Lettre de Walter Straram à Eugène Wagner, 13 mai 1903 PDF Download
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Author: Walter Straram
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Walter Straram
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Walter Straram
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Walter Straram
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Julian Rushton
Publisher:
ISBN: 9781107506954
Category :
Languages : en
Pages : 398
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
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Book Description
Author: Vlado Perlemuter
Publisher:
ISBN: 9781871082784
Category : Piano music
Languages : en
Pages : 0
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Book Description
Vlado Perlemuter had the privilege of studying all Ravel's solo piano music with the reclusive composer himself. The origins of this book lie in a series of programmes broadcast in 1950 by Radio Francaise in which Perlemuter played all Ravel's compositions for solo piano and discussed them with Helene Joudan-Morange - a distinguished violinist who had been one of Ravel's closest friends. This is a transcript of their conversations, with numerous musical examples. This edition also deals with the two piano concertos.
Author: Christopher Dingle
Publisher: Cambridge University Press
ISBN: 9781108730549
Category : Music
Languages : en
Pages : 0
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Book Description
Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.
Author: Igor Stravinsky
Publisher: Univ of California Press
ISBN: 9780520044029
Category : Music
Languages : en
Pages : 212
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Book Description
For the first time in one volume--the celebrated Stravinsky and Craft Conversations Few would dispute that Igor Stravinsky was the greatest composer of the twentieth century. Conductor and writer Robert Craft was his closest colleague and friend, and for over twenty-one years he lived with the Stravinskys in their Hollywood home. In the early 1950s he accompanied the composer on his concert tours, and from the mid-1950s to Stravinsky's death in 1971 he co-conducted his concerts. Together Stravinsky and Craft published five acclaimed collections known as the Conversations series, which sprung from informal talks between the two men. In this newly edited and re-structured one-volume version, Craft brings Stravinsky's reflections on his childhood, his family life, professional associates, and personal relationships into sharper focus and places the major compositions in their cultural milieux. The Conversations books are the only published writing attributed to Stravinsky that are actually "by him" in terms of fidelity to his thoughts and opinions, making this volume required reading for all fans and students of Stravinsky's music.
Author: Jaime Pahissa
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 202
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Book Description
Author: Natasha Grigorian
Publisher: Peter Lang
ISBN: 9783039115310
Category : Art
Languages : en
Pages : 322
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Book Description
This first comparative study of the Symbolist use of myth in France, Germany, and Russia closely examines a selected range of poetic and pictorial works created between c. 1860 and 1910. The focus of the discussion is on a constellation of five artists, linked by a complex network of influences: Gustave Moreau, José-Maria de Heredia, and Jean Moréas (France); Stefan George (Germany); and Valerii Bryusov (Russia). By analysing myth in painting and poetry, the book gives a new insight into the significance of heroic and aesthetic ideals in late nineteenth- and early twentieth-century European culture. International and interdisciplinary in its comparative approach, the study reassesses the distinction between Symbolism and Decadence by shedding new light on the role of myth within the paradoxical interaction of classical and modernist values in Symbolist art. In the course of the argument, Symbolist mythological art emerges as a significant link between the cultural heritage of classical Greece and the creative agonies of twentieth-century European society. The book will appeal not only to scholars of literature and art, but also to a wider academic public concerned with cross-cultural transaction in Europe.
