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Author: Pierre Carlet de Chamblain de Marivaux
Publisher: Dramatists Play Service Inc
ISBN: 9780822214151
Category : Disguise
Languages : en
Pages : 68
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Book Description
THE STORY: Princes Leonide, in disguise, arrives in the garden of the philosopher, Hermocrate. She has come to try and win some time in his retreat for she has fallen in love, from afar, with Hermocrate's student, Agis, who is the legitimate prin
Author: Pierre Carlet de Chamblain de Marivaux
Publisher: Dramatists Play Service Inc
ISBN: 9780822214151
Category : Disguise
Languages : en
Pages : 68
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Book Description
THE STORY: Princes Leonide, in disguise, arrives in the garden of the philosopher, Hermocrate. She has come to try and win some time in his retreat for she has fallen in love, from afar, with Hermocrate's student, Agis, who is the legitimate prin
Author:
Publisher: BRILL
ISBN: 9004333509
Category : Literary Criticism
Languages : en
Pages : 124
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Book Description
Envisager la pensée d'un écrivain que la tradition ne tient pas pour un penseur - et dont les textes n’épargnent pas la prétention philosophique -, peut paraître paradoxal, voire naïf. Mais ce serait oublier que la réflexion prend bien des chemins et que la littérature est un espace de pensée. Il faudrait, par conséquent, plutôt s’étonner du fait qu'il puisse sembler anormal d'interroger la pensée d’un écrivain. Mais Ie terrain est, il est vrai, miné... Mieux vaut repartir sur des bases modestes et claires, d'après quelques constats. Ainsi, concernant Marivaux, est-il frappant de relever l'importance que tiennent les réflexions dans ses textes. Rien de plus légitime dès lors que de se demander si ces pensées, apparemment décousues, n'entrent pas dans une conception ordonnée du réel et de « l’humanité ». Il ne s’agit pas pour autant d’en revenir à une position simpliste consistant à attribuer à chaque auteur une conception du monde à partir d’un relevé de ses affirmations explicites ou implicites. Plutôt que de se fourvoyer dans un exposé artificiellement complet de la pensée de Marivaux, il paraît plus intéressant de faire quelques pas en direction de ce qui est pensé dans les textes de Marivaux.
Author: Tracy Chevalier
Publisher: Taylor & Francis
ISBN: 9781884964305
Category : Language Arts & Disciplines
Languages : en
Pages : 1032
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Book Description
A hefty one-volume reference addressing various facets of the essay. Entries are of five types: 1) considerations of different types of essay, e.g. moral, travel, autobiographical; 2) discussions of major national traditions; 3) biographical profiles of writers who have produced a significant body of work in the genre; 4) descriptions of periodicals important for their publication of essays; and 5) discussions of some especially significant single essays. Each entry includes citations for further reading and cross references. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Annie Sparks
Publisher: Bloomsbury Publishing
ISBN: 1408148897
Category : Performing Arts
Languages : en
Pages : 316
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Book Description
A invaluable survey of French theatre since 1968 Mise en Scène is a book in two parts. The first half is a probing look at French theatre now, providing an historical and critical survey of drama and theatre in France since 1968. It explores playwrights such as Samuel Beckett, Marguerite Duras, Michel Vinaver and Bernard-Marie Koltès and directors of international reputation such as Peter Brook, Robert Wilson, Roger Planchon, Antoine Vitez, Patrice Chereau and Ariane Mnouchkine. The second part of Mise en Scène features a comprehensive listings guide to major theatre companies, insitutions, festivals, training schools and invaluable A-Z profiles of contemporary playwrights and directors from France.
Author: Ethan Mordden
Publisher: St. Martin's Press
ISBN: 1466893443
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
For Ethan Mordden, the closing night of the hit musical, 42nd St. sounded the death knell of the art form of the Broadway musical. After that, big orchestras, real voices, recognizable books and intelligent lyrics went out the window in favor of cats, helicopters, yodeling Frenchmen, and the roof of the Paris Opera. Mordden takes us through the aftermath of the days of the great Broadway musical. From the long-running Cats to Miss Saigon, Phantom, and Les Miserables, to gems like The Producers, he is unsparing in his look at the remains of the day. Not content to scold the shows' creators, Mordden takes on the critics, too, splaying their bodies across the Great White Way like Sweeney Todd giving a close shave. Once more, it's "curtain going up," but Mordden is not applauding.
Author: Colette H. Winn
Publisher: Routledge
ISBN: 1317944585
Category : Literary Criticism
Languages : en
Pages : 617
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Book Description
The present volume covers 30 Pre-Revolutionary French women, providing a representative sampling of their manifold and varied contributions to intellectual and cultural history. This volume is unique in its grouping of essentially French writers from the Pre-Revolutionary period. The authors included here range from those prominent because of their social position or literary fame, to those slowly becoming part of a new canon of Old Regime women writers - authors whose works were known to their contemporaries but who have slipped into near invisibility in the following centuries until their recent rediscovery and reassessment.
Author: Anne C. Vila
Publisher: University of Pennsylvania Press
ISBN: 0812294807
Category : History
Languages : en
Pages : 276
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Book Description
As early as Aristotle's Problem XXX, intellectual superiority has been linked to melancholy. The association between sickness and genius continued to be a topic for discussion in the work of early modern writers, most recognizably in Robert Burton's The Anatomy of Melancholy. But it was not until the eighteenth century that the phenomenon known as the "suffering scholar" reached its apotheosis, a phenomenon illustrated by the popularity of works such as Samuel-Auguste Tissot's De la santé des gens de lettres, first published in 1768. Though hardly limited to French-speaking Europe, the link between mental endeavor and physical disorder was embraced with particular vigor there, as was the tendency to imbue intellectuals with an aura of otherness and detachment from the world. Intellectuals and artists were portrayed as peculiarly susceptible to altered states of health as well as psyche—the combination of mental intensity and somatic frailty proved both the privileges and the perils of knowledge-seeking and creative endeavor. In Suffering Scholars, Anne C. Vila focuses on the medical and literary dimensions of the cult of celebrity that developed around great intellectuals during the French Enlightenment. Beginning with Tissot's work, which launched a subgenre of health advice aimed specifically at scholars, she demonstrates how writers like Voltaire, Diderot, Rousseau, and Mme de Staël, responded to the "suffering scholar" syndrome and helped to shape it. She traces the ways in which this syndrome influenced the cultural perceptions of iconic personae such as the philosophe, the solitary genius, and the learned lady. By showing how crucial the so-called suffering scholar was to debates about the mind-body relation as well as to sex and sensibility, Vila sheds light on the consequences book-learning was thought to have on both the individual body and the body politic, not only in the eighteenth century but also into the decades following the Revolution.
Author: James S. Williams
Publisher: SUNY Press
ISBN: 1438460635
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
A wide-ranging and accessible approach to Godard’s later work, and a major intervention in the study of film aesthetics and ethics. Encounters with Godard takes the reader on a personal voyage into the sensory pleasures and polyphonic rhythms of Jean-Luc Godard’s multimedia work since the late 1970s, from his feature films and video essays to his published writings, art books, and media performances. Godard, suggests James S. Williams, lays ethical claim to the cinematic, defined in the broadest terms as relationality and artistic resistance. An introductory chapter on the extended history of
La Chinoise (1967), a film explicitly of montage, is followed by seven different types of critical encounters with Godard, encompassing the fields of art and photography, music and literature, and foregrounding themes of gender and sexuality, race and violence, mystery and emotion. The Godard who emerges here is a restless and radical experimenter who establishes new cinematic thresholds through new technology and expands the creative potential and free exchange of the archives. Williams examines works including
Nouvelle vague (1990),
Film socialisme (2010),
Hélas pour moi (1993), and the magnum opus
Histoire(s) du cinéma (1988–98). Wide-ranging and accessible,
Encounters with Godard marks a major intervention in the study of film aesthetics and ethics while forging a vital dialogue with literature, history and politics, art and art history, music and musicology, philosophy, and aesthetics.
“A landmark contribution to our understanding of Godard and of modernist expression as a whole.” — David Sterritt, author of
The Films of Jean-Luc Godard: Seeing the Invisible “Writing with a delirious lucidity, Williams opens Godard to debate and dialogue that informs, extends, opens, and illuminates what may be the greatest and most complex body of cinema of the last half-century.” — Tom Conley, author of
Film Hieroglyphs: Ruptures in Classical Cinema
Author: Marivaux
Publisher: Culture commune
ISBN: 236307498X
Category : Performing Arts
Languages : fr
Pages : 61
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Book Description
Le triomphe de l'Amour Marivaux Texte intégral. Cet ouvrage a fait l'objet d'un véritable travail en vue d'une édition numérique. Un travail typographique le rend facile et agréable à lire. Le Triomphe de l’amour est une comédie en trois actes et en prose de Marivaux, représentée pour la première fois par les Comédiens Italiens le 12 mars 1732 au théâtre de l’Hôtel de Bourgogne. Cette pièce fondée, comme beaucoup d’autres de Marivaux, sur le travesti et la séduction, n’eut pas de succès lors de sa représentation initiale. « On fut choqué de voir une princesse de Sparte se déguiser pour se mettre à la recherche d’un jeune homme dont elle ne sait point être aimée, et tromper un philosophe par une fourberie digne de Scapin. » Pour le public de l’époque, l’invraisemblance historique tournait principalement autour du fait qu’une princesse de cette importance, qu’il comparait à la fille d’un roi de France, coure les aventures de cette façon. Mal reçue le premier jour, une fois le public habitué à l’invraisemblance historique, sa comédie fut cependant applaudie les jours suivants, mais sans enthousiasme. Source Wikipédia. Retrouvez l'ensemble de nos collections sur http://www.culturecommune.com/
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 898
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Book Description
