Literature in the Making, by Some of Its Makers PDF Download
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Author: Joyce Kilmer
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 344
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Book Description
Author: Joyce Kilmer
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 344
Get Book Here
Book Description
Author: Joyce Kilmer
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Joyce Kilmer
Publisher:
ISBN: 9781622363315
Category :
Languages : en
Pages : 318
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Book Description
Author: Alfred Joyce KILMER
Publisher:
ISBN:
Category :
Languages : en
Pages : 318
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Book Description
Author: Joyce Kilmer
Publisher: CreateSpace
ISBN: 9781512119978
Category :
Languages : en
Pages : 166
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Book Description
This volume is a reprint of a book originally published in 1917. Several excellent essays about literature are included. Subjects addressed include literature in relation to war, poverty, sex, prosperity, and business. The following statement is from the Introduction:"This book is an effort to bridge the gulf between literary theory and literary practice. In these days of specialization it is more than ever true that the man who lectures and writes about the craft of writing seldom has the time or the inclination to show, by actual work, that he can apply his principles. On the other hand, the successful novelist, poet, or playwright devotes himself to his craft and seldom attempts to analyze and display the methods by which he obtains his effect, or even to state his opinion on matters intellectual and æsthetic."Now, the professor of English and the literary critic are valuable members of society, and the development of literature owes much to their counsel and guardianship."
Author: Joyce Kilmer
Publisher:
ISBN:
Category :
Languages : en
Pages : 319
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Book Description
Author: Sylvia Beach
Publisher: Columbia University Press
ISBN: 023151784X
Category : Literary Collections
Languages : en
Pages : 400
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Book Description
Founder of the Left Bank bookstore Shakespeare and Company and the first publisher of James Joyce's Ulysses, Sylvia Beach had a legendary facility for nurturing literary talent. In this first collection of her letters, we witness Beach's day-to-day dealings as bookseller and publisher to expatriate Paris. Friends and clients include Ernest Hemingway, Gertrude Stein, H. D., Ezra Pound, Janet Flanner, William Carlos Williams, F. Scott Fitzgerald, James Joyce, and Richard Wright. As librarian, publicist, publisher, and translator, Beach carved out a unique space for herself in English and French letters. This collection reveals Beach's charm and resourcefulness, sharing her negotiations with Marianne Moore to place Joyce's work in The Dial; her battle to curb the piracy of Ulysses in the United States; her struggle to keep Shakespeare and Company afloat during the Depression; and her complicated affair with the French bookstore owner Adrienne Monnier. These letters also recount Beach's childhood in New Jersey; her work in Serbia with the American Red Cross; her internment in a German prison camp; and her friendship with a new generation of expatriates in the 1950s and 1960s. Beach was the consummate American in Paris and a tireless champion of the avant-garde. Her warmth and wit made the Rue de l'Odéon the heart of modernist Paris.
Author: Amy Koritz
Publisher: University of Illinois Press
ISBN: 0252033841
Category : American literature
Languages : en
Pages : 218
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Book Description
In this multidisciplinary study, Amy Koritz examines the drama, dance, and literature of the 1920s, focusing on how artists used these different media to engage three major concurrent shifts in economic and social organization: the emergence of rationalized work processes and expert professionalism; the advent of mass markets and the consequent necessity of consumerism as a behavior and ideology; and the urbanization of the population, in concert with the invention of urban planning and the recognition of specifically urban subjectivities. Koritz analyzes plays by Eugene O'Neill, Elmer Rice, Sophie Treadwell, and Rachel Crothers; popular dance forms of the 1920s and the modern dance and choreography of Martha Graham; and literature by Anzia Yezierska, John Dos Passos, and Lewis Mumford.
Author: Kfir Cohen Lustig
Publisher: Verso Books
ISBN: 1788737571
Category : Literary Collections
Languages : en
Pages : 305
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Book Description
A sweeping new theory of world literature through a study of Palestinian and Israeli literature from the 1940s to the present. Makers of Worlds, Readers of Signs charts the aesthetic and political formation of neoliberalism and globalisation in Israeli and Palestinian literature from the 1940s to the present. By tracking literature’s move from making worlds to reading signs, Cohen Lustig proposes a new way to read and theorise our global contemporary. Cohen Lustig argues that the period of Israeli statism and its counterpart of Palestinian statelessness produced works that sought to make and create whole worlds and social time, from the creation of the new state of Israel to preserving collective visions of Palestinian statehood. During the period of neoliberalism, after 1985 in Israel and the 1993 Oslo Accords in Palestine, literature turned to the reading of signs, where politics and history are now rearticulated through the private lives of individual subjects. Here characters do not make social time but live within it and inquire after its missing origin. Cohen Lustig argues for new ways to track the subjectivities and aesthetics produced by larger shifts in production. In so doing, he proposes a new model to understand the historical development of Israeli and Palestinian literature as well as world literature in our contemporary moment. With a preface from Fredric Jameson.
Author: Derek Thompson
Publisher: Penguin
ISBN: 1101980346
Category : Social Science
Languages : en
Pages : 370
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Book Description
“Enthralling - full of 'aha' moments about why some ideas soar and others never get off the ground. This book picks up where The Tipping Point left off." —Adam Grant Nothing “goes viral.” If you think a popular movie, song, or app came out of nowhere to become a word-of-mouth success in today’s crowded media environment, you’re missing the real story. Each blockbuster has a secret history—of power, influence, dark broadcasters, and passionate cults that turn some new products into cultural phenomena. Even the most brilliant ideas wither in obscurity if they fail to connect with the right network, and the consumers that matter most aren't the early adopters, but rather their friends, followers, and imitators -- the audience of your audience. In his groundbreaking investigation, Atlantic senior editor Derek Thompson uncovers the hidden psychology of why we like what we like and reveals the economics of cultural markets that invisibly shape our lives. Shattering the sentimental myths of hit-making that dominate pop culture and business, Thompson shows quality is insufficient for success, nobody has "good taste," and some of the most popular products in history were one bad break away from utter failure. It may be a new world, but there are some enduring truths to what audiences and consumers want. People love a familiar surprise: a product that is bold, yet sneakily recognizable. Every business, every artist, every person looking to promote themselves and their work wants to know what makes some works so successful while others disappear. Hit Makers is a magical mystery tour through the last century of pop culture blockbusters and the most valuable currency of the twenty-first century—people’s attention. From the dawn of impressionist art to the future of Facebook, from small Etsy designers to the origin of Star Wars, Derek Thompson leaves no pet rock unturned to tell the fascinating story of how culture happens and why things become popular. In Hit Makers, Derek Thompson investigates: * What Taylor Swift, the printing press, and the laugh track have in common * The secret link between ESPN's sticky programming and the The Weeknd's catchy choruses * How advertising critics predicted Donald Trump * The 5th grader who accidentally launched "Rock Around the Clock," the biggest hit in rock and roll history * How Barack Obama and his speechwriters think of themselves as songwriters * How Disney conquered the world—but the future of hits belongs to savvy amateurs and individuals * The French collector who accidentally created the Impressionist canon * Quantitative evidence that the biggest music hits aren’t always the best * Why almost all Hollywood blockbusters are sequels, reboots, and adaptations * Why one year--1991--is responsible for the way pop music sounds today * Why another year --1932--created the business model of film * How data scientists proved that “going viral” is a myth * How 19th century immigration patterns explain the most heard song in the Western Hemisphere
