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Author: Megan Walsh
Publisher: University of Iowa Press
ISBN: 1609385020
Category : Art
Languages : en
Pages : 271
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Book Description
Benjamin Franklin's portraits and colonial printing -- Phillis Wheatley and the durability of the author portrait -- Nationalist portraiture, magazines, and political books -- Picturing the seduction heroine in the U.S -- Gothic portraiture in Charles Brockden Brown's Wieland and Ormond
Author: Megan Walsh
Publisher: University of Iowa Press
ISBN: 1609385020
Category : Art
Languages : en
Pages : 271
Get Book Here
Book Description
Benjamin Franklin's portraits and colonial printing -- Phillis Wheatley and the durability of the author portrait -- Nationalist portraiture, magazines, and political books -- Picturing the seduction heroine in the U.S -- Gothic portraiture in Charles Brockden Brown's Wieland and Ormond
Author: A S Byatt
Publisher: Random House
ISBN: 1473520517
Category : Art
Languages : en
Pages : 108
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Book Description
Portraits seem the opposite of fiction, fixed in time and space, not running with the curve of a story or a life. Yet since the birth of the novel, writers have been fascinated by portraits as icons, as motifs, as images of character and evocations of past time. A. S. Byatt delves into the complex relations between portraits and characters, and between portraits and novels as whole works of art. Her authors range from Henry James to Iris Murdoch, her artists from Holbein to Botticelli, Manet to the present day. She looks at the way writers use portraits to conjure up the past, as in Ford Madox Ford's The Fifth Queen and Virginia Woolf's Orlando. She explores their erotic use, the idea of painting as a sexual act, full of danger. And she examines the creation of fictional portrait painters by writers like Balzac and Zola, whose writing was closely linked, in different ways to the art of Cézanne. A portrait can defy the process of age but its very stillness can also seem like death. Art can be a murderer. And sometimes, as in Salman Rushdie's The Moor's Last Sigh, a portrait can itself become the victim of Gothic rage.
Author: James Joyce
Publisher: Modernista
ISBN: 9180943780
Category :
Languages : en
Pages : 233
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Book Description
A Portrait of the Artist as a Young Man [1916] established James Joyce as a leading figure in literary modernism across Europe. The novel is set in the author’s homeland, Ireland, and narrates, in five episodes, the childhood of Stephen Dedalus. The plot is entirely based on Joyce’s own life and serves as a private manifesto, particularly through its sharp declaration of independence from Catholicism. Joyce pioneered a new way of writing novels, abandoning traditional narration for stream of consciousness and introducing his epiphanies—momentary revelations that, in their everydayness, hint at a larger context of life. Upon the recommendation of the American poet Ezra Pound, A Portrait of the Artist as a Young Man was serialized in the magazine The Egoist in 1914/15 before being published as a book the following year. Today, more than a hundred years after its release, A Portrait of the Artist as a Young Man is considered one of the most significant autobiographical texts in world literature. The Modern Library ranked it as the 3rd best English-language novel of the 20th century (with Joyce’s Ulysses as #1). JAMES JOYCE [1882-1941], Irish author, is a key figure in modernist literature with works such as Dubliners [1914], A Portrait of the Artist as a Young Man [1916], and Ulysses [1922].
Author: Michel Beaujour
Publisher: NYU Press
ISBN: 0814786111
Category : Literary Criticism
Languages : en
Pages : 436
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Book Description
A serious and independent contribution to the literature of autobiography. -- John SturrockFrench StudiesClearly a landmark study. It seems certain to provoke a great deal of productive debate among those concerned with any of the many issues it raises. -- Comparative Literature The literary self-portrait, often considered to be an ill- formed autobiography, is receiving more attention as a result of the current obsession with personal narrative, but little progress has been made toward an understanding of its specific features. With Poetics of the Literary Self-Portrait, Michel Beaujour reveals the hidden ambitions of this genre. From St. Augustine to Montaigne, from Nietzsche to Malraux, Leiris and Barthes, individual self-portraits are analyzed jointly with the enduring cultural matrix from which self-portrayal derives its disconcerting non-narrative structure, and many of its recurrent topics.
Author: Sofia Samatar
Publisher: Rose Metal Press
ISBN: 9781941628102
Category : Fiction
Languages : en
Pages : 0
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Book Description
"An uncanny and imaginative autobiography of otherness, it offers the fictional record of a writer in the realms of the fantastic shot through with the memories of a pair of Somali-American children growing up in the 1980s. Operating under the sign of two—texts and drawings, brother and sister, black and white, extraordinary and everyday —Monster Portraits multiplies, disintegrates, and blends, inviting the reader to find the danger in the banal, the beautiful in the grotesque. Accumulating into a breathless journey and groundbreaking study, these brief fictions and sketches claim the monster as a fragmentary vastness: not the sum but the derangement of its parts."--Amazon.com.
Author: Cherene Sherrard-Johnson
Publisher: Rutgers University Press
ISBN: 0813539773
Category : Art
Languages : en
Pages : 235
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Book Description
Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta's frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries. In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond.
Author: Sarah Blackwood
Publisher:
ISBN: 9781469652610
Category : Electronic books
Languages : en
Pages :
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Book Description
"Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"--
Author: Françoise Meltzer
Publisher: University of Chicago Press
ISBN: 0226519651
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
How does literature imagine its own powers of representation? Françoise Meltzer attempts to answer this question by looking at how the portrait—the painted portrait, framed—appears in various literary texts. Alien to the verbal system of the text yet mimetic of the gesture of writing, the textual portrait becomes a telling measure of literature's views on itself, on the politics of representation, and on the power of writing. Meltzer's readings of textual portraits—in the Gospel writers and Huysmans, Virgil and Stendhal, the Old Testament and Apuleius, Hawthorne and Poe, Kafka and Rousseau, Walter Scott and Mme de Lafayette—reveal an interplay of control and subversion: writing attempts to veil the visual and to erase the sensual in favor of "meaning," while portraiture, with its claims to bringing the natural object to "life," resists and eludes such control. Meltzer shows how this tension is indicative of a politics of repression and subversion intrinsic to the very act of representation. Throughout, she raises and illuminates fascinating issues: about the relation of flattery to caricature, the nature of the uncanny, the relation of representation to memory and history, the narcissistic character of representation, and the interdependency of representation and power. Writing, thinking, speaking, dreaming, acting—the extent to which these are all controlled by representation must, Meltzer concludes, become "consciously unconscious." In the textual portrait, she locates the moment when this essential process is both revealed and repressed.
Author: Patrick E. Horrigan
Publisher:
ISBN: 9781590214770
Category : Fiction
Languages : en
Pages : 232
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Book Description
An alienated young man searches for his life's purpose through a gallery of portraits at an exhibition. Afraid he may have contracted HIV the night before during a risky sexual encounter and only beginning to fathom the possible consequences, Robin winds his way through the rooms, studying the portraits of people from faraway places and times, looking for clues in the lives of others to the mystery of his own discontent. Several masterpieces of portrait painting, reproduced in the novel, become the focal-points of Robin's physical and spiritual journey; ranging from the Renaissance to the turn of the 21st century, they include works by such famous artists as Sandro Botticelli, Diego Velazquez, and John Singer Sargent. Each portrait opens like a time capsule to Robin's gaze, releasing stories about the sitters, artists, and critics who, over the centuries, have turned their everyday struggles, disappointments, and dreams into transcendent works of art. In the gallery, Robins bumps into a flesh-and-blood stranger--an HIV-positive psychotherapist and former monk--with whom he feels an uncanny rapport. Their meeting could change his life, but first he will have to confront a disturbing truth about himself. Steeped in art history and rich in psychological intrigue, Portraits at an Exhibition plunges the reader directly into the mind of Robin, seeing as he sees, reading what he reads, and learning, along with him, the often unsettling life lessons that only the closest observation of great art can teach.
Author: Frederic Tuten
Publisher: W. W. Norton & Company
ISBN: 0393079058
Category : Fiction
Languages : en
Pages : 249
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Book Description
Inspired by the stories the author read to his possibly illiterate Sicilian grandmother as a child, these nested narratives are told by couples traveling through hallucinatory, romantic landscapes. As the traveler in "Self Portrait with Sicily" rides a train through the Bronx, boundaries between worlds, geography, and generations blur, transporting him through Sicily and the rural landscape of his Nonna. On a honeymoon in Spain, the narrator of "Self Portrait with Bullfight" decides that "forbearance" is the key to a lasting marriage and proceeds to try the patience of his new bride with a long-winded tale of the "frisson of rivalry" between two youths vying for the attentions of a Gypsy woman. In "Self Portrait with Cheese," an allegory about a family of bears that flees the circus only to languish, bored, in their freedom, offers a convoluted fable about the needs of artists. Tuten's (The Green Hour) polished stories of beauty, longing, and loss are relatable, yet strange enough that they constantly pique--Publisher's Weekly.
