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Author: Sherrilyn A. Ifill
Publisher: Beacon Press
ISBN: 0807023094
Category : Social Science
Languages : en
Pages : 240
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Book Description
This exploration of the effects of lynching in the U.S. speaks powerfully to us in these times that have witnessed the creation of the Legacy Museum and the National Memorial for Peace and Justice. Nearly five thousand black Americans were lynched between 1890 and 1960, and the effects of this racial trauma continue to resound. Inspired by South Africa's Truth and Reconciliation Commission, and drawing on techniques of restorative justice, Sherrilyn Ifill, president and director-counsel of the NAACP Legal Defense and Educational Fund, offers concrete ways for communities to heal. She also issues a clarion call for communities with histories of racial violence to be proactive in facing this legacy. This revised edition speaks powerfully to us in these times that have witnessed the creation of the Legacy Museum and the National Memorial for Peace and Justice in Montgomery, Alabama. e new foreword from Bryan Stevenson helps readers to better understand contemporary struggles and come to terms with the legacy of racial terror in the United States. In a new afterword, Ifill reflects on the recent strides made throughout the country to break the silence surrounding lynching and to recognize the victims of violence.Th
Author: Sherrilyn A. Ifill
Publisher: Beacon Press
ISBN: 0807023094
Category : Social Science
Languages : en
Pages : 240
Get Book
Book Description
This exploration of the effects of lynching in the U.S. speaks powerfully to us in these times that have witnessed the creation of the Legacy Museum and the National Memorial for Peace and Justice. Nearly five thousand black Americans were lynched between 1890 and 1960, and the effects of this racial trauma continue to resound. Inspired by South Africa's Truth and Reconciliation Commission, and drawing on techniques of restorative justice, Sherrilyn Ifill, president and director-counsel of the NAACP Legal Defense and Educational Fund, offers concrete ways for communities to heal. She also issues a clarion call for communities with histories of racial violence to be proactive in facing this legacy. This revised edition speaks powerfully to us in these times that have witnessed the creation of the Legacy Museum and the National Memorial for Peace and Justice in Montgomery, Alabama. e new foreword from Bryan Stevenson helps readers to better understand contemporary struggles and come to terms with the legacy of racial terror in the United States. In a new afterword, Ifill reflects on the recent strides made throughout the country to break the silence surrounding lynching and to recognize the victims of violence.Th
Author: Jonathan Markovitz
Publisher: U of Minnesota Press
ISBN: 9780816639946
Category : Social Science
Languages : en
Pages : 266
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Book Description
Between 1880 and 1930, thousands of African Americans were lynched in the United States. Beyond the horrific violence inflicted on these individuals, lynching terrorized whole communities and became a defining characteristic of Southern race relations in the Jim Crow era. As spectacle, lynching was intended to serve as a symbol of white supremacy. Yet, Jonathan Markovitz notes, the act's symbolic power has endured long after the practice of lynching has largely faded away. Legacies of Lynching examines the evolution of lynching as a symbol of racial hatred and a metaphor for race relations in popular culture, art, literature, and political speech. Markovitz credits the efforts of the antilynching movement with helping to ensure that lynching would be understood not as a method of punishment for black rapists but as a terrorist practice that provided stark evidence of the brutality of Southern racism and as America's most vivid symbol of racial oppression. Cinematic representations of lynching, from Birth of a Nation to Do the Right Thing, he contends, further transform the ways that American audiences remember and understand lynching, as have disturbing recent cases in which alleged or actual acts of racial violence reconfigured stereotypes of black criminality. Markovitz further reveals how lynching imagery has been politicized in contemporary society with the example of Clarence Thomas, who condemned the Senate's investigation into allegations of sexual harassment during his Supreme Court confirmation hearings as a "high-tech lynching." Even today, as revealed by the 1998 dragging death of James Byrd in Jasper, Texas, and the national soul-searching it precipitated, lynchingcontinues to pervade America's collective memory. Markovitz concludes with an analysis of debates about a recent exhibition of photographs of lynchings, suggesting again how lynching as metaphor remains always in the background of our national discussions of race and racial relations. Jonathan Markovitz is a lecturer in sociology at the University of California, San Diego.
Author: Amy Louise Wood
Publisher: Univ of North Carolina Press
ISBN: 9780807878118
Category : History
Languages : en
Pages : 368
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Book Description
Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.
Author: Manfred Berg
Publisher: Government Institutes
ISBN: 1566639204
Category : History
Languages : en
Pages : 229
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Book Description
Lynching has often been called "America's national crime" that has defined the tradition of extralegal violence in America. Having claimed many thousand victims, "Judge Lynch" holds a firm place in the dark recesses of our national memory. In Popular Justice, Manfred Berg explores the history of lynching from the colonial era to the present. American lynch law, he argues, has rested on three pillars: the frontier experience, racism, and the anti-authoritarian spirit of grassroots democracy. Berg looks beyond the familiar story of mob violence against African American victims, who comprised the majority of lynch targets, to include violence targeting other victim groups, such as Mexicans and the Chinese, as well as many of those cases in which race did not play a role. As he nears the modern era, he focuses on the societal changes that ended lynching as a public spectacle. Berg's narrative concludes with an examination of lynching's legacy in American culture. From the colonial era and the American Revolution up to the twenty-first century, lynching has been a part of our nation's history. Manfred Berg provides us with the first comprehensive overview of "popular justice."
Author: Christopher Waldrep
Publisher: NYU Press
ISBN: 0814793983
Category : History
Languages : en
Pages : 303
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Book Description
Discusses lynching, which is most often associated with race relations after the Civil War and the end of slavery, provided by K. Austin Kerr. Details a lynching in Urbana, Ohio, in 1897. Includes news articles from different newspapers around 1897 concerning lynchings.
Author: Jonathan Markovitz
Publisher: U of Minnesota Press
ISBN: 9780816639953
Category : Social Science
Languages : en
Pages : 268
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Book Description
Between 1880 and 1930, thousands of African Americans were lynched in the United States. Beyond the horrific violence inflicted on these individuals, lynching terrorized whole communities and became a defining characteristic of Southern race relations in the Jim Crow era. As spectacle, lynching was intended to serve as a symbol of white supremacy. Yet, Jonathan Markovitz notes, the act's symbolic power has endured long after the practice of lynching has largely faded away.Legacies of Lynching examines the evolution of lynching as a symbol of racial hatred and a metaphor for race relations in popular culture, art, literature, and political speech. Markovitz credits the efforts of the antilynching movement with helping to ensure that lynching would be understood not as a method of punishment for black rapists but as a terrorist practice that provided stark evidence of the brutality of Southern racism and as America's most vivid symbol of racial oppression. Cinematic representations of lynching, from Birth of a Nation to Do the Right Thing, he contends, further transform the ways that American audiences remember and understand lynching, as have disturbing recent cases in which alleged or actual acts of racial violence reconfigured stereotypes of black criminality. Markovitz further reveals how lynching imagery has been politicized in contemporary society with the example of Clarence Thomas, who condemned the Senate's investigation into allegations of sexual harassment during his Supreme Court confirmation hearings as a "high-tech lynching."Even today, as revealed by the 1998 dragging death of James Byrd in Jasper, Texas, and the national soul-searching it precipitated, lynching continues to pervade America's collective memory. Markovitz concludes with an analysis of debates about a recent exhibition of photographs of lynchings, suggesting again how lynching as metaphor remains always in the background of our national discussions of race and racial relations.Jonathan Markovitz is a lecturer in sociology at the University of California, San Diego.
Author: W. Fitzhugh Brundage
Publisher: UNC Press Books
ISBN: 0807866555
Category : History
Languages : en
Pages : 344
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Book Description
From the assembled work of fifteen leading scholars emerges a complex and provocative portrait of lynching in the American South. With subjects ranging in time from the late antebellum period to the early twentieth century, and in place from the border states to the Deep South, this collection of essays provides a rich comparative context in which to study the troubling history of lynching. Covering a broad spectrum of methodologies, these essays further expand the study of lynching by exploring such topics as same-race lynchings, black resistance to white violence, and the political motivations for lynching. In addressing both the history and the legacy of lynching, the book raises important questions about Southern history, race relations, and the nature of American violence. Though focused on events in the South, these essays speak to patterns of violence, injustice, and racism that have plagued the entire nation. The contributors are Bruce E. Baker, E. M. Beck, W. Fitzhugh Brundage, Joan E. Cashin, Paula Clark, Thomas G. Dyer, Terence Finnegan, Larry J. Griffin, Nancy MacLean, William S. McFeely, Joanne C. Sandberg, Patricia A. Schechter, Roberta Senechal de la Roche, Stewart E. Tolnay, and George C. Wright.
Author: Julie Buckner Armstrong
Publisher: University of Georgia Press
ISBN: 082033765X
Category : History
Languages : en
Pages : 270
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Book Description
Mary Turner and the Memory of Lynching traces the reaction of activists, artists, writers, and local residents to the brutal lynching of a pregnant woman near Valdosta, Georgia. In 1918, the murder of a white farmer led to a week of mob violence that claimed the lives of at least eleven African Americans, including Hayes Turner. When his wife Mary vowed to press charges against the killers, she too fell victim to the mob. Mary's lynching was particularly brutal and involved the grisly death of her eight-month-old fetus. It led to both an entrenched local silence and a widespread national response in newspaper and magazine accounts, visual art, film, literature, and public memorials. Turner's story became a centerpiece of the Anti-Lynching Crusaders campaign for the 1922 Dyer Bill, which sought to make lynching a federal crime. Julie Buckner Armstrong explores the complex and contradictory ways this horrific event was remembered in works such as Walter White's report in the NAACP's newspaper the Crisis, the “Kabnis” section of Jean Toomer's Cane, Angelina Weld Grimké's short story “Goldie,” and Meta Fuller's sculpture Mary Turner: A Silent Protest against Mob Violence. Like those of Emmett Till and Leo Frank, Turner's story continues to resonate on multiple levels. Armstrong's work provides insight into the different roles black women played in the history of lynching: as victims, as loved ones left behind, and as those who fought back. The crime continues to defy conventional forms of representation, illustrating what can, and cannot, be said about lynching and revealing the difficulty and necessity of confronting this nation's legacy of racial violence.
Author: Cynthia Carr
Publisher: Crown
ISBN: 0307341887
Category : History
Languages : en
Pages : 514
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Book Description
The brutal lynching of two young black men in Marion, Indiana, on August 7, 1930, cast a shadow over the town that still lingers. It is only one event in the long and complicated history of race relations in Marion, a history much ignored and considered by many to be best forgotten. But the lynching cannot be forgotten. It is too much a part of the fabric of Marion, too much ingrained even now in the minds of those who live there. In Our Town journalist Cynthia Carr explores the issues of race, loyalty, and memory in America through the lens of a specific hate crime that occurred in Marion but could have happened anywhere. Marion is our town, America’s town, and its legacy is our legacy. Like everyone in Marion, Carr knew the basic details of the lynching even as a child: three black men were arrested for attempted murder and rape, and two of them were hanged in the courthouse square, a fate the third miraculously escaped. Meeting James Cameron–the man who’d survived–led her to examine how the quiet Midwestern town she loved could harbor such dark secrets. Spurred by the realization that, like her, millions of white Americans are intimately connected to this hidden history, Carr began an investigation into the events of that night, racism in Marion, the presence of the Ku Klux Klan–past and present–in Indiana, and her own grandfather’s involvement. She uncovered a pattern of white guilt and indifference, of black anger and fear that are the hallmark of race relations across the country. In a sweeping narrative that takes her from the angry energy of a white supremacist rally to the peaceful fields of Weaver–once an all-black settlement neighboring Marion–in search of the good and the bad in the story of race in America, Carr returns to her roots to seek out the fascinating people and places that have shaped the town. Her intensely compelling account of the Marion lynching and of her own family’s secrets offers a fresh examination of the complex legacy of whiteness in America. Part mystery, part history, part true crime saga, Our Town is a riveting read that lays bare a raw and little-chronicled facet of our national memory and provides a starting point toward reconciliation with the past. On August 7, 1930, three black teenagers were dragged from their jail cells in Marion, Indiana, and beaten before a howling mob. Two of them were hanged; by fate the third escaped. A photo taken that night shows the bodies hanging from the tree but focuses on the faces in the crowd—some enraged, some laughing, and some subdued, perhaps already feeling the first pangs of regret. Sixty-three years later, journalist Cynthia Carr began searching the photo for her grandfather’s face.
Author: Koritha Mitchell
Publisher: University of Illinois Press
ISBN: 0252093526
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynching victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of households being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens. The Left of Black interview with author Koritha Mitchell begins at 14:00. An interview with Koritha Mitchell at The Ohio Channel.
