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Author: Lincoln Center for the Performing Arts
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: Lincoln Center for the Performing Arts
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: Lincoln Center for the Performing Arts
Publisher:
ISBN:
Category : Centers for the performing arts
Languages : en
Pages : 35
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Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 47
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Book Description
Author: Stephen Stamas
Publisher: Turner Publishing Company
ISBN: 1620458713
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
This book chronicles the major milestones in the artistic, physical, and administrative history of Lincoln Center’s last two-and-a-half decades. Filled with over sixty beautiful black-and-white photographs that highlight the Center’s rich cultural history, it illuminates how Lincoln Center for the Performing Arts served and supported its constituent groups while producing its own innovative artistic programming and how, in the process, it became a role model for performing arts organizations throughout the world.
Author: New York Public Library. Municipal Reference Library
Publisher:
ISBN:
Category : Cities and towns
Languages : en
Pages : 696
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Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 770
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Author: Joan Peyser
Publisher: Bold Strummer
ISBN: 9780912483993
Category : Music
Languages : en
Pages : 504
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Author:
Publisher:
ISBN:
Category : City planning
Languages : en
Pages : 1040
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Author: Arabella Stanger
Publisher: Northwestern University Press
ISBN: 0810144107
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
The politics of theater dance is commonly theorized in relation to bodily freedom, resistance, agitation, or repair. This book questions those utopian imaginaries, arguing that the visions and sensations of canonical Euro-American choreographies carry hidden forms of racial violence, not in the sense of the physical or psychological traumas arising in the practice of these arts but through the histories of social domination that materially underwrite them. Developing a new theory of choreographic space, Arabella Stanger shows how embodied forms of hope promised in ballet and progressive dance modernisms conceal and depend on spatial operations of imperial, colonial, and racial subjection. Stanger unearths dance’s violent ground by interrogating the expansionist fantasies of Marius Petipa’s imperial ballet, settler colonial and corporate land practices in the modern dance of Martha Graham and George Balanchine, reactionary discourses of the human in Rudolf von Laban’s and Oskar Schlemmer’s movement geometries; Merce Cunningham’s experimentalism as a white settler fantasy of the land of the free, and the imperial amnesia of Boris Charmatz’s interventions into metropolitan museums. Drawing on materialist thought, critical race theory, and indigenous studies, Stanger ultimately advocates for dance studies to adopt a position of “critical negativity,” an analytical attitude attuned to how dance’s exuberant modeling of certain forms of life might provide cover for life-negating practices. Bold in its arguments and rigorous in its critique, Dancing on Violent Ground asks how performance scholars can develop a practice of thinking hopefully, without expunging history from their site of analysis.
Author: United States. Congress Senate
Publisher:
ISBN:
Category :
Languages : en
Pages : 1952
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