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Author: J. Pedro Lorente
Publisher: Editions L'Harmattan
ISBN: 2296245943
Category : Art
Languages : fr
Pages : 379
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Book Description
Ce livre offre à la fois un panorama historique de la fondation des musées d'art moderne et contemporain ainsi que l'évolution de leurs notions respectives depuis 1818 jusqu'à nos jours, en passant par le modèle parisien du Musée des Artistes vivants au XIXe siècle, au Muséum of Modern Art à New York et son influence comme nouveau paradigme tout au long du XXème siècle.
Author: J. Pedro Lorente
Publisher: Editions L'Harmattan
ISBN: 2296245943
Category : Art
Languages : fr
Pages : 379
Get Book Here
Book Description
Ce livre offre à la fois un panorama historique de la fondation des musées d'art moderne et contemporain ainsi que l'évolution de leurs notions respectives depuis 1818 jusqu'à nos jours, en passant par le modèle parisien du Musée des Artistes vivants au XIXe siècle, au Muséum of Modern Art à New York et son influence comme nouveau paradigme tout au long du XXème siècle.
Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 111937393X
Category : Art
Languages : en
Pages : 644
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Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Author: Lionel Ruffel
Publisher: U of Minnesota Press
ISBN: 1452958270
Category : Philosophy
Languages : en
Pages : 245
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Book Description
Within the hypermediated age where knowledge production is decentered and horizontal, the experience of lived time has become a concordance of temporalities. The literary imagination, which was emblematic of modernity and thoroughly connected to the book as a support structure, has now become integrated within a much vaster regime of publication. Thought concerning the world is from now on a thought concerning a plurality of worlds. By way of six guiding threads (exposition, media, controversy, publication, institutionalization, archaeology), this essay describes the transformation of cultural forms and visions of history.
Author: Rebecca J. DeRoo
Publisher: Cambridge University Press
ISBN: 9780521841092
Category : Architecture
Languages : en
Pages : 290
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Book Description
This book provides an in-depth account of the protests that shook France in 1968 and which served as a catalyst to a radical reconsideration of artistic practice that has shaped both art and museum exhibitions up to the present. Rebecca DeRoo examines how issues of historical and personal memory, the separation of public and private domains, and the ordinary objects of everyday life emerged as central concerns for museums and for artists, as both struggled to respond to the protests. She argues that the responses of the museums were only partially faithful to the aims of the activist movements. Museums, in fact, often misunderstood and misrepresented the work of artists that was exhibited as a means of addressing these concerns. Analyzing how museums and critics did and did not address the aims of the protests, DeRoo highlights the issues relevant to the politics of the public display of art that have been central to artistic representation, in France as well as in North America.
Author: Musée national d'art moderne (France)
Publisher:
ISBN:
Category : Art, Modern
Languages : fr
Pages : 246
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Book Description
Author: J. Pedro Lorente
Publisher: Routledge
ISBN: 1317023528
Category : Art
Languages : en
Pages : 355
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Book Description
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue, reviews recent museum developments in the last decades. Through its adoption of a long-term, worldwide perspective, the book not only provides a narrative of the development of museums of contemporary art, but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris, London and New York in particular - created their own models of museum provision, as well as acknowledging the influence of such models elsewhere, the book uncovers fascinating perspectives on the practice of museum provision, and reveals how present cultural planning initiatives have often been shaped by historical uses.
Author: Musée national d'art moderne (France)
Publisher:
ISBN:
Category : Art museums
Languages : fr
Pages : 196
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Book Description
Author: Centre Georges Pompidou
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Catherine Millet
Publisher: Flammarion
ISBN: 2080240587
Category : Art
Languages : fr
Pages : 204
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Book Description
Des objets incongrus, des gestes excentriques, mais aussi des photographies, des vidéos et des peintures de facture traditionnelle, voilà ce qui constitue l’art contemporain. Quelquefois, ces œuvres étonnent ou choquent. Elles suscitent en même temps la curiosité, au point de s’y perdre un peu. Aussi, pour qui s’aventure dans le monde de l’art, l’auteure de ce livre fournit des repères et suggère quelques pistes de réflexion. Depuis quand l’art « moderne » est-il devenu « contemporain » ? Pourquoi les artistes ont-ils voulu transformer le rapport des spectateurs avec les œuvres ? Et quand les frontières avec la mode, l’architecture ou même des objets rituels deviennent floues, peut-on encore faire entrer cet art dans une définition ? Ce livre révèle en quoi l’art contemporain est avant tout un espace ouvert, une aire de liberté pour penser et agir différemment quand les idéologies et les systèmes philosophiques qui nous guident sont en crise.
Author: Benichou anne
Publisher: Editions L'Harmattan
ISBN: 2336333996
Category : Art
Languages : fr
Pages : 333
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Book Description
Depuis les années 60, les oeuvres en forme de musées fictifs, de collections et d'archives se multiplient. Les artistes sélectionnent, inventorient, classent, des matériaux déjà constitués. De nombreuses expositions sont régulièrement consacrées à cet art de la collection et de l'archive. Ce livre s'attache à saisir ce que ces oeuvres "font" aux institutions qui les appréhendent. Porteuses d'un imaginaire institutionnel, elles réactivent des formes hétérodoxes de préservation et de diffusion de l'art que les artistes ont inventé dès le XIXe siècle.
