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Author: Joseph P. Swain
Publisher:
ISBN: 9781576473139
Category : Music
Languages : en
Pages : 590
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Book Description
An examination of the music of two great exponents of Baroque music and their influence on later composers.
Author: Joseph P. Swain
Publisher:
ISBN: 9781576473139
Category : Music
Languages : en
Pages : 590
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Book Description
An examination of the music of two great exponents of Baroque music and their influence on later composers.
Author: David Hurwitz
Publisher: Unlocking the Masters
ISBN: 9781574674873
Category : Music
Languages : en
Pages : 0
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Book Description
This book takes the listener through Handel's entire output, from his earliest works in Italy, through his more than 40 operas, and including the famous English oratorios Along the way it examines his orchestral music, the pieces he wrote for England's lavish royal ceremonies, and his surprisingly limited production of sacred music.
Author: Archibald Thompson Davison
Publisher: Cambridge : Harvard University Press
ISBN:
Category : Composers
Languages : en
Pages : 96
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Book Description
Author: Craig M. Wright
Publisher:
ISBN: 9780314067524
Category : Music
Languages : en
Pages : 504
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Book Description
Author: Paul Henry Lang
Publisher: Courier Corporation
ISBN: 0486144593
Category : Music
Languages : en
Pages : 794
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Book Description
Exceptionally full, detailed study of the man, his music and times. Childhood, music training, years in London; analysis of Messiah and other works; much more. Introduction. Includes 35 illustrations.
Author: Paul Griffiths
Publisher: New York Review of Books
ISBN: 168137580X
Category : Fiction
Languages : en
Pages : 313
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Book Description
Shortlisted for the 2020 Goldsmiths Prize Based on the German composer's own correspondence, this inventive, counterfactual work of historical fiction imagines Beethoven traveling to America to write an oratorio based on the Book of Job. It is a matter of historical record that in 1823 the Handel and Haydn Society of Boston (active to this day) sought to commission Beethoven to write an oratorio. The premise of Paul Griffiths’s ingenious novel is that Beethoven accepted the commission and traveled to the United States to oversee its first performance. Griffiths grants the composer a few extra years of life and, starting with his voyage across the Atlantic and entry into Boston Harbor, chronicles his adventures and misadventures in a new world in which, great man though he is, he finds himself a new man. Relying entirely on historically attested possibilities to develop the plot, Griffiths shows Beethoven learning a form of sign language, struggling to rein in the uncertain inspiration of Reverend Ballou (his designated librettist), and finding a kindred spirit in the widowed Mrs. Hill, all the while keeping his hosts guessing as to whether he will come through with his promised composition. (And just what, the reader also wonders, will this new piece by Beethoven turn out to be?) The book that emerges is an improvisation, as virtuosic as it is delicate, on a historical theme.
Author: Archibald Thompson Davison
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 104
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Book Description
Author: David Hurwitz
Publisher: Rowman & Littlefield
ISBN: 1538134934
Category : Music
Languages : en
Pages : 205
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Book Description
The greatest musical prodigy since Mozart (some would say he was even greater), Felix Mendelssohn (1809–1847) excelled in everything he did, musical or otherwise, and during his brief life became Europe’s most respected and beloved composer. Yet no musician suffered more drastic swings in his posthumous reputation, and as a result Mendelssohn’s music was obscured by a host of extra-musical factors: changes in taste, the rise of nationalism, anti-Semitism, and contempt for Victorian culture. This “owner’s manual” offers a guide to Mendelssohn’s musical output, major and minor, providing points of entry into a large body of work, much of which remains far too little known. There’s much more to Mendelssohn than the “Italian” Symphony and the “Midsummer Night’s Dream” Overture, and a whole creative world of vivid, expressive, and fantastical music is ready for exploration.
Author: Daniel R. Melamed
Publisher: Oxford University Press
ISBN: 0190881070
Category : Music
Languages : en
Pages : 208
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Book Description
Of all the things we can know about J. S. Bach's Mass in B Minor and Christmas Oratorio, the most profound come from things we can hear. Listening to Bach explores musical style as it was understood in the early eighteenth century. It encourages ways of listening that take eighteenth-century musical sensibilities into account and that recognize our place as inheritors of a long tradition of performance and interpretation. Daniel R. Melamed shows how to recognize old and new styles in sacred music of Bach's time, and how movements in these styles are constructed. This opens the possibility of listening to the Mass in B Minor as Bach's demonstration of the possibilities of contrasting, combining, and reconciling old and new styles. It also shows how to listen for elements that would have been heard as most significant in the early eighteenth century, including markers of sleep arias, love duets, secular choral arias, and other movement types. This offers a musical starting point for listening for the ways Bach put these types to use in the Mass in B Minor and the Christmas Oratorio. The book also offers ways to listen to and think about works created by parody, the re-use of music for new words and a new purpose, like almost all of the Mass in B Minor and Christmas Oratorio. And it shows that modern performances of these works are stamped with audible consequences of our place in the twenty-first century. The ideological choices we make in performing the Mass and Oratorio, part of the legacy of their performance and interpretation, affect the way the work is understood and heard today. All these topics are illustrated with copious audio examples on a companion Web site, offering new ways of listening to some of Bach's greatest music.
Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 9780521252171
Category : Music
Languages : en
Pages : 392
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Book Description
1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti. This volume covers all three composers and contains essays from an international team of scholars. Some essays make a contribution towards a better understanding of one or other composer, but at least half of them are concerned with ideas connecting two or even all three of them. The essays are concerned with many aspects of the music - technical, chronological, critical, speculative, theoretical and (importantly) practical - and the distinguished contributors have often endeavoured to ask questions rather than jump to conclusions. Every essay makes fresh points and can open up new avenues for players and (in the broadest sense) students, especially in the present climate of wishing to return to 'authentic conditions of performance'.
