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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
![Ouvrages sur l'agriculture et l'art vétérinaire publiés par M. de Gasparin. [A list.] PDF](https://books.google.com/books/content/images/frontcover/H23jMwZyXG0C?fife=w80-h100)
Author: Adrien Étienne Pierre de GASPARIN (Count.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 856
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Author: FOURMY (Fabricant d'Hygiocérames.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
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Book Description
Author: Rochelle Ziskin
Publisher: Penn State Press
ISBN: 0271037857
Category : Art
Languages : en
Pages : 392
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Book Description
"Explores the role of private art collections in the cultural, social, and political life of early eighteenth-century Paris. Examines how two principal groups of collectors, each associated with a different political faction, amassed different types of treasures and used them to establish social identities and compete for distinction"--Provided by publisher.
Author: Matthieu Flory
Publisher:
ISBN: 9782915337457
Category :
Languages : fr
Pages : 320
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Book Description
Explosion de couleurs et de formes, allégorie des saisons, ces quatre ouvrages réunis en coffret sont une promenade inédite et décalée dans l'histoire de l'art. À travers plus de 160 œuvres, peintures, sculptures, photographies, de l'antiquité à nos jours, et autant de poèmes, le thème des saisons est ici abordé avec humour, fantaisie et sensibilité. Arcimboldo, Fragonard Büeldin, Warhol se joignent à Ovide, Mallarmé, Rilke pour retranscrire les floraisons du printemps, le réveil de la nature, l'allégresse associée au renouveau du cycle des saisons. Lotto, Courbet, Malevitch, Bacon évoquent la torpeur de l'été, ses siestes, sa nature luxuriante, sur des vers de Trakl, Hugo, ou Aima de Noailles. Le Caravage, Rubens, Chardin, Schiele, Ernst se penchent sur la mélancolie de l'automne, ses brumes, ses pluies, ou encore ses récoltes, tandis que La Boétie, Baudelaire, Verlaine évoquent la chasse ou la douceur changeante de sa lumière. Pour achever le cycle, Dürer, Munch, Rothko, Gris relatent les brumes, la neige, la vieillesse sur des vers de Villon, Loups ou Voltaire.
Author: United States. Patent Office. Library
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 750
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Book Description
Author: Christian Guillais et Michèle Panhelleux
Publisher: Lulu.com
ISBN: 1291811001
Category :
Languages : en
Pages : 56
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Book Description
Author: P. P. A. BARDET DE VILLENEUVE
Publisher:
ISBN:
Category :
Languages : en
Pages : 236
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Book Description
Author: Erkki Huhtamo
Publisher: MIT Press
ISBN: 0262547546
Category : Social Science
Languages : en
Pages : 461
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Book Description
Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.
