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Author: Henry Richard Fox Bourne
Publisher:
ISBN:
Category : Chivalry
Languages : en
Pages : 596
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Book Description
"Sir Philip Sidney (30 November 1554? 17 October 1586) was an English poet, courtier and soldier, and is remembered as one of the most prominent figures of the Elizabethan Age. His works include Astrophel and Stella, The Defence of Poesy (also known as The Defence of Poetry or An Apology for Poetry), and The Countess of Pembroke's Arcadia."--Wikipedia.
Author: Henry Richard Fox Bourne
Publisher:
ISBN:
Category : Chivalry
Languages : en
Pages : 596
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Book Description
"Sir Philip Sidney (30 November 1554? 17 October 1586) was an English poet, courtier and soldier, and is remembered as one of the most prominent figures of the Elizabethan Age. His works include Astrophel and Stella, The Defence of Poesy (also known as The Defence of Poetry or An Apology for Poetry), and The Countess of Pembroke's Arcadia."--Wikipedia.
Author: Vicesimus Knox
Publisher:
ISBN:
Category : English letters
Languages : en
Pages : 586
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Book Description
Author: Lucy Aikin
Publisher:
ISBN:
Category :
Languages : en
Pages : 566
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Book Description
Author: Lucy Aikin
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 548
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Book Description
Author: Vicesimus Knox
Publisher:
ISBN:
Category : English letters
Languages : en
Pages : 912
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Book Description
![Memoirs of the Court of Elizabeth ... Reprint of the sixth edition, revised and corrected [by A. M., i.e. A. Murray]. PDF](https://books.google.com/books/content/images/frontcover/IzJcAAAAcAAJ?fife=w80-h100)
Author: Lucy Aikin
Publisher:
ISBN:
Category :
Languages : en
Pages : 544
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Book Description
Author: Joseph Black
Publisher: Broadview Press
ISBN: 1770485813
Category : History
Languages : en
Pages : 1319
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Book Description
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For the third edition of this volume a considerable number of changes have been made. Newly prepared, for example, is a substantial selection from Baldassare Castiglione’s The Courtier, presented in Thomas Hoby’s influential early modern English translation. Thomas Kyd’s The Spanish Tragedy is another major addition. Also new to the anthology are excerpts from Thomas Dekker’s plague pamphlets. We have considerably expanded our representation of Elizabeth I’s writings and speeches, as well as providing several more cantos from Edmund Spenser’s Faerie Queene and adding selections from Sir Philip Sidney’s Arcadia. We have broadened our coverage, too, to include substantial selections of Irish, Gaelic Scottish, and Welsh literature. (Perhaps most notable of the numerous authors in this section are two extraordinary Welsh poets, Dafydd ap Gwilym and Gwerful Mechain.) Mary Sidney Herbert’s writings now appear in the bound book instead of on the companion website. Margaret Cavendish, previously included in volume 3 of the full anthology, will now also be included in this volume; we have added a number of her poems, with an emphasis on those with scientific themes. The edition features two new Contexts sections: a sampling of “Tudor and Stuart Humor,” and a section on “Levellers, Diggers, Ranters, and Covenanters.” New materials on emblem books and on manuscript culture have also been added to the “Culture: A Portfolio” contexts section. There are many additions the website component as well—including Thomas Deloney’s Jack of Newbury also published as a stand-alone BABL edition). We are also expanding our online selection of transatlantic material, with the inclusion of writings by John Smith, William Bradford, and Anne Bradstreet.
Author: Lucy Aikin
Publisher:
ISBN:
Category :
Languages : en
Pages : 544
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Book Description
Author: Elizabeth Zeman Kolkovich
Publisher: Cambridge University Press
ISBN: 1316712540
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
This is the first full-length critical study of country house entertainment, a genre central to late Elizabethan politics. It shows how the short plays staged for the Queen at country estates like Kenilworth Castle and Elvetham shaped literary trends and intervened in political debates, including whether women made good politicians and what roles the church and local culture should play in definitions of England. In performance and print, country house entertainments facilitated political negotiations, rethought gender roles, and crafted regional and national identities. In its investigation of how the hosts used performances to negotiate local and national politics, the book also sheds light on how and why such entertainments enabled female performance and authorship at a time when English women did not write or perform commercial plays. Written in a lively and accessible style, this is fascinating reading for scholars and students of early modern literature, theatre, and women's history.
Author: Robert E. Stillman
Publisher: Routledge
ISBN: 1317081226
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Celebrations of literary fictions as autonomous worlds appeared first in the Renaissance and were occasioned, paradoxically, by their power to remedy the ills of history. Robert E. Stillman explores this paradox in relation to Philip Sidney's Defence of Poesy, the first Renaissance text to argue for the preeminence of poetry as an autonomous form of knowledge in the public domain. Offering a fresh interpretation of Sidney's celebration of fiction-making, Stillman locates the origins of his poetics inside a neglected historical community: the intellectual elite associated with Philip Melanchthon (leader of the German Reformation after Luther), the so-called Philippists. As a challenge to traditional Anglo-centric scholarship, his study demonstrates how Sidney's education by Continental Philippists enabled him to dignify fiction-making as a compelling form of public discourse-compelling because of its promotion of powerful new concepts about reading and writing, its ecumenical piety, and its political ambition to secure through natural law (from universal 'Ideas') freedom from the tyranny of confessional warfare. Intellectually ambitious and wide-ranging, this study draws together various elements of contemporary scholarship in literary, religious, and political history in order to afford a broader understanding of the Defence and the cultural context inside which Sidney produced both his poetry and his poetics.
