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Author: Michael Martin
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 221
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Book Description
Each of the figures examined in this study-John Dee, John Donne, Sir Kenelm Digby, Henry and Thomas Vaughan, and Jane Lead-is concerned with the ways in which God can be approached or experienced. Michael Martin analyzes the ways in which the encounter with God is figured among these early modern writers who inhabit the shared cultural space of poets and preachers, mystics and scientists. The three main themes that inform this study are Cura animarum, the care of souls, and the diminished role of spiritual direction in post-Reformation religious life; the rise of scientific rationality; and the struggle against the disappearance of the Holy. Arising from the methods and commitments of phenomenology, the primary mode of inquiry of this study resides in contemplation, not in a religious sense, but in the realm of perception, attendance, and acceptance. Martin portrays figures such as Dee, Digby, and Thomas Vaughan not the eccentrics they are often depicted to have been, but rather as participating in a religious mainstream that had been radically altered by the disappearance of any kind of mandatory or regular spiritual direction, a problem which was further complicated and exacerbated by the rise of science. Thus this study contributes to a reconfiguration of our notion of what 'religious orthodoxy' really meant during the period, and calls into question our own assumptions about what is (or was) 'orthodox' and what 'heterodox.'
Author: Michael Martin
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 221
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Book Description
Each of the figures examined in this study-John Dee, John Donne, Sir Kenelm Digby, Henry and Thomas Vaughan, and Jane Lead-is concerned with the ways in which God can be approached or experienced. Michael Martin analyzes the ways in which the encounter with God is figured among these early modern writers who inhabit the shared cultural space of poets and preachers, mystics and scientists. The three main themes that inform this study are Cura animarum, the care of souls, and the diminished role of spiritual direction in post-Reformation religious life; the rise of scientific rationality; and the struggle against the disappearance of the Holy. Arising from the methods and commitments of phenomenology, the primary mode of inquiry of this study resides in contemplation, not in a religious sense, but in the realm of perception, attendance, and acceptance. Martin portrays figures such as Dee, Digby, and Thomas Vaughan not the eccentrics they are often depicted to have been, but rather as participating in a religious mainstream that had been radically altered by the disappearance of any kind of mandatory or regular spiritual direction, a problem which was further complicated and exacerbated by the rise of science. Thus this study contributes to a reconfiguration of our notion of what 'religious orthodoxy' really meant during the period, and calls into question our own assumptions about what is (or was) 'orthodox' and what 'heterodox.'
Author: Professor Michael Martin
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472432681
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
Each of the figures examined in this study—John Dee, John Donne, Sir Kenelm Digby, Henry and Thomas Vaughan, and Jane Lead—is concerned with the ways in which God can be approached or experienced. Michael Martin analyzes the ways in which the encounter with God is figured among these early modern writers who inhabit the shared cultural space of poets and preachers, mystics and scientists. The three main themes that inform this study are Cura animarum, the care of souls, and the diminished role of spiritual direction in post-Reformation religious life; the rise of scientific rationality; and the struggle against the disappearance of the Holy. Arising from the methods and commitments of phenomenology, the primary mode of inquiry of this study resides in contemplation, not in a religious sense, but in the realm of perception, attendance, and acceptance. Martin portrays figures such as Dee, Digby, and Thomas Vaughan not as the eccentrics they are often depicted to have been, but rather as participating in a religious mainstream that had been radically altered by the disappearance of any kind of mandatory or regular spiritual direction, a problem which was further complicated and exacerbated by the rise of science. Thus this study contributes to a reconfiguration of our notion of what ‘religious orthodoxy’ really meant during the period, and calls into question our own assumptions about what is (or was) ‘orthodox’ and ‘heterodox.’
Author: Michael Martin
Publisher:
ISBN: 9781621381150
Category : Philosophy
Languages : en
Pages : 246
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Book Description
In The Submerged Reality: Sophiology and the Turn to a Poetic Metaphysics, Michael Martin challenges us to reimagine theology, philosophy, and poetics through the lens of sophiology. Sophiology, as this book shows, is not a rogue theology, but a way of perceiving that which shines through the cosmos: a way that can return metaphysics to postmodern thought and facilitate a (re)union of religion, science, and art. "This is a brave, powerful, and intensely fascinating book that will certainly prove controversial. The notion of the divine Wisdom, Sophia, has always proved contentious in theology, but has remained persistent. For Michael Martin, it is essentially a poetic intuition, challenging our ways of perception and understanding. Exploring writers left in the shadows by conventional theology, he taps sources from which theology and the life of the Church could find renewal."--ANDREW LOUTH "In The Submerged Reality, Michael Martin suggests why a radicalized orthodoxy in the future will need more to 'walk on the wild side' and appropriate what is best in the esoteric, occult, and even gnostic traditions. He intimates that the past failure to do this is linked to a one-sidedly masculine theology, downgrading the sacrality of life, immanence, fertility, and the 'active receptivity' of the feminine. The consequence of this has been the perverse liberal attempt to distill 'order out of disorder, ' or the denial of real essences, relations, gender difference, and the objective existence of all things as beautiful. Finally, Martin argues that such a genuinely feminist theology would also be concerned with a space between the openly empirical observation of nature on the one hand, and the reflective exposition of divine historical revelation on the other. In this space, continuously new poetic realities are shaped and emerge under the guidance of holy inspiring wisdom."--JOHN MILBANK "This is a very clearly written and lively work of Catholic apologetics. Professors would be well advised to assign it as a text for undergraduate courses in theology. The Submerged Reality could win the hearts and minds of contemporary young people for Christian belief."--FRANCESCA ARAN MURPHY "Sophiology is best understood, not as a 'doctrine, ' but as a way of seeing and feeling the deepest mystery of reality. In this wide-ranging and exhilarating book, Michael Martin gives us the most important theological apologia for the contemplation of divine Sophia since the great Russian Sophiologists of the last century. Drawing on the Russian genius of Vladimir Soloviev and Sergius Bulgakov, Martin's meditation on Sophia ranges across the contributions of figures such as Jacob Boehme and Rudolf Steiner, Edith Stein and Pavel Florensky, Hans Urs von Balthasar and John Milbank. In so doing, he weaves a rich tapestry that illumines how a deeper gaze toward the feminine figure of Sophia begins to yield a more adequate response to the crisis of post-modern secular culture."--AARON RICHES MICHAEL MARTIN is Assistant Professor of English and Philosophy at Marygrove College. He is the author of Literature and the Encounter with God in Post-Reformation England (Ashgate, 2014), a work of literary criticism, and a volume of poetry, Meditations in Times of Wonder (Angelico Press, 2014).
Author: Kevin Killeen
Publisher: Stanford University Press
ISBN: 1503635864
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Early modern thought was haunted by the unknowable character of the fallen world. The sometimes brilliant and sometimes baffling fusion of theological and scientific ideas in the era, as well as some of its greatest literature, responds to this sense that humans encountered only an incomplete reality. Ranging from Paradise Lost to thinkers in and around the Royal Society and commentary on the Book of Job, The Unknowable in Early Modern Thought explores how the era of the scientific revolution was in part paralyzed by and in part energized by the paradox it encountered in thinking about the elusive nature of God and the unfathomable nature of the natural world. Looking at writers with scientific, literary and theological interests, from the shoemaker mystic, Jacob Boehme to John Milton, from Robert Boyle to Margaret Cavendish, and from Thomas Browne to the fiery prophet, Anna Trapnel, Kevin Killeen shows how seventeenth-century writings redeployed the rich resources of the ineffable and the apophatic—what cannot be said, except in negative terms—to think about natural philosophy and the enigmas of the natural world.
Author: Thomas Willard
Publisher: BRILL
ISBN: 9004519734
Category : Religion
Languages : en
Pages : 358
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Book Description
Thomas Vaughan’s challenging books on alchemy, magic, and other esoterica make better sense in the context of the Rosicrucian ideas he introduced to English readers in the seventeenth century. This is the first scholarly book on his life, sources, writings, and subsequent influence.
Author: Alexandra Walsham
Publisher: Routledge
ISBN: 0429619928
Category : History
Languages : en
Pages : 306
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Book Description
This stimulating volume explores how the memory of the Reformation has been remembered, forgotten, contested, and reinvented between the sixteenth and twenty-first centuries. Remembering the Reformation traces how a complex, protracted, and unpredictable process came to be perceived, recorded, and commemorated as a transformative event. Exploring both local and global patterns of memory, the contributors examine the ways in which the Reformation embedded itself in the historical imagination and analyse the enduring, unstable, and divided legacies that it engendered. The book also underlines how modern scholarship is indebted to processes of memory-making initiated in the early modern period and challenges the conventional models of periodisation that the Reformation itself helped to create. This collection of essays offers an expansive examination and theoretically engaged discussion of concepts and practices of memory and Reformation. This volume is ideal for upper level undergraduates and postgraduates studying the Reformation, Early Modern Religious History, Early Modern European History, and Early Modern Literature.
Author: Julie Crawford
Publisher: JHU Press
ISBN: 0801881129
Category : History
Languages : en
Pages : 283
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Book Description
Crawford examines accounts of monstrous births in popular pamphlets along with the strikingly graphic illustrations accompanying them, demonstrating how Protestant reformers used these accounts to guide their public through the spiritual confusion and social turmoil of the time.
Author: Theresa M. Kenney
Publisher: University of Toronto Press
ISBN: 1487509065
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
All Wonders in One Sight compares the portrayals of the Christ Child in the Nativity poems of the greatest names in seventeenth-century English lyric.
Author: Russell M. Hillier
Publisher: Rutgers University Press
ISBN: 1644532263
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
This book brings together ten essays on John Donne and George Herbert composed by an international group of scholars. The volume represents the first collection of its kind to draw close connections between these two distinguished early modern poet-thinkers. The contributors illuminate a variety of topics and fields while suggestion new directions that future study of Donne and Herbert might take.
Author: Simon Schama
Publisher: Oxford University Press
ISBN: 0190621885
Category : History
Languages : en
Pages : 633
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Book Description
Author of a number of celebrated works, including the bestselling The Story of the Jews and Citizens: A Chronicle of the French Revolution, Simon Schama's latest book fuses history and art to create a tour de force of narrative sweep and illuminating insight. Using images from works-paintings, photographs, lithographs, etchings, sketches-found in London's National Portrait Gallery, The Face of Britain weaves together an account of their composition, framed by their particular moment of creation, and in the process unveils a collective portrait of nation and its history. "Portraits," Schama writes, "have always been made with an eye to posterity." Commissioned to paint Winston Churchill in 1954 Graham Sutherland struggled with how to capture the "savior" of Great Britain honestly and humanely. Schama calls the portrait, initially damned, the "most powerful image of a Great Briton ever executed." Annie Leibovitz's photograph of a nude John Lennon kissing Yoko Ono, taken five hours before his murder, bears "a weight of poignancy she could not possibly have anticipated." Hans Holbein's preparatory sketch for a portrait of Henry VIII depicts "an unstoppable engine of dynastic generation." Here are expressions from across the centuries of normalcy and heroism, beauty and disfigurement, aristocracy and deprivation, the familiar and the obscure-the faces of courtesans, warriors, workers, activists, playwrights, the high and mighty as well as pub-crawlers. Linking them is Schama's vibrant exploration of how their connective power emerges from the dynamic between subject and artist, work and viewer, time and place. Schama's compelling analysis and impassioned evocation of these works create an unforgettable verbal mosaic that at once reveals and transforms the images he places before us. Lavishly illustrated and written with the storytelling brio that is Schama's trademark, The Face of Britain invites us to look at a nation's visual legacies and find its reflection.
