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Author: Okwui Enwezor
Publisher: Phaidon
ISBN:
Category : History
Languages : en
Pages : 144
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Book Description
A new chapter in the history of African and world photography.
Author: Okwui Enwezor
Publisher: Phaidon
ISBN:
Category : History
Languages : en
Pages : 144
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Book Description
A new chapter in the history of African and world photography.
Author: Kate Ezra
Publisher: Metropolitan Museum of Art
ISBN: 0870996339
Category : Art
Languages : en
Pages : 346
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Book Description
Tantalizing trivia. this Hitler, spoiling everything?"
Author: Grzegorz Rossolinski
Publisher: Columbia University Press
ISBN: 3838266846
Category : History
Languages : en
Pages : 655
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Book Description
Author:
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 26
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Book Description
Consists of 7 informational activity sheets for elementary level students.
Author: Jennifer Bajorek
Publisher: Duke University Press
ISBN: 1478004584
Category : Photography
Languages : en
Pages : 261
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Book Description
In Unfixed Jennifer Bajorek traces the relationship between photography and decolonial political imagination in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960. Focusing on images created by photographers based in Senegal and Benin, Bajorek draws on formal analyses of images and ethnographic fieldwork with photographers to show how photography not only reflected but also actively contributed to social and political change. The proliferation of photographic imagery—through studio portraiture, bureaucratic ID cards, political reportage and photojournalism, magazines, and more—provided the means for west Africans to express their experiences, shape public and political discourse, and reimagine their world. In delineating how west Africans' embrace of photography was associated with and helped spur the democratization of political participation and the development of labor and liberation movements, Bajorek tells a new history of photography in west Africa—one that theorizes photography's capacity for doing decolonial work.
Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 544
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Book Description
Author: Lyle Rexer
Publisher: Intellect Books
ISBN: 1789380421
Category : Photography
Languages : en
Pages : 153
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Book Description
Based on the highly successful course at the School of Visual Arts developed by the author, this book provides a comprehensive approach to the critical understanding of photography through an in-depth discussion of fifteen photographs and their contexts – historical, generic, biographical and aesthetic. This book presents an intensive course in looking at photographs, open to undergraduates and general audiences alike. Rexer argues that by concentrating on fifteen carefully chosen works it is possible to understand the history, development and contemporary situation of photography. Looking to images by photographers such as Roland Fischer, Nancy Rexroth and Ernest Cole, The Critical Eye is the only book to address the totality of issues involved in photography, from authorial self-consciousness to the role of the audience. Its subjects are not limited to art photography but include vernacular images, commercial genres and anthropology. With every chapter it seeks to link the history of photography to current practice. This highly illustrated and beautiful book provides a much-needed introduction to image production.
Author: Donna V. Jones
Publisher: Columbia University Press
ISBN: 0231145489
Category : Education
Languages : en
Pages : 242
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Book Description
In the early twentieth century, the life philosophy of Henri Bergson summoned the élan vital, or vital force, as the source of creative evolution. Bergson also appealed to intuition, which focused on experience rather than discursive thought and scientific cognition. Particularly influential for the literary and political Négritude movement of the 1930s, which opposed French colonialism, Bergson's life philosophy formed an appealing alternative to Western modernity, decried as "mechanical," and set the stage for later developments in postcolonial theory and vitalist discourse. Revisiting narratives on life that were produced in this age of machinery and war, Donna V. Jones shows how Bergson, Nietzsche, and the poets Leopold Senghor and Aimé Césaire fashioned the concept of life into a central aesthetic and metaphysical category while also implicating it in discourses on race and nation. Jones argues that twentieth-century vitalism cannot be understood separately from these racial and anti-Semitic discussions. She also shows that some dominant models of emancipation within black thought become intelligible only when in dialogue with the vitalist tradition. Jones's study strikes at the core of contemporary critical theory, which integrates these older discourses into larger critical frameworks, and she traces the ways in which vitalism continues to draw from and contribute to its making.
Author: Cyril L. Caspar
Publisher: transcript Verlag
ISBN: 3839442540
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
With the advent of the reformation, concepts of living and dying were profoundly reconfigured. As purgatory disappeared from the spiritual landscape, other paths to the afterlife were rediscovered. Thus, when life draws to a close, the passage to the afterlife becomes a last pilgrimage, a popular early modern metaphor that has received little critical commentary. In a rigorous historical and theological reading, Cyril L. Caspar explores five major English poets - John Donne, Sir Walter Raleigh, George Herbert, Edmund Spenser, and John Milton - to unveil the poetical potential of the last pilgrimage as a life-transcending metaphor.
Author: Candace M. Keller
Publisher: Indiana University Press
ISBN: 0253057213
Category : Photography
Languages : en
Pages : 486
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Book Description
Imaging Culture is a sociohistorical study of the meaning, function, and aesthetic significance of photography in Mali, West Africa, from the 1930s to the present. Spanning the dynamic periods of colonialism, national independence, socialism, and democracy, its analysis focuses on the studio and documentary work of professional urban photographers, particularly in the capital city of Bamako and in smaller cities such as Mopti and Ségu. Featuring the work of more than twenty-five photographers, it concentrates on those who have been particularly influential for the local development and practice of the medium as well as its international popularization and active participation in the contemporary art market. Imaging Culture looks at how local aesthetic ideas are visually communicated in the photographers' art and argues that though these aesthetic arrangements have specific relevance for local consumers, they transcend geographical and cultural boundaries to have value for contemporary global audiences as well. Imaging Culture is an important and visually interesting book which will become a standard source for those who study African photography and its global impact.
