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Author: Masaya Yamaguchi
Publisher: Masaya Music
ISBN: 0967635330
Category : Juvenile Nonfiction
Languages : en
Pages : 192
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Book Description
The book is divided into two hierarchically organized parts. In Part I, the various Melodic Shapes for creative writing and improvisation serve as the important aesthetic substance. In Part II, materials quoted from John Coltrane and others are integrated in a fashion convenient to improvisers who seek the technical proficiency of an instrumentalist. Admittedly, the beginning of Lexicon of Geometric Patterns for Jazz Improvisation was already revealed in Chapter IV of my other book Symmetrical Scales for Jazz Improvisation (Masaya Music, 2006). Over the course of a decade, however, I have developed my ideas into the more intelligible format shown in this book, so that even musicians who have difficulty conceiving of dissonant melodies may learn to create their own patterns to be used in improvisation. Dedicated to David Liebman and Dr. Lewis Porter, who have improved the quality of jazz education remarkably.
Author: Masaya Yamaguchi
Publisher: Masaya Music
ISBN: 0967635330
Category : Juvenile Nonfiction
Languages : en
Pages : 192
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Book Description
The book is divided into two hierarchically organized parts. In Part I, the various Melodic Shapes for creative writing and improvisation serve as the important aesthetic substance. In Part II, materials quoted from John Coltrane and others are integrated in a fashion convenient to improvisers who seek the technical proficiency of an instrumentalist. Admittedly, the beginning of Lexicon of Geometric Patterns for Jazz Improvisation was already revealed in Chapter IV of my other book Symmetrical Scales for Jazz Improvisation (Masaya Music, 2006). Over the course of a decade, however, I have developed my ideas into the more intelligible format shown in this book, so that even musicians who have difficulty conceiving of dissonant melodies may learn to create their own patterns to be used in improvisation. Dedicated to David Liebman and Dr. Lewis Porter, who have improved the quality of jazz education remarkably.
Author: Masaya Yamaguchi
Publisher: Masaya Music
ISBN: 0967635306
Category : Music
Languages : en
Pages : 70
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Book Description
Surprisingly, few studies have been made that address the possibilities of musical scales. This book is, to the best of my knowledge, the first of its kind to establish and examine a complete system of all conceivable scales. My intention is that this book be used as a reference tool for all musicians, as it provides a complete dictionary of all possible scale configurations.
Author: Masaya Yamaguchi
Publisher: Masaya Music
ISBN: 0967635365
Category : Music
Languages : en
Pages : 294
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Book Description
This book is intended to answer guitarists demands for my lessons. Ultimately, it depends on who will learn it and how they utilize my method. Over the years, I had been asked to compile my guitar method book, but I was very reluctant to do so until I completed my improvisation book Yamaguchi Improvisation Method (New York: Masaya Music, 2012). Because after all, my priority is to teach music, especially improvised music --- not how to play the guitar. Though this book required a huge amount of work to complete, I finished it for all my fellow guitar players, who regularly use my The Complete Thesaurus of Musical Scales. The YAMAGUCHI Guitar method in this book is highly original and much different from most books in today s jazz pedagogy. This is a new kind of guitar method book that will leave no student behind if you interpret my words correctly. I hope the YAMAGUCHI Guitar method will guide you to unlock melodic possibilities and broaden your musical vocabulary. GOOD LUCK!
Author: Evan Tate
Publisher:
ISBN: 9781794340947
Category :
Languages : en
Pages : 208
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Book Description
A new aid to learning Jazz Improvisation from the ground up in an easy to follow and easy to learn method. Plenty of exercises and jazz etudes.
Author: Masaya Yamaguchi
Publisher: Masaya Music
ISBN: 0999878409
Category : Music
Languages : en
Pages : 152
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Book Description
New Guitar Method utilizing all fourths tuning (E, A, D, G, C, F - low to high). If I was starting to learn to play the guitar today, and somebody gave me a guitar today, I'd tune it in straight fourths without a doubt. Just like the six-string bass, 'cause to find that B string is a pain, and it's unnecessary, 'cause you play ... you know ... there's only a few of us that go around bashing out power chords anymore, so you don't need that anyway, so if I was to learn again, it's just that it's been so many years trying to beat the B string that I can't go and un-beat it. --Allan Holdsworth
Author: Masaya Yamaguchi
Publisher: Masaya Music
ISBN: 096763539X
Category : Juvenile Nonfiction
Languages : en
Pages : 70
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Book Description
The principle of this book is not passing theoretical interest, but an effective guide to musical life and how non-diatonic synthetic scale formations can be expanded to the fullest extent. Over the years, I had been asked to write my two-octave and multi-octave synthetic scales book in conjunction with my "The Complete Thesaurus of Musical Scales." This work will lay out the structural guidelines of the synthetic scales and give some examples of how the derived lines can be used in a jazz context. This book is sending out my strong message that seemingly useless scales, listed in "The Complete Thesaurus of Musical Scales," can be injected readily into regular scale usages by building them with octave displacement of synthetic formations. Explore synthetic scale formations by finding your own formulae. Good luck!
Author: Vida L. Midgelow
Publisher: Oxford University Press
ISBN: 0190925604
Category : Performing Arts
Languages : en
Pages : 1358
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Book Description
From the dance floor of a tango club to group therapy classes, from ballet to community theatre, improvised dance is everywhere. For some dance artists, improvisation is one of many approaches within the choreographic process. For others, it is a performance form in its own right. And while it has long been practiced, it is only within the last twenty years that dance improvisation has become a topic of critical inquiry. With The Oxford Handbook of Improvisation in Dance, dancer, teacher, and editor Vida L. Midgelow provides a cutting-edge volume on dance improvisation in all its facets. Expanding beyond conventional dance frameworks, this handbook looks at the ways that dance improvisation practices reflect our ability to adapt, communicate, and respond to our environment. Throughout the handbook, case studies from a variety of disciplines showcase the role of individual agency and collective relationships in improvisation, not just to dancers but to people of all backgrounds and abilities. In doing so, chapters celebrate all forms of improvisation, and unravel the ways that this kind of movement informs understandings of history, socio-cultural conditions, lived experience, cognition, and technologies.
Author: Masaya Yamaguchi
Publisher: Masaya Music
ISBN: 0967635322
Category : Music
Languages : en
Pages : 42
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Book Description
Much ink has been spilled on the study of symmetrical scales, producing many method books which at best offer a superficial examination of this broad subject. Regrettably, the few studies that do exist focus on the more familiar symmetrical scales such as the diminished and whole-tone scales. Olivier Messiaen, a distinguished French composer, penned The Technique of My Musical Language, which outlined his own system of symmetrical scale organization as it related to his compositional approach, and thus this system is limited in its usage for more general application. My book is the first of its kind, to my knowledge, to institute a complete system whereby one can examine all the possible symmetrical scales, and hence serves as a companion volume to my former book, The Complete Thesaurus of Musical Scales. This book is intended for musicians, composers and music teachers (and their students), to stimulate their creative impulses towards the exploration of symmetrical scales, as a reference guide and/or a source of inspiration. Although this study focuses on the application of symmetrical scales as they correspond to jazz improvisation, the concepts introduced in my book can be applied to many styles of music and realized on any instrument. I hope that this publication will act as a catalyst to your individual development as a musician. Bon Voyage!
Author: Masaya Yamaguchi
Publisher: Masaya Music
ISBN: 0967635357
Category : Music
Languages : en
Pages : 82
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Book Description
he purpose of this book is to share my thoughts with all melodic instrumentalists, to suggest an avenue into chromatic jazz improvisation. The title Chromaticism in Jazz implies the coloristic, intervallic, non-diatonic, paratonal, and superimposition styles of jazz improvisation that may be represented by the mid-60 s Miles Davis Quintet and the 60 s John Coltrane Quartet (and later Coltrane groups). It must also be noted that the application of chromatic lines in improvisation should not overshadow the natural flow of ideas, but should be explored thoughtfully to create contrast and more lyrical, melodic playing. As the subject of dissonance versus consonance has shifted and evolved throughout the course of jazz history, chromaticism has been developed by later generations to stretch the boundaries of jazz improvisation. The use of superimposed lines against harmonic structures can often create an interesting deflection, in conjunction with more standard jazz language. This work will lay the structural guidelines of chromaticism and give some examples of how chromatic lines can be used in a jazz context. After learning the evolution of chromaticism in recorded jazz, you will then gain the knowledge and skill to explore further possibilities. I hope this book will offer a new treatment for the chromatic deficiency in American musical society at large.
Author: John Coltrane
Publisher: Hal Leonard Corporation
ISBN: 1476885850
Category : Music
Languages : en
Pages : 137
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Book Description
(Artist Transcriptions). In the late 1950s, John Coltrane composed or arranged a series of tunes that used chord progressions based on a series of key center movements by thirds, rather than the usual fourths and fifths of standard progressions. This sound is so aurally identifiable and has received so much attention from jazz musicians that it has become known as "Coltrane's Changes." This book presents an exploration of his changes by studying 13 of his arrangements, each containing Coltrane's unique harmonic formula. It includes complete solo transcriptions with extensive performance notes for each. Titles include: Body and Soul * But Not for Me * Central Park West * Countdown * Fifth House * Giant Steps * Summertime * and more.
