Author: Andre Wogenscky
Publisher: MIT Press
ISBN: 0262232448
Category : Architecture
Languages : en
Pages : 101
Book Description
Le Corbusier's assistant and fellow architect remembers his mentor in a series of concise and poetic reflections. Le Corbusier's Hands offers a poetic and personal portrait of Le Corbusier—a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky remembers his mentor in a series of revealing personal statements and evocative reflections unlike anything that exists in the vast literature on Le Corbusier. Wogenscky draws a portrait in swift, deft strokes—50 short chapters, one leading to the next, one memory of Le Corbusier opening into another. Appearing and reappearing like a leitmotif are Le Corbusier's hands—touching, taking, drawing, offering, closing, opening, grasping, releasing: "It was his hands that revealed him.... They spoke all his feelings, all the vibrations of his inner life that his face tried to conceal." Wogenscky writes about Le Corbusier's work, including the famous design of the chapel at Ronchamp, his ideas for high-density Unités d'Habitation linked to the center of a "Radiant City," and his "Modulor" system for defining proportions—which Wogenscky compares to a piano tuner's finding the exact relation between sounds. He remembers the day Picasso spent with Le Corbusier at the Marseilles building site—"All day long they outdid one another in a show of modesty," he observes in amazement. He adds, speaking for himself and the others present, "We were inside a double energy field." And Wogenscky writes about Le Corbusier more personally. "I have spent years trying to understand what went on in his mind and in his hand," he tells us. With Le Corbusier's Hands, Wogenscky gives us a unique record of an enigmatic genius.
Le Corbusier's Hands
Author: Andre Wogenscky
Publisher: MIT Press
ISBN: 0262232448
Category : Architecture
Languages : en
Pages : 101
Book Description
Le Corbusier's assistant and fellow architect remembers his mentor in a series of concise and poetic reflections. Le Corbusier's Hands offers a poetic and personal portrait of Le Corbusier—a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky remembers his mentor in a series of revealing personal statements and evocative reflections unlike anything that exists in the vast literature on Le Corbusier. Wogenscky draws a portrait in swift, deft strokes—50 short chapters, one leading to the next, one memory of Le Corbusier opening into another. Appearing and reappearing like a leitmotif are Le Corbusier's hands—touching, taking, drawing, offering, closing, opening, grasping, releasing: "It was his hands that revealed him.... They spoke all his feelings, all the vibrations of his inner life that his face tried to conceal." Wogenscky writes about Le Corbusier's work, including the famous design of the chapel at Ronchamp, his ideas for high-density Unités d'Habitation linked to the center of a "Radiant City," and his "Modulor" system for defining proportions—which Wogenscky compares to a piano tuner's finding the exact relation between sounds. He remembers the day Picasso spent with Le Corbusier at the Marseilles building site—"All day long they outdid one another in a show of modesty," he observes in amazement. He adds, speaking for himself and the others present, "We were inside a double energy field." And Wogenscky writes about Le Corbusier more personally. "I have spent years trying to understand what went on in his mind and in his hand," he tells us. With Le Corbusier's Hands, Wogenscky gives us a unique record of an enigmatic genius.
Publisher: MIT Press
ISBN: 0262232448
Category : Architecture
Languages : en
Pages : 101
Book Description
Le Corbusier's assistant and fellow architect remembers his mentor in a series of concise and poetic reflections. Le Corbusier's Hands offers a poetic and personal portrait of Le Corbusier—a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky remembers his mentor in a series of revealing personal statements and evocative reflections unlike anything that exists in the vast literature on Le Corbusier. Wogenscky draws a portrait in swift, deft strokes—50 short chapters, one leading to the next, one memory of Le Corbusier opening into another. Appearing and reappearing like a leitmotif are Le Corbusier's hands—touching, taking, drawing, offering, closing, opening, grasping, releasing: "It was his hands that revealed him.... They spoke all his feelings, all the vibrations of his inner life that his face tried to conceal." Wogenscky writes about Le Corbusier's work, including the famous design of the chapel at Ronchamp, his ideas for high-density Unités d'Habitation linked to the center of a "Radiant City," and his "Modulor" system for defining proportions—which Wogenscky compares to a piano tuner's finding the exact relation between sounds. He remembers the day Picasso spent with Le Corbusier at the Marseilles building site—"All day long they outdid one another in a show of modesty," he observes in amazement. He adds, speaking for himself and the others present, "We were inside a double energy field." And Wogenscky writes about Le Corbusier more personally. "I have spent years trying to understand what went on in his mind and in his hand," he tells us. With Le Corbusier's Hands, Wogenscky gives us a unique record of an enigmatic genius.
The Open Hand
Author: Russell Walden
Publisher: Cambridge : MIT Press
ISBN:
Category : Architecture
Languages : en
Pages : 522
Book Description
The fourteen essays are by Russell Walden, Paul Turner, Patricia Sekler, Maurice Favre, Brian Taylor, Charles Jencks, Anthony Sutcliffe, Robert Fishman, Martin Purdy, John Winter, Maxwell Fry, Jane Drew, Madhu Sarin, and Stanislaus von Moos.
Publisher: Cambridge : MIT Press
ISBN:
Category : Architecture
Languages : en
Pages : 522
Book Description
The fourteen essays are by Russell Walden, Paul Turner, Patricia Sekler, Maurice Favre, Brian Taylor, Charles Jencks, Anthony Sutcliffe, Robert Fishman, Martin Purdy, John Winter, Maxwell Fry, Jane Drew, Madhu Sarin, and Stanislaus von Moos.
Precisions on the Present State of Architecture and City Planning
Author: Le Corbusier
Publisher: Park Publishing (WI)
ISBN: 9783906027654
Category : Architecture
Languages : en
Pages : 304
Book Description
Coinciding with the 50th anniversary of his death (August 27, 2015), one of Le Corbusier's most significant books becomes available again in English. We are doing a reprint of MIT Press's first edition of 1991, which again is based on the original French version of 1930, with an introduction added by the author in 1960. While the MIT Press version had black-and-white illustrations throughout, Park Books' new edition features some of Le Corbusier's drawings in color as they were in the earlier French editions. A new essay by British scholar Tim Benton, written for this new edition, contextualizes the book within Le Corbusier's oeuvre and comments on its lasting significance. An also new appendix explains specialist terms and provides background information on persons and historic events no longer necessarily known to a younger generation of architects. The Precisions, as the book is known commonly, emerged from a spontaneous and exuberant series of 10 lectures Le Corbusier gave in Buenos Aires during the fall of 1929. As he spoke, Le Corbusier improvised drawings on large sheets of paper with crayons. While similar drawings appear in other works, here all the lectures and images appear in their original context as Le Corbusier assembled them more than 80 years ago. The texts reflect a new maturity in Le Corbusier's thinking and an extreme confidence in the development of his ideas. The drawings and lectures are unique in their eloquent and concise summary of his philosophy of architecture and urban design, stating the principles that informed his work from the 1920s on. They contain some of his most compelling aphorisms, both verbal and visual, covering technique as the basis of architecture, the human scale in design, furniture, the private house, apartments and office buildings, the city, the League of Nations competition, teaching architecture, and a splendid analysis of the transformation of his own work in houses from La Roche-Jeanneret to the Villa Savoye. [Based on MIT Press's copy for their 1991 edition]
Publisher: Park Publishing (WI)
ISBN: 9783906027654
Category : Architecture
Languages : en
Pages : 304
Book Description
Coinciding with the 50th anniversary of his death (August 27, 2015), one of Le Corbusier's most significant books becomes available again in English. We are doing a reprint of MIT Press's first edition of 1991, which again is based on the original French version of 1930, with an introduction added by the author in 1960. While the MIT Press version had black-and-white illustrations throughout, Park Books' new edition features some of Le Corbusier's drawings in color as they were in the earlier French editions. A new essay by British scholar Tim Benton, written for this new edition, contextualizes the book within Le Corbusier's oeuvre and comments on its lasting significance. An also new appendix explains specialist terms and provides background information on persons and historic events no longer necessarily known to a younger generation of architects. The Precisions, as the book is known commonly, emerged from a spontaneous and exuberant series of 10 lectures Le Corbusier gave in Buenos Aires during the fall of 1929. As he spoke, Le Corbusier improvised drawings on large sheets of paper with crayons. While similar drawings appear in other works, here all the lectures and images appear in their original context as Le Corbusier assembled them more than 80 years ago. The texts reflect a new maturity in Le Corbusier's thinking and an extreme confidence in the development of his ideas. The drawings and lectures are unique in their eloquent and concise summary of his philosophy of architecture and urban design, stating the principles that informed his work from the 1920s on. They contain some of his most compelling aphorisms, both verbal and visual, covering technique as the basis of architecture, the human scale in design, furniture, the private house, apartments and office buildings, the city, the League of Nations competition, teaching architecture, and a splendid analysis of the transformation of his own work in houses from La Roche-Jeanneret to the Villa Savoye. [Based on MIT Press's copy for their 1991 edition]
Journey to the East
Author: Le Corbusier
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 296
Book Description
Shares the influential architect's account of a 1911 trip through central and eastern Europe and includes sketches he made along the way.
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 296
Book Description
Shares the influential architect's account of a 1911 trip through central and eastern Europe and includes sketches he made along the way.
Le Corbusier and the Maisons Jaoul
Author: Caroline Benton
Publisher: Princeton Architectural Press
ISBN: 9781568988009
Category : Architecture
Languages : en
Pages : 0
Book Description
In 1955, just as the world was pigeonholing him as the high priest of modernism, Le Corbusier shocked the architecture world with – of all things – weekend houses. Built of brick, concrete, stone, and timber, the Maisons Jaoul are the antithesis of everything commonly referred to as “Corbusian.” Their surprising scale gives them a magnificent sculptural presence and the uncharacteristically raw materiality of their exteriors – oozing mortar, rough brick – gives them a deliberately crude, almost craftlike, appearance. Le Corbusier and the Maisons Jaoul is the first book-length, detailed examination of these lesser-known, yet architecturally significant houses. Built for André Jaoul and his son – and their wives – the Maisons Jaoul encompassed four years of intense design activity. Using previously unpublished sources, author Caroline Maniaque Benton thoroughly captures Le Corbusier’s extraordinary journey of discovery. Valuable insights are gleaned from conversations between clients, draughtsmen, and craftsmen; firsthand documents; and letters in Le Corbusier’s own hand.
Publisher: Princeton Architectural Press
ISBN: 9781568988009
Category : Architecture
Languages : en
Pages : 0
Book Description
In 1955, just as the world was pigeonholing him as the high priest of modernism, Le Corbusier shocked the architecture world with – of all things – weekend houses. Built of brick, concrete, stone, and timber, the Maisons Jaoul are the antithesis of everything commonly referred to as “Corbusian.” Their surprising scale gives them a magnificent sculptural presence and the uncharacteristically raw materiality of their exteriors – oozing mortar, rough brick – gives them a deliberately crude, almost craftlike, appearance. Le Corbusier and the Maisons Jaoul is the first book-length, detailed examination of these lesser-known, yet architecturally significant houses. Built for André Jaoul and his son – and their wives – the Maisons Jaoul encompassed four years of intense design activity. Using previously unpublished sources, author Caroline Maniaque Benton thoroughly captures Le Corbusier’s extraordinary journey of discovery. Valuable insights are gleaned from conversations between clients, draughtsmen, and craftsmen; firsthand documents; and letters in Le Corbusier’s own hand.
Le Corbusier - Œuvre complète Volume 1: 1910-1929
Author: Willy Boesiger
Publisher: Birkhäuser
ISBN: 3035602859
Category : Architecture
Languages : fr
Pages : 216
Book Description
This exceptional Complete Works edition documents the enormous spectrum in the oeuvre of one of the most influential architects of the 20th Century. Published between 1929 and 1970, in close collaboration with Le Corbusier himself, and frequently reprinted ever since, the eight volumes comprise an exhaustive and singular survey of his work.
Publisher: Birkhäuser
ISBN: 3035602859
Category : Architecture
Languages : fr
Pages : 216
Book Description
This exceptional Complete Works edition documents the enormous spectrum in the oeuvre of one of the most influential architects of the 20th Century. Published between 1929 and 1970, in close collaboration with Le Corbusier himself, and frequently reprinted ever since, the eight volumes comprise an exhaustive and singular survey of his work.
Modern Man
Author: Anthony Flint
Publisher: Houghton Mifflin Harcourt
ISBN: 0544262220
Category : Architecture
Languages : en
Pages : 309
Book Description
Journalist Flint recounts the life and times of the legendary architect Charles-Édouard Jeanneret, aka Le Corbusier, and provides illuminating details of his most iconic projects.
Publisher: Houghton Mifflin Harcourt
ISBN: 0544262220
Category : Architecture
Languages : en
Pages : 309
Book Description
Journalist Flint recounts the life and times of the legendary architect Charles-Édouard Jeanneret, aka Le Corbusier, and provides illuminating details of his most iconic projects.
Le Corbusier, History and Tradition
Author: Armando Rabaça
Publisher: Imprensa da Universidade de Coimbra / Coimbra University Press
ISBN: 9892613376
Category : Architects
Languages : en
Pages : 304
Book Description
The view of modernism as representing an epistemological break between technology and history and tradition has long been challenged. Le Corbusier’s work has proved to be an inexhaustible reference point in this debate. This is due, on the one hand, to the legacy of nineteenth-century historicism, and on the other to his creative process of creation through destruction which, as John Summerson has noted, is comparable to the processes of avant-garde poets and painters. The contributions to this book explore particular episodes which bring to light both the operative role of the past in the creation of a new abstract synthesis, and Le Corbusier’s modernist historical consciousness. They illustrate how the past participated in the modernist creative process of abstract art, from the 1920s machine aesthetics to the late infatuation with myth. They also shed light on the extent to which the operative quality of the history was framed by a comprehensive historical vision that took the form of metanarrative, which neither the analytical studies on his architecture nor the synthetic approaches to his philosophical thinking should dismiss.
Publisher: Imprensa da Universidade de Coimbra / Coimbra University Press
ISBN: 9892613376
Category : Architects
Languages : en
Pages : 304
Book Description
The view of modernism as representing an epistemological break between technology and history and tradition has long been challenged. Le Corbusier’s work has proved to be an inexhaustible reference point in this debate. This is due, on the one hand, to the legacy of nineteenth-century historicism, and on the other to his creative process of creation through destruction which, as John Summerson has noted, is comparable to the processes of avant-garde poets and painters. The contributions to this book explore particular episodes which bring to light both the operative role of the past in the creation of a new abstract synthesis, and Le Corbusier’s modernist historical consciousness. They illustrate how the past participated in the modernist creative process of abstract art, from the 1920s machine aesthetics to the late infatuation with myth. They also shed light on the extent to which the operative quality of the history was framed by a comprehensive historical vision that took the form of metanarrative, which neither the analytical studies on his architecture nor the synthetic approaches to his philosophical thinking should dismiss.
70s Concept Cars
Author: Rainer W. Schlegelmilch
Publisher: TeNeues
ISBN: 9783832796570
Category : Photography
Languages : en
Pages : 0
Book Description
*** Reduced from $210.00 while stocks last *** Starting in the late 1960s but especially in the 70s, the most innovative Italian coachbuilders from Bertone to Pininfarina followed a radical design path. With fantastical wedge-shaped speedsters, their goal was nothing less than reimagining the car. Many of their ideas--as reflected in the concept vehicles in this book--ended up on the scrap heap of design history, while other concepts have remained influential up to the present. Rainer W. Schlegelmilch, best known for his spectacular Formula 1 photography, captured all of this 70s explosion of automotive creativity with his unique photographic eye. With his artful staging, the angular concept car silhouettes took on the curvy and alluring forms of models. Through these futuristic design concepts from the 70s, we get even closer to the spirit of that decade--one that continues to hold us in its thrall. Text in English, German and French SELLING POINTS: *Contains all important background information on the cars featured: how they came about and what became of them ILLUSTRATIONS: 180 colour photographs
Publisher: TeNeues
ISBN: 9783832796570
Category : Photography
Languages : en
Pages : 0
Book Description
*** Reduced from $210.00 while stocks last *** Starting in the late 1960s but especially in the 70s, the most innovative Italian coachbuilders from Bertone to Pininfarina followed a radical design path. With fantastical wedge-shaped speedsters, their goal was nothing less than reimagining the car. Many of their ideas--as reflected in the concept vehicles in this book--ended up on the scrap heap of design history, while other concepts have remained influential up to the present. Rainer W. Schlegelmilch, best known for his spectacular Formula 1 photography, captured all of this 70s explosion of automotive creativity with his unique photographic eye. With his artful staging, the angular concept car silhouettes took on the curvy and alluring forms of models. Through these futuristic design concepts from the 70s, we get even closer to the spirit of that decade--one that continues to hold us in its thrall. Text in English, German and French SELLING POINTS: *Contains all important background information on the cars featured: how they came about and what became of them ILLUSTRATIONS: 180 colour photographs
Le Corbusier Le Grand: Introductory essay
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages :
Book Description