Le Drame en France Au XVIIIe Siècle PDF Download
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Author: Félix Gaiffe
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 676
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Book Description
Author: Félix Gaiffe
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 676
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Book Description
Author: Ira Owen Wade
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 172
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Book Description
Author: Sarah C. Maza
Publisher: Princeton University Press
ISBN: 1400856078
Category : Social Science
Languages : en
Pages : 384
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Book Description
Here is the first major study of domestic service in France from the late seventeenth century to the early nineteenth century, describing its transformation from a male-oriented occupation, aristocratic in style and often geared to public display, to one that was female, middle-class, and centered on the household. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Ralf Kadler
Publisher: Springer
ISBN: 9401761256
Category : Literary Criticism
Languages : en
Pages : 154
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Book Description
The general aim of this book is to present a study of a dramatic genre which was a significant facet of French drama in the period from 1784 to 1834 and has never before been singled out or analyzed. The striking feature of the plays of this genre is that the protagonists represent French literary figures. A casual examination of a collection of late eighteenth-and early nineteenth-century plays, many of which concern literary figures, led to the initial idea for this study. Conscientious cross-checking was sub sequently done in a number of reference works and contemporary newspapers to obtain complete coverage and to draw up a list of all the plays in which French literary figures appeared as characters. From the total number of such plays, 153 have been used as the primary source of information. They were found scattered either in different collections or as separate copies in various libraries. This source has been supplemented by use of theatrical journals and almanacs giving reviews of some of the plays which were not published.
Author: Edward Nye
Publisher: Clarendon Press
ISBN: 9780198160120
Category : History
Languages : en
Pages : 270
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Book Description
"Linguistic" theories in the eighteenth-century are also theories of literature and art, and it is probably better, therefore, to think of them as "aesthetic" theories. As such, they are answers to the age-old question "what is beauty?," but formulated, also, to respond to contemporary concerns. Edward Nye considers a wide range of authors from these two perspectives and draws the following conclusions: etymology is a theory of poetry, dictionaries of synonymy, prosody and metaphor are theories of preciosity, and Sensualism is a theory of artistic representation.
Author: Barrett Harper Clark
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 528
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Book Description
Author: William Doyle
Publisher: Oxford University Press
ISBN: 0199291209
Category : History
Languages : en
Pages : 598
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Book Description
An exploration of current scholarly thinking about the wide and surprisingly complex range of historical problems associated with the study of Ancien Régime Europe
Author: Brooklyn Public Library
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 524
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Book Description
Author: Brooklyn Public Library
Publisher:
ISBN:
Category : Brooklyn (New York, N.Y.)
Languages : en
Pages : 460
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Book Description
Author: Jeffrey M. Leichman
Publisher: Bucknell University Press
ISBN: 1611487250
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Acting concentrated both the aspirations and anxieties of seventeenth- and eighteenth-century France, where theater was a defining element of urban sociability. In Acting Up: Staging the Subject in Enlightenment France, Jeffrey M. Leichman argues for a new understanding of the relationship between performance and self. Innovative interpretations of La Chaussée, Rousseau, Diderot, Rétif, Beaumarchais, and others demonstrate how the figure of the actor threatened ancien régime moral hierarchies by decoupling affect from emotion. As acting came to be understood as an embodied practice of individual freedom, attempts to alternately perfect and repress it proliferated. Across religious diatribes and sentimental comedies, technical manuals and epistolary novels, Leichman traces the development of early modern acting theories that define the aesthetics, philosophy, and politics of the performed subject. Acting Up weaves together cultural studies, literary analysis, theater history, and performance studies to establish acting as a key conceptual model for the subject, for the Enlightenment, and for our own time.
