Libro calendario. Michelangelo Pietà

Libro calendario. Michelangelo Pietà PDF Author:
Publisher:
ISBN: 9788865240632
Category : Reference
Languages : it
Pages :

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Michelangelo. Pietà. Libro calendario 2011

Michelangelo. Pietà. Libro calendario 2011 PDF Author:
Publisher:
ISBN: 9788875718961
Category :
Languages : it
Pages :

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Portfolio of Photographs of Michelangelo's Pieta

Portfolio of Photographs of Michelangelo's Pieta PDF Author: Michelangelo Buonarroti
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The J. Paul Getty Museum Journal

The J. Paul Getty Museum Journal PDF Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362286
Category : Art
Languages : en
Pages : 214

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The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.

The Fictional Arts

The Fictional Arts PDF Author: Eli Rozik
Publisher: Apollo Books
ISBN: 9781845194253
Category : Art
Languages : en
Pages : 320

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This book is a comprehensive introduction to the analysis of fictional worlds in a set of fifteen arts, including theatre, opera, figurative ballet, mime, audio drama, figurative drawing/painting, figurative sculpture, strip cartoon, animation, puppet theatre, still photography, photo-novel, silent movie, cinema and TV drama. Due to their extreme differences, the combination of different arts in the description of a single fictional world, and the translation from one medium to another, are considered problematic. While such differences do not concern fictional creativity, which applies the same poetic and rhetoric rules whatever the medium, it is widely accepted that the problem lies in the extreme differences between the mediums of description. In contrast, this study explores their common grounds. These arts are iconic in nature, and if 'iconicity' is re-defined in terms of imprinting images on matter and mediation of language, and as reflecting the common roots of these mediums in a preverbal mode of imagistic thinking, therein is an explanation of their possible combination and translation from one medium to another without impairing the receivers' reading, interpreting and experiencing capacities. Eli Rozik analyses numerous fictional worlds in all these arts, produced during the last 2,500 years of artistic creativity, especially in theatre, art and cinema. This book presupposes that principles underlying the generation of descriptions of fictional worlds by the theatre medium, as proposed in two earlier works (Generating Theatre Meaning and Fictional Thinking), also apply to all the iconic/fictional arts. The text-book format of the volume has been purposefully designed to address the needs of undergraduate and postgraduate students, suiting the structure of university courses and providing all necessary information to access the images/artistic works discussed in the volume via the web and Google. This inter-art journey from theatre theory to the arts is compelling reading for all those involved and engaged in artistic creativity.

Collected by Thea Westreich Wagner and Ethan Wagner

Collected by Thea Westreich Wagner and Ethan Wagner PDF Author: Christine Macel
Publisher: Yale University Press
ISBN: 0300214820
Category : Art
Languages : en
Pages : 353

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Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.

Italian Masters in German Galleries

Italian Masters in German Galleries PDF Author: Giovanni Morelli
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 474

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A Florentine Diary From 1450 to 1516

A Florentine Diary From 1450 to 1516 PDF Author: Luca Landucci
Publisher: Hassell Street Press
ISBN: 9781014070982
Category : History
Languages : en
Pages : 0

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Domus

Domus PDF Author:
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : it
Pages : 602

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Petrarch and the Textual Origins of Interpretation

Petrarch and the Textual Origins of Interpretation PDF Author: Teodolinda Barolini
Publisher: BRILL
ISBN: 9047422880
Category : History
Languages : en
Pages : 280

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This volume addresses one of the most far-reaching aspects of Petrarch research and interpretation: the essential interplay between Petrarch’s texts and their material preparation and reception. The essays look at various facets of the interaction between Petrarchan philology and hermeneutics, working from the premise that in Petrarch’s work philological issues are so authorially driven that we cannot in fact read or interpret him without understanding the relevant philological issues and reapplying them in our critical approach to his works. To read and interpret Petrarch we must come to grips with the fundamentals of Petrarchan philology. This volume aims to show how a Petrarchan hermeneutics must be based on an understanding of Petrarchan philology.