetic capabilities of Trollope's twenty-first-century readers. Instead of reading Trollope's novels as manifestations of social theory, they aim to foster an engagement with a far more broadly theorised literary culture.Key Features:The most innovative collection of original essays on Anthony Trollope to dateEnables the reader to see the direction of Trollope studies and Victorian studies in the twenty-first centurySituates Trollope's work in newly emerging critical contexts, such as media networks and economicsMakes use of pioneering developments in stylistics, ethics, epistemology, and reception history
Author: Richard L. Saunders
Publisher: Greg Kofford Books
ISBN:
Category : Religion
Languages : en
Pages : 292
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Book Description
Members of The Church of Jesus Christ of Latter-day Saints tend to see the Book of Mormon through the lens of personal use, as a single textual and scriptural monolith—the Book of Mormon. That is somewhat natural, since we tend to have at hand and in-use, only the copy or version in our language needed to study it for inspiration. In the process, the point tends to get overlooked that while we may accept the text as inspired, the physical embodiment of that text—the Book of Mormon—is a mortal reality. The Book of Mormon, while it has a “spirit,” also has a mortal “body” (or rather, bodies) existing in space and time. As such, it has a history—and because it comes to us in the form of a book, it also has a book history. This study is divided into three parts. The first part is a straightforward history of the edition’s editing, production, and manufacturing processes. It examines key points in the reprint history of the book, following important factors in the subsequent impressions of the work across nearly thirty years of re-impressions, corrections, transfers, and one new format. The narrative crowded into chapters one through four together leave Part II to catalogue the bibliographic minutia that is the beating heart of analytic book history and which provides entertainment for true-blooded bibliophiles. The details contained in the production and manufacturing contracts and coupled to the typographical evidence explained in Part III, together resolve once and for all the question of what constitutes the 1920 edition and what does not.
Author: Philip Steer
Publisher: Cambridge University Press
ISBN: 1108484425
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
A transnational study of how settler colonialism remade the Victorian novel and political economy by challenging ideas of British identity.
