Author: Charles Beaulieux
Publisher:
ISBN:
Category : French language
Languages : fr
Pages : 152
Book Description
Les accents et autres signes auxiliaires dans la langue française
Author: Charles Beaulieux
Publisher:
ISBN:
Category : French language
Languages : fr
Pages : 152
Book Description
Publisher:
ISBN:
Category : French language
Languages : fr
Pages : 152
Book Description
Les accents et autres signes auxiliaires dans la langue française
Author: Charles Beaulieux
Publisher:
ISBN:
Category : accent
Languages : fr
Pages : 134
Book Description
Publisher:
ISBN:
Category : accent
Languages : fr
Pages : 134
Book Description
Les accents et autres signes auxiliaires dans la langue francaise
Author: Charles Beaulieux
Publisher:
ISBN:
Category :
Languages : fr
Pages : 134
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 134
Book Description
Les Accents et autres signes auxiliaires dans la langue française, étude historique suivie de la Briefve doctrine par Montflory et Les Accents par Dolet. Thèse complémentaire présentée à la Faculté des lettres de l'Université de Paris, par Charles Beaulieux,...
Author: Charles Beaulieux
Publisher:
ISBN:
Category :
Languages : fr
Pages : 134
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 134
Book Description
Les accents et autres signes auxiliaires
Author: Charles Beaulieux
Publisher:
ISBN:
Category :
Languages : fr
Pages : 134
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 134
Book Description
Patterns in Play
Author: Graeme MacDonald Boone
Publisher: U of Nebraska Press
ISBN: 9780803212350
Category : Music
Languages : en
Pages : 350
Book Description
The relationship between text and music is a central issue in fifteenth-century music studies. Decades of research and performance have failed to provide clear answers to the most basic questions, such as which notes go with which syllables and why. Patterns in Play focuses on the early French songs of Guillaume Dufay and proposes a basis for determining some rules of common procedure for interpreting both underlay and style. Graeme M. Boone examines questions of rhythm and declamation, considering mensuration, linguistic and poetic prosody, and prosody in song. The first three chapters comprise a set of discussions preliminary to close rhythmic analysis of Dufay?s texted song melodies. Beginning with mensural rhythm and proceeding to poetics and the relationship between Dufay?s poetic and musical rhythms and musical declamation, Boone examines the musical features of rhythm, melody, tonal organization, counterpoint, text setting, and text expression. Offering fresh insight into the issues he raises, Boone clarifies the relationship between underlay and style and provides a better understanding of the technical and aesthetic issues that Dufay and other composers faced in weaving their patterns of song.
Publisher: U of Nebraska Press
ISBN: 9780803212350
Category : Music
Languages : en
Pages : 350
Book Description
The relationship between text and music is a central issue in fifteenth-century music studies. Decades of research and performance have failed to provide clear answers to the most basic questions, such as which notes go with which syllables and why. Patterns in Play focuses on the early French songs of Guillaume Dufay and proposes a basis for determining some rules of common procedure for interpreting both underlay and style. Graeme M. Boone examines questions of rhythm and declamation, considering mensuration, linguistic and poetic prosody, and prosody in song. The first three chapters comprise a set of discussions preliminary to close rhythmic analysis of Dufay?s texted song melodies. Beginning with mensural rhythm and proceeding to poetics and the relationship between Dufay?s poetic and musical rhythms and musical declamation, Boone examines the musical features of rhythm, melody, tonal organization, counterpoint, text setting, and text expression. Offering fresh insight into the issues he raises, Boone clarifies the relationship between underlay and style and provides a better understanding of the technical and aesthetic issues that Dufay and other composers faced in weaving their patterns of song.
Nostradamus and His Prophecies
Author: Edgar Leoni
Publisher: Courier Corporation
ISBN: 0486123391
Category : Body, Mind & Spirit
Languages : en
Pages : 835
Book Description
Complete, definitive study: biography, historical background, and parallel texts in English and French of all the prophecies, most of the famous — and infamous — interpretations, and much more.
Publisher: Courier Corporation
ISBN: 0486123391
Category : Body, Mind & Spirit
Languages : en
Pages : 835
Book Description
Complete, definitive study: biography, historical background, and parallel texts in English and French of all the prophecies, most of the famous — and infamous — interpretations, and much more.
Introduction à la linguistique française. Deuxième tirage
Author: Robert Léon Wagner
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
Book Description
New Analyses in Romance Linguistics
Author: Dieter Wanner
Publisher: John Benjamins Publishing
ISBN: 9027277966
Category : Language Arts & Disciplines
Languages : en
Pages : 426
Book Description
The twenty papers from the eighteenth Linguistic Symposium on Romance Languages deal with diverse aspects of the Romance languages and Romance linguistics. They reflect the current state of Romance studies in North America and of the particular outlook among the international group of contributors and participants to LSRL 18. The thriving research front accords central importance to formal questions of synchronic analysis. The group of seven historical and typological papers amounts to a strong alternative. Several papers treat the group of Romance languages not only as a well-defined, almost exclusive research province, but move from Romance phenomena outward to other language types, even to genuinely universal dimensions. Other contributions maintain a more circumscribed outlook exploiting the typological closeness of the Romance idioms for improved analyses. Three invited contributions by Georg Bossong, Yves Charles-Morin and Maria-Luisa Rivero on typological, phonological and syntactic questions set the tone for the volume.
Publisher: John Benjamins Publishing
ISBN: 9027277966
Category : Language Arts & Disciplines
Languages : en
Pages : 426
Book Description
The twenty papers from the eighteenth Linguistic Symposium on Romance Languages deal with diverse aspects of the Romance languages and Romance linguistics. They reflect the current state of Romance studies in North America and of the particular outlook among the international group of contributors and participants to LSRL 18. The thriving research front accords central importance to formal questions of synchronic analysis. The group of seven historical and typological papers amounts to a strong alternative. Several papers treat the group of Romance languages not only as a well-defined, almost exclusive research province, but move from Romance phenomena outward to other language types, even to genuinely universal dimensions. Other contributions maintain a more circumscribed outlook exploiting the typological closeness of the Romance idioms for improved analyses. Three invited contributions by Georg Bossong, Yves Charles-Morin and Maria-Luisa Rivero on typological, phonological and syntactic questions set the tone for the volume.
The Prosthetic Tongue
Author: Katie Chenoweth
Publisher: University of Pennsylvania Press
ISBN: 0812251490
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Of all the cultural "revolutions" brought about by the development of printing technology during the sixteenth century, perhaps the most remarkable but least understood is the purported rise of European vernacular languages. It is generally accepted that the invention of printing constitutes an event in the history of language that has profoundly shaped modernity, and yet the exact nature of this transformation—the mechanics of the event—has remained curiously unexamined. In The Prosthetic Tongue, Katie Chenoweth explores the relationship between printing and the vernacular as it took shape in sixteenth-century France and charts the technological reinvention of French across a range of domains, from typography, orthography, and grammar to politics, pedagogy, and poetics. Under François I, the king known in his own time as the "Father of Letters," both printing and vernacular language emerged as major cultural and political forces. Beginning in 1529, French underwent a remarkable transformation, as printers and writers began to reimagine their mother tongue as mechanically reproducible. The first accent marks appeared in French texts, the first French grammar books and dictionaries were published, phonetic spelling reforms were debated, modern Roman typefaces replaced gothic scripts, and French was codified as a legal idiom. This was, Chenoweth argues, a veritable "new media" moment, in which the print medium served as the underlying material apparatus and conceptual framework for a revolutionary reinvention of the vernacular. Rather than tell the story of the origin of the modern French language, however, she seeks to destabilize this very notion of "origin" by situating the cultural formation of French in a scene of media technology and reproducibility. No less than the paper book issuing from sixteenth-century printing presses, the modern French language is a product of the age of mechanical reproduction.
Publisher: University of Pennsylvania Press
ISBN: 0812251490
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Of all the cultural "revolutions" brought about by the development of printing technology during the sixteenth century, perhaps the most remarkable but least understood is the purported rise of European vernacular languages. It is generally accepted that the invention of printing constitutes an event in the history of language that has profoundly shaped modernity, and yet the exact nature of this transformation—the mechanics of the event—has remained curiously unexamined. In The Prosthetic Tongue, Katie Chenoweth explores the relationship between printing and the vernacular as it took shape in sixteenth-century France and charts the technological reinvention of French across a range of domains, from typography, orthography, and grammar to politics, pedagogy, and poetics. Under François I, the king known in his own time as the "Father of Letters," both printing and vernacular language emerged as major cultural and political forces. Beginning in 1529, French underwent a remarkable transformation, as printers and writers began to reimagine their mother tongue as mechanically reproducible. The first accent marks appeared in French texts, the first French grammar books and dictionaries were published, phonetic spelling reforms were debated, modern Roman typefaces replaced gothic scripts, and French was codified as a legal idiom. This was, Chenoweth argues, a veritable "new media" moment, in which the print medium served as the underlying material apparatus and conceptual framework for a revolutionary reinvention of the vernacular. Rather than tell the story of the origin of the modern French language, however, she seeks to destabilize this very notion of "origin" by situating the cultural formation of French in a scene of media technology and reproducibility. No less than the paper book issuing from sixteenth-century printing presses, the modern French language is a product of the age of mechanical reproduction.