Author:
Publisher:
ISBN:
Category :
Languages : it
Pages : 60
Book Description
Le Cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel Teatro alla Scala la primavera dell'anno 1802. Anno primo
Author:
Publisher:
ISBN:
Category :
Languages : it
Pages : 60
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 60
Book Description
Le Cantatrici villane. Dramma giocoso per musica in due atti, da rappresentarsi nel Ro Teatro alla Scala la primavera dell'anno 1810. [By Giuseppe Palomba. In verse.]
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
Le cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel R.o teatro alla Scala la primavera dell'anno 1810
Author: Giuseppe Palomba
Publisher:
ISBN:
Category :
Languages : it
Pages : 50
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 50
Book Description
Le cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel teatro di S.A.S. il principe di Savoja-Carignano l'autunno dell'anno 1830
Author: Giuseppe Palomba
Publisher:
ISBN:
Category :
Languages : it
Pages : 58
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 58
Book Description
Le cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel Teatro di S.A.S. il principe di Savoja-Carignano l'autunno dell'anno 1830 [La musica è del celebre sig. maestro Valentino Fioravanti]
Author:
Publisher:
ISBN:
Category :
Languages : it
Pages : 56
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 56
Book Description
Le cantatrici villane
Author: Valentino Fioravanti
Publisher:
ISBN:
Category :
Languages : it
Pages : 55
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 55
Book Description
Le cantatrici villane melo-dramma giocoso in due atti da rappresentarsi nel teatro Valle degl'illmi signori Capranica il carnevale dell'anno 1832
Author: Giuseppe Palomba
Publisher:
ISBN:
Category :
Languages : it
Pages : 48
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 48
Book Description
Arie Da Camera
Author:
Publisher:
ISBN: 9780793567096
Category : Music
Languages : en
Pages : 0
Book Description
Vocal
Publisher:
ISBN: 9780793567096
Category : Music
Languages : en
Pages : 0
Book Description
Vocal
A Guide to Piano Music by Women Composers
Author: Pamela Y. Dees
Publisher: Bloomsbury Publishing USA
ISBN: 0313017034
Category : Music
Languages : en
Pages : 246
Book Description
Designed as a practical reference guide for professional pianists and piano teachers, A Guide to Piano Music by Women Composers, Volume I, is an annotated catalogue of the available piano music in print composed by 144 women born before the 20th century. The work also features biographies and extensive bibliographical information for each composer. Arranged alphabetically by composer into categories including single works, collections, and anthologies, the music is also described in terms of grade level, genre, mood, style characteristics, and technical requirements, and ranges in difficulty from late elementary to virtuoso concert repertoire. Far too many teachers, students, professional musicians, and audiences are unaware of the contributions made by women in music, and of the beauty and merit of their specific compositions. This reference work provides an invaluable addition to the current literature.
Publisher: Bloomsbury Publishing USA
ISBN: 0313017034
Category : Music
Languages : en
Pages : 246
Book Description
Designed as a practical reference guide for professional pianists and piano teachers, A Guide to Piano Music by Women Composers, Volume I, is an annotated catalogue of the available piano music in print composed by 144 women born before the 20th century. The work also features biographies and extensive bibliographical information for each composer. Arranged alphabetically by composer into categories including single works, collections, and anthologies, the music is also described in terms of grade level, genre, mood, style characteristics, and technical requirements, and ranges in difficulty from late elementary to virtuoso concert repertoire. Far too many teachers, students, professional musicians, and audiences are unaware of the contributions made by women in music, and of the beauty and merit of their specific compositions. This reference work provides an invaluable addition to the current literature.
More Scott Operas
Author: Jerome Mitchell
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
More Scott Operas examines some thirty operas based on the novels and poems of Sir Walter Scott that have come to light since publication of the author's widely reviewed earlier book, The Walter Scott Operas (1977), which discussed fifty Scott operas. There are chapters on an operatic setting of a Scott poem by a little known English composer who knew Wagner; on three operatic renditions of another poem, The Lord of the Isles; on Carl Loewe's opera Emmy, based on Kenilworth, and on an opera by a twentieth century Argentine composer based on the same novel; on a forgotten Italian Fair Maid of Perth opera that would rival Bizet's; and on two chamber operas by a composer-librettist who is alive and well and at home in Charleston, South Carolina. The book concludes with an intriguing account of Scott's night at the San Carlo Opera. Mitchell's approach is again that of a literary-historian than of a music critic or musicologist. He shows what happened to Scott's original poem or novel when it is changed into an opera and how that opera compares with others based on the same poem or novel. This approach leads to a fresh slant on Scott's characters and on the structure of his works, and it leads ultimately to our greater awareness and appreciation of Scott's art and of his impact on European culture.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
More Scott Operas examines some thirty operas based on the novels and poems of Sir Walter Scott that have come to light since publication of the author's widely reviewed earlier book, The Walter Scott Operas (1977), which discussed fifty Scott operas. There are chapters on an operatic setting of a Scott poem by a little known English composer who knew Wagner; on three operatic renditions of another poem, The Lord of the Isles; on Carl Loewe's opera Emmy, based on Kenilworth, and on an opera by a twentieth century Argentine composer based on the same novel; on a forgotten Italian Fair Maid of Perth opera that would rival Bizet's; and on two chamber operas by a composer-librettist who is alive and well and at home in Charleston, South Carolina. The book concludes with an intriguing account of Scott's night at the San Carlo Opera. Mitchell's approach is again that of a literary-historian than of a music critic or musicologist. He shows what happened to Scott's original poem or novel when it is changed into an opera and how that opera compares with others based on the same poem or novel. This approach leads to a fresh slant on Scott's characters and on the structure of his works, and it leads ultimately to our greater awareness and appreciation of Scott's art and of his impact on European culture.