Les manuscrits du Processional

Les manuscrits du Processional PDF Author: Michel Huglo
Publisher: München : Henle
ISBN:
Category : Gregorian chants
Languages : de
Pages : 410

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Les manuscrits du Processional

Les manuscrits du Processional PDF Author: Michel Huglo
Publisher: München : Henle
ISBN:
Category : Gregorian chants
Languages : de
Pages : 410

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Book Description


Les manuscrits du processionnal

Les manuscrits du processionnal PDF Author: Michel Huglo
Publisher:
ISBN:
Category :
Languages : fr
Pages :

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Les manuscrits du processionnal

Les manuscrits du processionnal PDF Author: Michel Huglo
Publisher:
ISBN:
Category : Gregorian chants
Languages : un
Pages : 408

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International inventory of musical sources

International inventory of musical sources PDF Author: Michel Huglo
Publisher:
ISBN:
Category : Processionals (Liturgical books)
Languages : un
Pages : 710

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Les sources du plain-chant et de la musique médiévale

Les sources du plain-chant et de la musique médiévale PDF Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000947866
Category : History
Languages : en
Pages : 323

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Book Description
The origin and development of Western plainchant, and of the genres of liturgical book in which it is recorded, have occupied Michel Huglo throughout his long career, which has taken him to libraries in every corner of Europe and the United States. This volume, the first in a set of four to appear in the Variorum series, brings together analyses of manuscripts dating from the 9th to the 13th century, including Huglo's pathbreaking studies of the antiphoner of Compiègne, the first troper-prosers, and of alleluia lists as clues to place of origin. The consequences of the Treaty of Verdun (843) for the diffusion of the plainchant repertory, research in medieval musicology in the 20th century, the utility of codicology for musicological manuscript studies, and the critical edition of the Gregorian antiphoner are addressed in other studies included here. Les origines et le développement du plain-chant en Occident et l'étude des genres de livres liturgiques qui le contiennent ont occupé Michel Huglo durant sa longue carrière et l'ont conduit à visiter des bibliothèques partout en Europe et aux Etats-Unis. Ce volume, le premier d'une série de quatre dans la collection Variorum, comprend des analyses de manuscrits du neuvième au treizième siècle, notamment des études novatrices relançant les recherches sur l'antiphonaire de Compiègne, les premiers tropaires-prosaires et les listes d'alleluias comme moyen d'identification des manuscrits de chant. Les conséquences du traité de Verdun (843) pour la diffusion du répertoire de plain-chant, les recherches en musicologie médiévale au XXe siècle, l'application des méthodes de la codicologie à l'étude des manuscrits notés, et l'édition critique de l'Antiphonaire grégorien forment les sujets d'autres études réunies dans ce volume.

La théorie de la musique antique et médiévale

La théorie de la musique antique et médiévale PDF Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000941663
Category : History
Languages : en
Pages : 357

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Book Description
This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et ​​une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.

Disiecta Membra Musicae

Disiecta Membra Musicae PDF Author: Giovanni Varelli
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110717905
Category : Philosophy
Languages : en
Pages : 426

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Book Description
Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony.

Fixing the Liturgy

Fixing the Liturgy PDF Author: Claire Taylor Jones
Publisher: University of Pennsylvania Press
ISBN: 1512825697
Category : History
Languages : en
Pages : 457

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Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300-1550

Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300-1550 PDF Author: Sarah Ann Long
Publisher: Boydell & Brewer
ISBN: 1580469965
Category : Confraternities
Languages : en
Pages : 377

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Book Description
The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powers

Ritual Meanings in the Fifteenth-Century Motet

Ritual Meanings in the Fifteenth-Century Motet PDF Author: Robert Michael Nosow
Publisher: Cambridge University Press
ISBN: 0521193478
Category : History
Languages : en
Pages : 293

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Book Description
The first large-scale study of how fifteenth-century motets were used across Western Europe, dispelling the mysteries surrounding these outstanding works.