Author: Ryan Linkof
Publisher: Routledge
ISBN: 1000211452
Category : Language Arts & Disciplines
Languages : en
Pages : 254
Book Description
The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.
Public Images
Author: Ryan Linkof
Publisher: Routledge
ISBN: 1000211452
Category : Language Arts & Disciplines
Languages : en
Pages : 254
Book Description
The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.
Publisher: Routledge
ISBN: 1000211452
Category : Language Arts & Disciplines
Languages : en
Pages : 254
Book Description
The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.
Lenare, the Art of Society Photography, 1924-1977
Author: Nicholas De Ville
Publisher: Allen Lane
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 144
Book Description
Publisher: Allen Lane
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 144
Book Description
Modernist Experiments in Genre, Media, and Transatlantic Print Culture
Author: Jennifer Julia Sorensen
Publisher: Taylor & Francis
ISBN: 1317094549
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
The years from 1890 through 1935 witnessed an explosion of print, both in terms of the variety of venues for publication and in the vast circulation figures and the quantity of print forums. Arguing that the formal strategies of modernist texts can only be fully understood in the context of the material forms and circuits of print culture through which they were produced and distributed, Jennifer Sorensen shows how authors and publishers conceptualized the material text as an object, as a body, and as an ontological problem. She examines works by Henry James, Jean Toomer, Djuna Barnes, Katherine Mansfield, and Virginia Woolf, showing that they understood acts of reading as materially mediated encounters. Sorensen draws on recent textual theory, media theory, archival materials, and paratexts such as advertisements, illustrations, book designs, drafts, diaries, dust jackets, notes, and frontispieces, to demonstrate how these writers radically redefined literary genres and refashioned the material forms through which their literary experiments reached the public. Placing the literary text at the center of inquiry while simultaneously expanding the boundaries of what counts as that, Sorensen shows that modernist generic and formal experimentation was deeply engaged with specific print histories that generated competitive media ecologies of competition and hybridization.
Publisher: Taylor & Francis
ISBN: 1317094549
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
The years from 1890 through 1935 witnessed an explosion of print, both in terms of the variety of venues for publication and in the vast circulation figures and the quantity of print forums. Arguing that the formal strategies of modernist texts can only be fully understood in the context of the material forms and circuits of print culture through which they were produced and distributed, Jennifer Sorensen shows how authors and publishers conceptualized the material text as an object, as a body, and as an ontological problem. She examines works by Henry James, Jean Toomer, Djuna Barnes, Katherine Mansfield, and Virginia Woolf, showing that they understood acts of reading as materially mediated encounters. Sorensen draws on recent textual theory, media theory, archival materials, and paratexts such as advertisements, illustrations, book designs, drafts, diaries, dust jackets, notes, and frontispieces, to demonstrate how these writers radically redefined literary genres and refashioned the material forms through which their literary experiments reached the public. Placing the literary text at the center of inquiry while simultaneously expanding the boundaries of what counts as that, Sorensen shows that modernist generic and formal experimentation was deeply engaged with specific print histories that generated competitive media ecologies of competition and hybridization.
Virginia Woolf Icon
Author: Brenda R. Silver
Publisher: University of Chicago Press
ISBN: 9780226757469
Category : Fiction
Languages : en
Pages : 380
Book Description
The proliferation of Virginia Woolfs in both high and popular culture, she argues, has transformed the writer into a "star" whose image and authority are persistently claimed or challenged in debates about art, politics, gender, the canon, class, feminism, and fashion."--BOOK JACKET.
Publisher: University of Chicago Press
ISBN: 9780226757469
Category : Fiction
Languages : en
Pages : 380
Book Description
The proliferation of Virginia Woolfs in both high and popular culture, she argues, has transformed the writer into a "star" whose image and authority are persistently claimed or challenged in debates about art, politics, gender, the canon, class, feminism, and fashion."--BOOK JACKET.
Dorothy Wilding
Author: Terence Pepper
Publisher: National Portrait Gallery
ISBN:
Category : Art
Languages : en
Pages : 124
Book Description
Publisher: National Portrait Gallery
ISBN:
Category : Art
Languages : en
Pages : 124
Book Description
Bibliographic Guide to Art and Architecture
Author: New York Public Library. Art and Architecture Division
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 832
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 832
Book Description
The Rainbow People
Author: Richard Collier
Publisher: Dodd Mead
ISBN:
Category : Social Science
Languages : en
Pages : 312
Book Description
Publisher: Dodd Mead
ISBN:
Category : Social Science
Languages : en
Pages : 312
Book Description
Smoke Signals
Author: Penny Tinkler
Publisher:
ISBN:
Category : Self-Help
Languages : en
Pages : 266
Book Description
Women, smoking and visual culture, 1880-1980 : an introduction -- Invisible women smokers, 1880-1919 -- The feminization of smoking, 1920-1950 -- Modern and emancipated women -- The sexual promise -- Respectable smoking : a class act -- Look at me smoking : revealing portraits? -- Mixed messages, 1950-1980.
Publisher:
ISBN:
Category : Self-Help
Languages : en
Pages : 266
Book Description
Women, smoking and visual culture, 1880-1980 : an introduction -- Invisible women smokers, 1880-1919 -- The feminization of smoking, 1920-1950 -- Modern and emancipated women -- The sexual promise -- Respectable smoking : a class act -- Look at me smoking : revealing portraits? -- Mixed messages, 1950-1980.
Sf Camerawork Quarterly
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 74
Book Description
Subject Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 1012
Book Description
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 1012
Book Description