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Author:
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 1034
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Book Description
Includes entries for maps and atlases.
Author:
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 1034
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Book Description
Includes entries for maps and atlases.
Author: James Frederick Mason
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 566
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Book Description
Author:
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ISBN:
Category : Bibliography
Languages : en
Pages : 736
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Book Description
Author: Susan Hayward
Publisher: Routledge
ISBN: 1136214798
Category : Social Science
Languages : en
Pages : 367
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Book Description
The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.
Author: Modern Language Association of America
Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 642
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Book Description
Author: Willa Z. Silverman
Publisher: University of Toronto Press
ISBN: 144269145X
Category : Design
Languages : en
Pages : 337
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Book Description
The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.
Author:
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Category : Italian literature
Languages : en
Pages : 758
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Book Description
Author: Jessica Goodman
Publisher: Oxford University Press
ISBN: 0192516698
Category : Literary Criticism
Languages : en
Pages : 347
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Book Description
The thirty years Carlo Goldoni spent in Paris hold an ambiguous place in his career. The preface to his autobiography explicitly draws attention to France as the site of his authorial glory, but elsewhere he dismisses his work for the Parisian Comédie-Italienne as a failure, and this view has come to dominate modern readings of his French experience. This study sets out to explore this apparent contradiction. By reading Goldoni's own contemporary and subsequent accounts through the lens of his context as a dramatic author in 1760s Paris, Jessica Goodman sheds new light on both his experience and critical reactions to that experience. A key part of this contextualisation is an examination of contemporary Comédie-Italienne archives, resulting in the most comprehensive existing account of this oft-neglected theatre and its authorial relations in the period. When material and artistic conditions at the Comédie-Italienne thwarted the self-fashioning strategies Goldoni had developed in Italy, he turned his attention to other areas of French life; notably the court and the Comédie-Française. Yet despite relative success in this regard, his career as an eclectic homme de lettres was lost in translation to posterity. In his French Mémoires, he constructed the claim of Parisian glory according to an out-dated understanding of what it meant to succeed in the French literary field, focusing predominantly on the power of Comédie-Française success. Ultimately, this construction was a failure: in modern France, Goldoni is remembered as a famous foreigner, not the consecrated French littérateur he believed he had become.
Author:
Publisher:
ISBN:
Category : France
Languages : en
Pages : 556
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Book Description
Author: Harold J. Salemson
Publisher: Univ of Wisconsin Press
ISBN: 9780299174149
Category : History
Languages : en
Pages : 750
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Book Description
Tambour was a "little magazine" published in Paris in 1929 and 1930 in eight issues that featured writings by modernists in Europe and America.
