Le Cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel Teatro alla Scala la primavera dell'anno 1802. Anno primo

Le Cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel Teatro alla Scala la primavera dell'anno 1802. Anno primo PDF Author:
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Languages : it
Pages : 60

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Le Cantatrici villane. Dramma giocoso per musica in due atti, da rappresentarsi nel Ro Teatro alla Scala la primavera dell'anno 1810. [By Giuseppe Palomba. In verse.]

Le Cantatrici villane. Dramma giocoso per musica in due atti, da rappresentarsi nel Ro Teatro alla Scala la primavera dell'anno 1810. [By Giuseppe Palomba. In verse.] PDF Author:
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Languages : en
Pages : 48

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Le cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel R.o teatro alla Scala la primavera dell'anno 1810

Le cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel R.o teatro alla Scala la primavera dell'anno 1810 PDF Author: Giuseppe Palomba
Publisher:
ISBN:
Category :
Languages : it
Pages : 50

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Le cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel teatro di S.A.S. il principe di Savoja-Carignano l'autunno dell'anno 1830

Le cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel teatro di S.A.S. il principe di Savoja-Carignano l'autunno dell'anno 1830 PDF Author: Giuseppe Palomba
Publisher:
ISBN:
Category :
Languages : it
Pages : 58

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Le cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel Teatro di S.A.S. il principe di Savoja-Carignano l'autunno dell'anno 1830 [La musica è del celebre sig. maestro Valentino Fioravanti]

Le cantatrici villane dramma giocoso per musica in due atti da rappresentarsi nel Teatro di S.A.S. il principe di Savoja-Carignano l'autunno dell'anno 1830 [La musica è del celebre sig. maestro Valentino Fioravanti] PDF Author:
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ISBN:
Category :
Languages : it
Pages : 56

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Le cantatrici villane

Le cantatrici villane PDF Author: Valentino Fioravanti
Publisher:
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Category :
Languages : it
Pages : 55

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Le cantatrici villane melo-dramma giocoso in due atti da rappresentarsi nel teatro Valle degl'illmi signori Capranica il carnevale dell'anno 1832

Le cantatrici villane melo-dramma giocoso in due atti da rappresentarsi nel teatro Valle degl'illmi signori Capranica il carnevale dell'anno 1832 PDF Author: Giuseppe Palomba
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Category :
Languages : it
Pages : 48

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Arie Da Camera

Arie Da Camera PDF Author:
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ISBN: 9780793567096
Category : Music
Languages : en
Pages : 0

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Vocal

A Guide to Piano Music by Women Composers

A Guide to Piano Music by Women Composers PDF Author: Pamela Y. Dees
Publisher: Bloomsbury Publishing USA
ISBN: 0313017034
Category : Music
Languages : en
Pages : 246

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Book Description
Designed as a practical reference guide for professional pianists and piano teachers, A Guide to Piano Music by Women Composers, Volume I, is an annotated catalogue of the available piano music in print composed by 144 women born before the 20th century. The work also features biographies and extensive bibliographical information for each composer. Arranged alphabetically by composer into categories including single works, collections, and anthologies, the music is also described in terms of grade level, genre, mood, style characteristics, and technical requirements, and ranges in difficulty from late elementary to virtuoso concert repertoire. Far too many teachers, students, professional musicians, and audiences are unaware of the contributions made by women in music, and of the beauty and merit of their specific compositions. This reference work provides an invaluable addition to the current literature.

More Scott Operas

More Scott Operas PDF Author: Jerome Mitchell
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 364

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More Scott Operas examines some thirty operas based on the novels and poems of Sir Walter Scott that have come to light since publication of the author's widely reviewed earlier book, The Walter Scott Operas (1977), which discussed fifty Scott operas. There are chapters on an operatic setting of a Scott poem by a little known English composer who knew Wagner; on three operatic renditions of another poem, The Lord of the Isles; on Carl Loewe's opera Emmy, based on Kenilworth, and on an opera by a twentieth century Argentine composer based on the same novel; on a forgotten Italian Fair Maid of Perth opera that would rival Bizet's; and on two chamber operas by a composer-librettist who is alive and well and at home in Charleston, South Carolina. The book concludes with an intriguing account of Scott's night at the San Carlo Opera. Mitchell's approach is again that of a literary-historian than of a music critic or musicologist. He shows what happened to Scott's original poem or novel when it is changed into an opera and how that opera compares with others based on the same poem or novel. This approach leads to a fresh slant on Scott's characters and on the structure of his works, and it leads ultimately to our greater awareness and appreciation of Scott's art and of his impact on European culture.