Lettre de Camille Saint-Saëns à Monsieur xxx, 1er novembre 1891 PDF Download
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Author: Camille Saint-Saëns
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category :
Languages : en
Pages : 4
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Book Description
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Richard Abel
Publisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350
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Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.
Author: Caroline Potter
Publisher: Routledge
ISBN: 1317141792
Category : Music
Languages : en
Pages : 368
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Book Description
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
