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Author: Victor Hugo
Publisher:
ISBN:
Category : Capital punishment
Languages : en
Pages : 284
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Book Description
Author: Victor Hugo
Publisher:
ISBN:
Category : Capital punishment
Languages : en
Pages : 284
Get Book Here
Book Description
Author: Victor Hugo
Publisher:
ISBN:
Category : Capital punishment
Languages : en
Pages : 225
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Book Description
Author: Victor Hugo
Publisher:
ISBN:
Category : Capital punishment
Languages : en
Pages : 225
Get Book Here
Book Description
Author: Victor Hugo
Publisher:
ISBN:
Category :
Languages : fr
Pages : 114
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Book Description
Author: Victor Hugo
Publisher:
ISBN:
Category : Capital punishment
Languages : fr
Pages : 284
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Book Description
Author: Victor Hugo
Publisher: Theclassics.Us
ISBN: 9781230410753
Category :
Languages : en
Pages : 48
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1869 edition. Excerpt: ... on my arm, and to cry in my ears DEGREES " Get up! get up!" to announce his presence. I opened my eyes, and sat up, bewildered. At this moment, through the narrow and lofty window of my cell, I saw on the ceiling of the neighboring corridor --- the only sky granted me -- that yellow tint in which the dwellers in the darkness of prison-walls learn so well to recognize as the sun. I love the sun! " The weather is fine," said I to the jailor. He remained a moment without replying to me, as if uncertain whether it was worth while to waste any words on me. Then, with an effort, he muttered roughly, -- " That may be." I remained motionless, my spirit still half asleep, my lips smiling, my eye fixed upon that mild, golden reflection, which mottled the ceiling. " We have a beautiful day," I repeated. "Yes," replied the man, "they are waiting for you." These few words, like the thread which checks the flight of an insect, brought me back violently to the reality. I saw again, as if in a lightning's flash, the sombre court-room, the judges' horse-shoe desk, loaded with bloody rags, the three rows of stupidfaced witnesses, the two guards at the ends of my bench, the black robes rustling and agitated, the heads of the crowd, the back-ground, and turned on me the fixed looks of those twelve, jurymen who had watched while I slept. I rose. My teeth chattered; my hands trembled, and could not reach my clothing; my limbs failed under me. The first steps that I made I staggered like a porter under a too heavy burden. Nevertheless, I followed the jailor. The two guards awaited, me at the door of my cell. They put on my handcuffs again. They had a little complicated lock which was shut with care. I made no resistance. Their handcuffs were a machine upon another...
Author: Victor Hugo
Publisher:
ISBN:
Category :
Languages : fr
Pages : 187
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Book Description
Author: Ève Morisi
Publisher: Northwestern University Press
ISBN: 0810141531
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
Capital Letters sheds new light on how literature has dealt with society’s most violent legal institution, the death penalty. It investigates this question through the works of three major French authors with markedly distinct political convictions and literary styles: Victor Hugo, Charles Baudelaire, and Albert Camus. Working at the intersection of poetics, ethics, and law, Ève Morisi uncovers an unexpected transhistorical dialogue on both the modern death penalty and the ends and means of literature after the French Revolution. Through close textual analysis, careful contextualization, and the critique of violence forged by Giorgio Agamben, Michel Foucault, and René Girard, Morisi reveals that, despite their differences, Hugo, Baudelaire, and Camus converged in questioning France’s humanitarian redefinition of capital punishment dating from the late eighteenth century. Conversely, capital justice led all three writers to interrogate the functions, tools, and limits of their art. Capital Letters shows that the key modern debate on the political and moral responsibility, or autonomy, of literature crystallizes around the death penalty in works whose form disturbs the commonly accepted divide between aestheticism and engagement.
Author: Victor Hugo
Publisher: Magnard
ISBN: 221076811X
Category : Fiction
Languages : fr
Pages : 162
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Book Description
Les derniers moments d'un jeune homme condamné à mort. Un roman et une préface dans lesquels se déploie la conscience d'un grand écrivain. Notions littéraires : la rhétorique, les points de vue narratifs, temps et rythme du récit, le journal intime de fiction Histoire des arts : le peuple et la chanson au XIXe siècle, Delacroix, journaux de détenus célèbres Repères élèves : frise historique et culturelle du XIXe siècle, lexique, notes de vocabulaire, méthode Les atouts d'une oeuvre commentée avec, en plus, tous les repères pour les élèves : • Des éléments d'histoire des arts • Des notes de vocabulaire adaptées • Des rubriques outils de la langue pratiques • Des encadrés méthode efficaces • Un lexique.
Author: Victor Hugo
Publisher: Hatier
ISBN: 2218966581
Category : Study Aids
Languages : fr
Pages : 204
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Book Description
Œuvre en texte intégral, suivie d’une anthologie sur le thème de la peine de mort. En lien avec l’objet d’étude « Le roman et la nouvelle au XIXe siècle : réalisme et naturalisme » du programme de français en seconde (2de). Le texte • Dans son journal, un condamné à mort retrace les dernières heures de sa vie avant l’exécution. A travers ce court récit, Victor Hugo livre un plaidoyer en règle contre la peine de mort. • Tant dans la littérature qu’en politique, de Villon à Badinter, la question de la peine de mort n’a cessé d’être débattue. L’anthologie proposée dans ce volume à la suite du récit se fait l’écho du débat. L’édition Classiques & Cie lycée Une édition annotée et commentée par Mathilde Bernard, professeur agrégée de lettres modernes et docteur ès lettres. Le texte est associé à un dossier critique, qui comprend : • des repères historiques et biographiques ; • des fiches permettant de dégager les principaux axes de lecture de l’œuvre ; 1. Genres et registres du Dernier Jour d’un condamné. 2. Les procédés argumentatifs au service d’un plaidoyer. 3. La peinture de l’univers carcéral et sa dénonciation. • deux groupements thématiques composés de textes complémentaires et de documents iconographiques en couleurs ; • des sujets de type bac, pour l’écrit et pour l’oral.
