Le Théâtre populaire, pourquoi? PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Le Théâtre populaire, pourquoi? PDF full book. Access full book title Le Théâtre populaire, pourquoi? by Émile Copfermann. Download full books in PDF and EPUB format.
Author: Émile Copfermann
Publisher:
ISBN:
Category : Literature and society
Languages : fr
Pages : 228
Get Book Here
Book Description
Author: Émile Copfermann
Publisher:
ISBN:
Category : Literature and society
Languages : fr
Pages : 228
Get Book Here
Book Description
Author: Emile Copfermann
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Get Book Here
Book Description
Author: Émile Copfermann
Publisher: F. Maspero
ISBN:
Category :
Languages : fr
Pages : 165
Get Book Here
Book Description
Author: Émile Copfermann
Publisher:
ISBN:
Category : Theater
Languages : fr
Pages : 214
Get Book Here
Book Description
Author: Jessica Wardhaugh
Publisher: Springer
ISBN: 1137598557
Category : Performing Arts
Languages : en
Pages : 369
Get Book Here
Book Description
This book is the first study of popular theatre in France from left to right, exploring how theatre shapes political acts, ideals, and communities in the modern world. As the French found innovative ways of imagining culture and politics in the age of the masses, popular theatre became central to the republican project of using art to create citizens, using secular spaces for the experience of civic communion. But while state projects often faltered in finding playwrights, locations, and audiences, popular theatre flourished on the political and geographical peripheries. Drawing on extensive archival research, this book illuminates lost worlds of political conviviality, from anarchist communes and clandestine agit-prop drama to royalist street politics and right-wing mass spectacle. It reveals new connections between French initiatives and their European counterparts, and demonstrates the enduring strength of radical communities in shaping political ideals and engagement.
Author: John McCormick
Publisher: Routledge
ISBN: 1134880014
Category : Literary Criticism
Languages : en
Pages : 266
Get Book Here
Book Description
This is the only book to provide an account of how popular theatre developed from the fairground booths of the eighteenth century to become a vehicle of mass entertainment in the following century. Whereas other studies offer a traditional approach to the theatres of high culture, John McCormick takes the role of impartial historian, uncovering the popular theatres of the boulevards, suburbs and fairgrounds. He focuses on the social and economic context in which vaudevilles, pantomimes and melodramas were performed, and explores the audiences who enjoyed them.
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 432
Get Book Here
Book Description
Author: Slaheddine Mahdi
Publisher:
ISBN:
Category :
Languages : fr
Pages : 180
Get Book Here
Book Description
Author: Brian Rigby
Publisher: Routledge
ISBN: 1134981996
Category : Social Science
Languages : en
Pages : 206
Get Book Here
Book Description
`Culture' is one of the most frequently used terms in the French vocabulary. It sells not only books, newspapers and magazines but also consumer products and political parties. But what are the meanings of `culture populaire'? What have the French understood by it, and what is its history? Brian Rigby's lively and cogent study traces changing notions of popular culture in France, from 1936 - the year of the Popular Front - to the present day. Asking why `culture' has become such a fiercely contested term, Rigby considers the work of the major French theorists, including Barthes, Bourdieu and Baudrillard.
Author: Fletcher
Publisher: BRILL
ISBN: 900464718X
Category : Drama
Languages : en
Pages : 186
Get Book Here
Book Description
Between Folk and Liturgy, the title of this collection, should not be understood to refer to some fixed point, some stable place between the two extremes of an illiterate and a literate culture. Rather, the title flags the wide and colourful spectrum of medieval dramatic possibility. Perhaps except one, none of the ten essays published here deal with a drama existing purely at either end of this scale. They add to our impression of the teaming fecundity and hybridism of early European drama, an impression that grows apace once we start to consider dramas situated Between Folk and Liturgy. The geographical terrain that the essays traverse ranges from the British Isles in the west to Poland in the east. The suppleness of the approaches taken here is the minimum critical requirement of anyone wanting to do justice to so complex and multifold a phenomenon as is early European drama.
