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Author: Iwan Morgan
Publisher: Edinburgh University Press
ISBN: 1474414028
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University
Author: Iwan Morgan
Publisher: Edinburgh University Press
ISBN: 1474414028
Category : Performing Arts
Languages : en
Pages : 296
Get Book Here
Book Description
Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University
Author: Norbert Aping
Publisher: McFarland
ISBN: 1476649405
Category : Performing Arts
Languages : en
Pages : 484
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Book Description
Until recently, it was assumed that the Nazis agitated against Chaplin from 1931 to 1933, and then again from 1938, when his plan to make The Great Dictator became public. This book demonstrates that Nazi agitation against Chaplin was in fact a constant from 1926 through the Third Reich. When The Gold Rush was released in the Weimar Republic in 1926, the Nazis began to fight Chaplin, whom they alleged to be Jewish, and attempted to expose him as an intellectual property thief whose fame had faded. In early 1935, the film The Gold Rush was explicitly banned from German theaters. In 1936, the NSDAP Main Archives opened its own file on Chaplin, and the same year, he became entangled in the machinery of Nazi press control. German diplomats were active on a variety of international levels to create a mood against The Great Dictator. The Nazis' dehumanizing attacks continued until 1944, when an opportunity to capitalize on the Joan Barry scandal arose. This book paints a complicated picture of how the Nazis battled Chaplin as one of their most reviled foreign artists.
Author:
Publisher: TheBookEdition
ISBN: 2957770202
Category :
Languages : en
Pages :
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Book Description
Author: Jacques Ranciere
Publisher: Verso Books
ISBN: 183976323X
Category : Philosophy
Languages : en
Pages : 145
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Book Description
The critique of modernist ideology from France's leading radical theorist In this book Jacques Rancière radicalises his critique of modernism and its postmodern appendix. He contrasts their unilinear and exclusive time with the interweaving of temporalities at play in modern processes of emancipation and artistic revolutions, showing how this plurality itself refers to the double dimension of time. Time is more than a line drawn from the past to the future. It is a form of life, marked by the ancient hierarchy between those who have time and those who do not. This hierarchy, continued in the Marxist notion of the vanguard and nakedly exhibited in Clement Greenberg’s modernism, still governs a present which clings to the fable of historical necessity and its experts. In opposition to this, Rancière shows how the break with the hierarchical conception of time, formulated by Emerson in his vision of the new poet, implies a completely different idea of the modern. He sees the fulfilment of this in the two arts of movement, cinema and dance, which at the beginning of the twentieth century abolished the opposition between free and mechanical people, at the price of exposing the rift between the revolution of artists and that of strategists.
Author: Jennifer Anna Gosetti-Ferencei
Publisher: Oxford University Press
ISBN: 0190913665
Category : Philosophy
Languages : en
Pages : 192
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Book Description
While existentialism has long been associated with Parisian Left Bank philosophers sipping cocktails in smoke-filled cafés, or with a brooding, angst-filled outlook on life, Gosetti-Ferencei shows how vital and heterogeneous the movement really was. In this concise, accessible book, Gosetti-Ferencei offers a new vision of existentialism. As she lucidly demonstrates, existentialism is a rich and diverse philosophy that encourages meaningful engagement with the world around us, offering a host of fascinating concepts that pertain to life as we experience it. The movement was as heterogeneous as it is now misunderstood, influenced by jazz music, involving diverse thinkers from around the world, challenging received ideas about the meaning of human existence. Part of the difficulty in defining existentialism is that it was never a unified philosophy, but came to identify a set of shared concerns about the meaning and possibility of human freedom, as it may be expressed in authentic choices, actions, and projects. Existentialists all explored how, in the absence of traditional reassurances about the meaning of life, we may transcend our present circumstances, and give our situation new meaning. With existentialism, concrete, lived experience of the single individual emerged from the shadow of abstract systems and long-defended traditions, and became subject-matter in its own right for philosophical inquiry. Far from solipsistic, Gosetti-Ferencei shows that existentialist attention to the human self can be intertwined with ways of conceiving the world, our being with others, the earth, and the encompassing concept of being. Fully appreciating what existentialism has to offer requires recognizing the rich diversity of its prospects, which involve not only anxiety, absurdity, awareness of death and the loss of religious meaning, but also hope, the striving for happiness, and a sense of the transcendent. On Being and Becoming unpacks this philosophical movement's insights, and reveals how its core ideas promote creative responses to the question of life's meaning.
Author: Thomas Flynn
Publisher: Oxford University Press, USA
ISBN: 0192804286
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
Sartre, Nietzsche, Heidegger, Kierkegaard, de Beauvoir, Merleau-Ponty, and Camus were some of the most important existentialist thinkers. This book provides an account of the existentialist movement, and of the themes of individuality, free will, and personal responsibility which make it a 'philosophy as a way of life'.
Author: Marcel Stoetzler
Publisher: Manchester University Press
ISBN: 1526117053
Category : Social Science
Languages : en
Pages : 443
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Book Description
Beginning classical social theory introduces students and educated general readers to thirteen key social theorists by way of examining a single, exemplary text by each author, ranging from Comte to Adorno. It answers the need for a book that helps students develop the skill to critically read theory. Rather than learning how to admire the canonical theorists, readers are alerted to the flow of their arguments and the texts’ contradictions and limitations. Having gotten ‘under the skin’ of one key text by each author will provide readers with a solid starting point for further study. The book will be suitable as the principal textbook in social theory modules as much as alongside a more conventional textbook as a recommended additional tool for self-study. It will appeal to undergraduate and postgraduate students as well as educated lay readers.
Author: Adolphe Nysenholc
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311085774X
Category : Literary Criticism
Languages : en
Pages : 428
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Book Description
Author: Stella Sandford
Publisher: Granta Books
ISBN: 1783780576
Category : Philosophy
Languages : en
Pages : 132
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Book Description
'One is not born, but rather becomes, a woman' Simone de Beauvoir To what extent does our social existence determine who we are? What is the meaning of sexuality for human existence? What is the meaning of 'old age'? What is a woman? And what, for that matter, is a man? Stella Sandford explores the philosophical basis of Beauvoir's reflections on these and other questions, from her early moral period, through her post-war philosophical crisis, to the astounding polymathic studies of her mature thought. She demonstrates the persistence of the fundamental existential and ethical questions that drove Beauvoir's work and her constant revision of her own positions. With a central emphasis on Beauvoir's major work, The Second Sex, extracts are also taken from her first philosophical and political essays, as well as The Mandarins, Old Age and her essay on the Marquis de Sade.
Author: MAURINE Patrick
Publisher: Lavoisier
ISBN: 2746295245
Category : Robotics
Languages : en
Pages : 354
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Book Description
Fruit d’une étroite collaboration entre la recherche universitaire et le monde de l’industrie, cet ouvrage traite de la robotique industrielle, et tout particulièrement de l’étalonnage des robots manipulateurs. Il développe les aspects suivants : la représentation des structures des robots manipulateurs sériels et parallèles ; les principes généraux de l’étalonnage ; les méthodes d’étalonnage spécifiques aux robots sériels et parallèles ; l’innovation en robotique, ses réussites et ses échecs. Théorique et pragmatique, il s’adresse aux étudiants et aux chercheurs, aux techniciens et aux ingénieurs et à tous ceux qui désirent appréhender la robotique industrielle. Patrick Maurine est maître de conférences à l’INSA de Rennes. Ses travaux portent sur la précision et l’étalonnage des robots manipulateurs industriels. Jean-François Quinet est consultant en robotique appliquée à l’ensemble de l’industrie internationale depuis 1973. Ses activités portent aussi sur la mesure tridimensionnelle statique et dynamique.
