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Author: Martin L. McLaughlin
Publisher:
ISBN: 9780191673443
Category : Imitation in literature
Languages : en
Pages : 314
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Book Description
The concept of imitatio - the imitation of classical and vernacular texts - was a dominant critical and creative principle in Italian Renaissance literature. This study charts the development of imitatio from the 14th to the early 16th centuries, offering insights into the works of Italian writers
Author: Martin L. McLaughlin
Publisher:
ISBN: 9780191673443
Category : Imitation in literature
Languages : en
Pages : 314
Get Book
Book Description
The concept of imitatio - the imitation of classical and vernacular texts - was a dominant critical and creative principle in Italian Renaissance literature. This study charts the development of imitatio from the 14th to the early 16th centuries, offering insights into the works of Italian writers
Author: Martin L. McLaughlin
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
The concept of imitatio - the imitation of classical and vernacular texts - was the dominant critical and creative principle in Italian Renaissance literature. Linked to modern notions of intertextuality, imitation has been much discussed recently, but this is the first book to offer a comprehensive survey of Italian Renaissance ideas on imitation, covering both theory and practice, and both Latin and vernacular works. Martin McLaughlin charts the emergence of the idea, in vague terms in Dante, then in Petrarch's more precise reconstruction of classical imitatio, before concentrating on the major writers of the Quattrocento. Some chapters deal with key humanists, such as Lorenzo Valla and Pico della Mirandola, while others discuss each of the major vernacular figures in the debate, including Leonardo Bruni, Leon Battista Alberti, Angelo Poliziano, and Pietro Bembo. For the first time scholars and students have an up-to-date account of the development of Ciceronianism in both Latin and the vernacular before 1530, and the book provides fresh insights into some of the canonical works of Italian literature from Dante to Bembo.
Author: Salvatore Di Maria
Publisher: University of Toronto Press
ISBN: 1442667346
Category : Drama
Languages : en
Pages : 233
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Book Description
The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations – incuding Machiavelli’s Mandragola and Clizia, Cecchi’s Assiuolo, Groto’s Emilia, and Dolce’s Marianna – and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely. DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period.
Author: Joel Elias Spingarn
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 372
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Book Description
Author: Joel Elias Spingarn
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 168
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Book Description
A History of Literary Criticism in the Renaissance is a book by Joel Elias Spingarn. It focuses on the impact of Italy in the development and expansion of modern classicism.
Author:
Publisher: BRILL
ISBN: 9004398031
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) explores the multiple facets of the formation of the literary canon in Renaissance Italy through the analysis of its complex relationship with the Classics.
Author: Bernard Weinberg
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 664
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Book Description
Author: Joel Elias Spingarn
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 376
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Book Description
Author: Joel Elias Spingarn
Publisher: BoD – Books on Demand
ISBN: 3752426373
Category : Fiction
Languages : en
Pages : 190
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Book Description
Reproduction of the original: A History of Literary Criticism in the Renaissance by Joel Elias Spingarn
Author: Jon R. Snyder
Publisher: Stanford University Press
ISBN: 9780804714594
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
The 'rediscovery' in sixteenth-century Italy of Aristotle's Poetics marks a crucial moment in the development of Western thought about literature, for the flood of new and controversial works that accompanied this event laid the foundations of modern literary criticism and theory. This is a study of the main literary theories of the late Italian Renaissance that seek to define a poetics of dialogue. The author contends that dialogue - among the most popular of all prose forms in Italy to develop a new theory of literature, because it seems to subvert the conventional Renaissance understanding of what is 'literary' and what is not. With its close ties to dialectic and to Platonic philosophy on the one hand, and its equally vital links to imaginative fiction on the other, dialogue in the Renaissance stands at the crossroads of the discourses of cognition and fiction. Writing the Scene of Speaking examines the different solutions offered by sixteenth-century Italian theorists to the problem posed by the hybrid textuality of dialogue, and sets them in the context of a culture in a dramatic state of transition.
