Lettre de Jules Ecorcheville à Eugène Wagner, 8 décembre 1909

Lettre de Jules Ecorcheville à Eugène Wagner, 8 décembre 1909 PDF Author: Jules Écorcheville
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Languages : en
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Lettre de Jules Ecorcheville à Eugène Wagner, 8 décembre 1909

Lettre de Jules Ecorcheville à Eugène Wagner, 8 décembre 1909 PDF Author: Jules Écorcheville
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Languages : en
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Lettre de Jules Ecorcheville à Eugène Wagner, 27 mai 1912

Lettre de Jules Ecorcheville à Eugène Wagner, 27 mai 1912 PDF Author: Jules Écorcheville
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Languages : en
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Lettre de Jules Ecorcheville à Eugène Wagner, Paris, 6 novembre 1907

Lettre de Jules Ecorcheville à Eugène Wagner, Paris, 6 novembre 1907 PDF Author: Jules Écorcheville
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Languages : en
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Lettre de Jules Boucherit à Eugène Wagner, 12 avril 1909

Lettre de Jules Boucherit à Eugène Wagner, 12 avril 1909 PDF Author: Jules Eugène Boucherit
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Languages : en
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Lettre de Eugène Wagner à J.G. Prod'homme, 4 août 1909

Lettre de Eugène Wagner à J.G. Prod'homme, 4 août 1909 PDF Author: Eugène Wagner
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Languages : en
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Lettres de Gabriel Pierné à Eugène Wagner, 29 décembre 1909

Lettres de Gabriel Pierné à Eugène Wagner, 29 décembre 1909 PDF Author: Gabriel Pierné
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Languages : en
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Lettre de Jeanne Raunay à Eugène Wagner, 17 décembre 1909

Lettre de Jeanne Raunay à Eugène Wagner, 17 décembre 1909 PDF Author: Jeanne Raunay
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Languages : en
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Erik Satie: Music, Art and Literature

Erik Satie: Music, Art and Literature PDF Author: Caroline Potter
Publisher: Routledge
ISBN: 1317141792
Category : Music
Languages : en
Pages : 368

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Book Description
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.

Confessions of a Literary Archaeologist

Confessions of a Literary Archaeologist PDF Author: Carlton Lake
Publisher: New Directions Publishing
ISBN: 9780811211307
Category : Antiques & Collectibles
Languages : en
Pages : 236

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The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.

Resonant Recoveries

Resonant Recoveries PDF Author: Jillian C. Rogers
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401

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Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--