Author: John Ruskin
Publisher:
ISBN:
Category : Aethetics, Modern
Languages : en
Pages : 220
Book Description
Lectures on Art Delivered Before the University of Oxford in Hilary Term, 1870
Author: John Ruskin
Publisher:
ISBN:
Category : Aethetics, Modern
Languages : en
Pages : 220
Book Description
Publisher:
ISBN:
Category : Aethetics, Modern
Languages : en
Pages : 220
Book Description
Lectures on Art
Author: John Ruskin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 202
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 202
Book Description
Lectures on Art Delivered Before the University of Oxford in Hilary Term, 1870
Author: John Ruskin
Publisher: Hardpress Publishing
ISBN: 9781318845439
Category :
Languages : en
Pages : 302
Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Publisher: Hardpress Publishing
ISBN: 9781318845439
Category :
Languages : en
Pages : 302
Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Lectures on Art
Author: John Ruskin
Publisher: Forgotten Books
ISBN: 9781528454025
Category : Self-Help
Languages : en
Pages : 290
Book Description
Excerpt from Lectures on Art: Delivered Before the University of Oxford, in Hilary Term, 1870 The followin g lectures were the most important piece of my literary work done with unabated power, best motive, and happiest concurrence of circumstance. They were written and delivered while my mother yet lived, and had vividest sympathy in all I was attempting - while also my friends put unbroken trust in me, and the course of study I had followed seemed to fit me for the acceptance of noble tasks and graver responsibilities than those only of a curious traveller, or casual teacher. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781528454025
Category : Self-Help
Languages : en
Pages : 290
Book Description
Excerpt from Lectures on Art: Delivered Before the University of Oxford, in Hilary Term, 1870 The followin g lectures were the most important piece of my literary work done with unabated power, best motive, and happiest concurrence of circumstance. They were written and delivered while my mother yet lived, and had vividest sympathy in all I was attempting - while also my friends put unbroken trust in me, and the course of study I had followed seemed to fit me for the acceptance of noble tasks and graver responsibilities than those only of a curious traveller, or casual teacher. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“The” Athenaeum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
Book Description
London Quarterly Review
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 538
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 538
Book Description
The London Quarterly Review
Author: William Lonsdale Watkinson
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 556
Book Description
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 556
Book Description
Art Subjects
Author: Howard Singerman
Publisher: Univ of California Press
ISBN: 0520921437
Category : Art
Languages : en
Pages : 306
Book Description
Nearly every artist under the age of fifty in the United States today has a Master of Fine Arts degree. Howard Singerman's thoughtful study is the first to place that degree in its proper historical framework and ideological context. Arguing that where artists are trained makes a difference in the forms and meanings they produce, he shows how the university, with its disciplined organization of knowledge and demand for language, played a critical role in the production of modernism in the visual arts. Now it is shaping what we call postmodernism: like postmodernist art, the graduate university stresses theory and research over manual skills and traditional techniques of representation. Singerman, who holds an M.F.A. in sculpture as well as a Ph.D. in Visual and Cultural Studies, is interested in the question of the artist as a "professional" and what that word means for and about the fashioning of artists. He begins by examining the first campus-based art schools in the 1870s and goes on to consider the structuring role of women art educators and women students; the shift from the "fine arts" to the "visual arts"; the fundamental grammar of art laid down in the schoolroom; and the development of professional art training in the American university. Singerman's book reveals the ways we have conceived of art in the past hundred years and have institutionalized that conception as atelier activity, as craft, and finally as theory and performance.
Publisher: Univ of California Press
ISBN: 0520921437
Category : Art
Languages : en
Pages : 306
Book Description
Nearly every artist under the age of fifty in the United States today has a Master of Fine Arts degree. Howard Singerman's thoughtful study is the first to place that degree in its proper historical framework and ideological context. Arguing that where artists are trained makes a difference in the forms and meanings they produce, he shows how the university, with its disciplined organization of knowledge and demand for language, played a critical role in the production of modernism in the visual arts. Now it is shaping what we call postmodernism: like postmodernist art, the graduate university stresses theory and research over manual skills and traditional techniques of representation. Singerman, who holds an M.F.A. in sculpture as well as a Ph.D. in Visual and Cultural Studies, is interested in the question of the artist as a "professional" and what that word means for and about the fashioning of artists. He begins by examining the first campus-based art schools in the 1870s and goes on to consider the structuring role of women art educators and women students; the shift from the "fine arts" to the "visual arts"; the fundamental grammar of art laid down in the schoolroom; and the development of professional art training in the American university. Singerman's book reveals the ways we have conceived of art in the past hundred years and have institutionalized that conception as atelier activity, as craft, and finally as theory and performance.
Time and Tide by Weare and Tyne
Author: John Ruskin
Publisher:
ISBN:
Category : Labor
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category : Labor
Languages : en
Pages : 240
Book Description
A History of Agriculture and Prices in England: 1401-1582
Author:
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 1146
Book Description
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 1146
Book Description