Literature, Criticism, and the Theory of Signs PDF Download
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Author: Victorino Tejera
Publisher: John Benjamins Publishing
ISBN: 9781556193415
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Following Peirce in his non-reductive understanding of the theory of signs as a branch of aesthetics, this book reconceptualizes the processes of literary creation, appreciation and reading in semiotic terms. Here is a carefully developed theory of what sort of criteria serve to distinguish apposite from inapposite readings of literary works-of-art. Given Peirce's triadic account of signification, it enlarges Aristotle's view of mimesis as expressive making into an understanding of literary works as deliberatively designed sign-systems belonging to Peirce's eighth class of signs. In parallel with Bakhtin's account of the dialogical nature of literary work (and its success in exposing misreadings of Dostoyevsky), this work categorizes in precise theoretical terms what is wrong with the non-dialogical readings which treat Plato's dialogues as doctrinal tractates. As a study in literary theory finally, and on the basis of apt distinctions between exhibitive, active, and assertive judgments, this book re-demarcates and distinguishes the discipline of literary criticism from that of literary theory, and both of these from the work of literary creation itself.
Author: Victorino Tejera
Publisher: John Benjamins Publishing
ISBN: 9781556193415
Category : Literary Criticism
Languages : en
Pages : 184
Get Book Here
Book Description
Following Peirce in his non-reductive understanding of the theory of signs as a branch of aesthetics, this book reconceptualizes the processes of literary creation, appreciation and reading in semiotic terms. Here is a carefully developed theory of what sort of criteria serve to distinguish apposite from inapposite readings of literary works-of-art. Given Peirce's triadic account of signification, it enlarges Aristotle's view of mimesis as expressive making into an understanding of literary works as deliberatively designed sign-systems belonging to Peirce's eighth class of signs. In parallel with Bakhtin's account of the dialogical nature of literary work (and its success in exposing misreadings of Dostoyevsky), this work categorizes in precise theoretical terms what is wrong with the non-dialogical readings which treat Plato's dialogues as doctrinal tractates. As a study in literary theory finally, and on the basis of apt distinctions between exhibitive, active, and assertive judgments, this book re-demarcates and distinguishes the discipline of literary criticism from that of literary theory, and both of these from the work of literary creation itself.
Author: Victorino Tejera
Publisher: John Benjamins Publishing
ISBN: 9027219486
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Following Peirce in his non-reductive understanding of the theory of signs as a branch of aesthetics, this book reconceptualizes the processes of literary creation, appreciation and reading in semiotic terms. Here is a carefully developed theory of what sort of criteria serve to distinguish apposite from inapposite readings of literary works-of-art. Given Peirce's triadic account of signification, it enlarges Aristotle's view of mimesis as expressive making into an understanding of literary works as deliberatively designed sign-systems belonging to Peirce's eighth class of signs. In parallel with Bakhtin's account of the dialogical nature of literary work (and its success in exposing misreadings of Dostoyevsky), this work categorizes in precise theoretical terms what is wrong with the non-dialogical readings which treat Plato's dialogues as doctrinal tractates. As a study in literary theory finally, and on the basis of apt distinctions between exhibitive, active, and assertive judgments, this book re-demarcates and distinguishes the discipline of literary criticism from that of literary theory, and both of these from the work of literary creation itself.
Author: Scott Simpkins
Publisher: Lexington Books
ISBN: 9780739102916
Category : Language Arts & Disciplines
Languages : en
Pages : 306
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Book Description
Literary Semiotics brings much needed revitalization to the conservatism of modern semiotic theory. Scott Simpkins' revisionist work scrutinizes the conflicting views on sign theory to identify new areas of development in semiotic thought and practice, particularly in relation to literary theory. Focusing on the idea of semiotics as a "conversation" about sign theory and practice, Simpkins principally looks at the work of Umberto Eco, while giving secondary attention to some of semiotics' most influential commentators: including Deleuze and Guattari, Lyotard, Foucault, Barthes, Kristeva, and Derrida. As an engaged interrogation of the restraints on the practice of semiotics, Literary Semiotics is a provocative study for semioticians, literary theorists, and scholars of cultural studies and a resource for students seeking a probing examination of the theory of signs.
Author: Jonathan Culler
Publisher: Routledge
ISBN: 1134522584
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
To gain a deeper understanding of the literary movement that has dominated recent Anglo-American literary criticism, The Pursuit of Signs is a must. In a world increasingly mediated, it offers insights into our ways of consuming texts that are both brilliant and bold. Dancing through semiotics, reader-response criticism, the value of the apostrophe and much more, Jonathan Culler opens up for every reader the closed world of literary criticism. Its impact on first publication, in 1981, was immense; now, as Mieke Bal notes, 'the book has the same urgency and acuity that it had then', though today it has even wider implications: 'with the interdisciplinary turn taking hold, literary theory itself, through this book, becomes a much more widespread tool for cultural analysis'.
Author: Pelagia Goulimari
Publisher: Routledge
ISBN: 1135053014
Category : Literary Criticism
Languages : en
Pages : 437
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Book Description
This incredibly useful volume offers an introduction to the history of literary criticism and theory from ancient Greece to the present. Grounded in the close reading of landmark theoretical texts, while seeking to encourage the reader's critical response, Pelagia Goulimari examines: major thinkers and critics from Plato and Aristotle to Foucault, Derrida, Kristeva, Said and Butler; key concepts, themes and schools in the history of literary theory: mimesis, inspiration, reason and emotion, the self, the relation of literature to history, society, culture and ethics, feminism, poststructuralism, postcolonialism, queer theory; genres and movements in literary history: epic, tragedy, comedy, the novel; Romanticism, realism, modernism and postmodernism. Historical connections between theorists and theories are traced and the book is generously cross-referenced. With useful features such as key-point conclusions, further reading sections, descriptive text boxes, detailed headings, and with a comprehensive index, this book is the ideal introduction to anyone approaching literary theory for the first time or unfamiliar with the scope of its history.
Author: Jacques Derrida
Publisher: Northwestern University Press
ISBN: 9780810105904
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Speech and phenomena.--Form and meaning.--Differance.
Author: William Brevda
Publisher: Bucknell University Press
ISBN: 1611480434
Category : Literary Criticism
Languages : en
Pages : 435
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Book Description
This book is a study of signs in American literature and culture. It is mainly about electric signs, but also deals with non-electric signs and related phenomena, such as movie sets. The 'sign' is considered in both the architectural and semiotic senses of the word. It is argued that the drama and spectacle of the electric sign called attention to the semiotic implications of the 'sign.' In fiction, poetry, and commentary, the electric SIGN became a 'sign' of manifold meanings that this book explores: a sign of the city, a sign of America, a sign of the twentieth century, a sign of modernism, a sign of postmodernism, a sign of noir, a sign of naturalism, a sign of the beats, a sign of signs systems (the Bible to Broadway), a sign of tropes (the Great White way to the neon jungle), a sign of the writers themselves, a sign of the sign itself. If Moby Dick is the great American novel, then it is also the great American novel about signs, as the prologue maintains. The chapters that follow demonstrate that the sign is indeed a 'sign' of American literature. After the electric sign was invented, it influenced Stephen Crane to become a nightlight impressionist and Theodore Dreiser to make the 'fire sign' his metaphor for the city. An actual Broadway sign might have inspired F. Scott Fitzgerald's The Great Gatsby. In Manhattan Transfer and U.S.A., John Dos Passos portrayed America as just a spectacular sign. William Faulkner's electric signs are full of sound and fury signifying modernity. The Last Tycoon was a sign of Fitzgerald's decline. The signs of noir can be traced to Poe's 'The Man of the Crowd.' Absence flickers in the neons of Raymond Chandler's Los Angeles. The death of God haunts the neon wilderness of Nelson Algren. Hitler's 'empire' was an non-intentional parody of Nathanael West's California. The beats reinvented Times Square in their own image. Jack Kerouac's search for the center of Saturday night was a quest for transcendence. This book will interest readers who want to learn more about the city, the history of advertising, electric lighting, nightlife, architecture, and semiotics. In contrast to other cultural studies, however, Signs of the Signs is primarily a work of literary criticism. Lovers of literary light will appreciate this book the most.
Author: Joseph T Shipley
Publisher: Read Books Ltd
ISBN: 1447495683
Category : Literary Criticism
Languages : en
Pages : 969
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Book Description
The dictionary of world literature: criticism-forms-technique presents a consideration of critics and criticism, of literary schools, movements, forms, and techniques-including drama and the theatre-in eastern and western lands from the earliest times; of literary and critical terms and ideas; with other material that may provide background of understanding to all who, as creator, critic, or receptor, approach a literary or theatrical work.
Author: Roland Barthes
Publisher: French List
ISBN: 9781803092744
Category : Art
Languages : en
Pages : 0
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Book Description
A major collection of essays and interviews from an iconic 20th-century philosopher in five volumes, now all available together in paperback. Roland Barthes was a restless, protean thinker. A constant innovator--often as a daring smuggler of ideas from one discipline to another--he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France's preeminent Collège de France, where he chose to style himself as a professor of literary semiology until his death in 1980. The greater part of Barthes's published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central concerns--semiotics, visual culture, art, cinema, and photography--and features essays on Marthe Arnould, Lucien Clergue, Daniel Boudinet, Richard Avedon, Bernard Faucon, and many more.
Author: Dawn Fulton
Publisher: University of Virginia Press
ISBN: 9780813927152
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Maryse Condé is a Guadeloupean writer and critic whose work has challenged the categories of race, language, gender, and geography that inform contemporary literary and critical debates. In Signs of Dissent, the first full-length study in English on Condé, Dawn Fulton situates this award-winning author's work in the context of current theories of cultural identity in order to foreground Condé's unique contributions to these discussions. Staging a dialogue between Condé's novels and the field of postcolonial studies, Fulton argues that Condé enacts a strategy of "critical incorporations" in her fiction, imitating and transforming many of the prevailing narratives of postcolonial theory so as to explore their theoretical and conceptual limits. By rejecting the facile classification of her work as "Caribbean," "African," or "feminist," Condé has gained a reputation as an iconoclast. But Fulton proposes that behind this public image of provocation lies an incisive reflection on the burdens of representation imposed on the non-Western writer, and that Condé's novels expose the ways in which postcolonial criticism can be complicit in constructing such burdens even as it questions them. Signs of Dissent offers one of the most comprehensive assessments of Condé's literary production to date, illuminating its exceptional role in shaping a dialogue between francophone studies and the English-dominated field of postcolonialism.
