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Author: Paul McDonald
Publisher: Bloomsbury Publishing
ISBN: 1844579298
Category : Law
Languages : en
Pages : 285
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Book Description
Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are made, sold, circulated or presented – from the talent contracts that enable a film to go into production, to the copyright laws that govern its distribution and the censorship laws that may block exhibition. Equally, Hollywood has left its own impression on the American legal system by lobbying to expand the duration of copyright, providing a highly visible stage for contract disputes and representing the legal system on screen. In this comprehensive collection, international experts offer chapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international exhibition, contracts, labour and tax. Drawing on historical and contemporary case studies, Hollywood and the Law provides readers with a wide range of perspectives on how legal frameworks shape the culture and commerce of popular film.
Author: Steve Greenfield
Publisher: Routledge
ISBN: 113533966X
Category : Law
Languages : en
Pages : 264
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Book Description
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: James Sammataro
Publisher:
ISBN: 9780314869333
Category :
Languages : en
Pages : 0
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Book Description
Author: Paul McDonald
Publisher: Bloomsbury Publishing
ISBN: 1844579298
Category : Law
Languages : en
Pages : 285
Get Book Here
Book Description
Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are made, sold, circulated or presented – from the talent contracts that enable a film to go into production, to the copyright laws that govern its distribution and the censorship laws that may block exhibition. Equally, Hollywood has left its own impression on the American legal system by lobbying to expand the duration of copyright, providing a highly visible stage for contract disputes and representing the legal system on screen. In this comprehensive collection, international experts offer chapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international exhibition, contracts, labour and tax. Drawing on historical and contemporary case studies, Hollywood and the Law provides readers with a wide range of perspectives on how legal frameworks shape the culture and commerce of popular film.
Author: Stefan Machura
Publisher: Wiley-Blackwell
ISBN: 9780631228165
Category : Law
Languages : en
Pages : 184
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Book Description
This collection brings together contemporary work from Britain, Germany and the United States on how law and lawyers have been represented in film, particularly in the past 40 years. The collection recognises the major influence of Hollywood and the American legal system and seeks to explore the nature and significance of this dominance. A historical dimension to the portrayal of law and film. The nature and actual impact of the dominant Anglo-American portrayal is include. A European dimension is provided.
Author: David Alan Black
Publisher: University of Illinois Press
ISBN: 9780252067655
Category : Law
Languages : en
Pages : 212
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Book Description
The courtroom, like the movie theater, is an arena for the telling and interpreting of stories. Investigators piece them together, witnesses tell them, advocates retell them, and judges and juries assess their plausibility. These narratives reconstitute absent events through words, and their filming constitutes a double narrative: one important cultural practice rendered in the terms of another. Drawing on both film studies and legal scholarship, David A. Black explores the implications of representing court procedure, as well as other phases of legal process, in film. His study ranges from an inquiry into the common metaphorical ground between film and law, explored through "the detective" and "the witness," to a critical survey of legal writings about the cinema, to close analyses of key films about law. In examining multiple aspects of law in film, Black sustains a focus on the central importance of narrative while also unearthing the influences--pleasure in film, power in law--that lie beyond the narrative realm. Black's penetrating study treats questions of narrative authority and structure, social authority, and cultural history, revealing the underlying historical, cultural, and cognitive connections between legal and cinematic practices.
Author: Steve Greenfield
Publisher: Bloomsbury Publishing
ISBN: 1847317421
Category : Law
Languages : en
Pages : 358
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Book Description
Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', this text is a second, heavily revised and improved edition of the original Film and the Law (Cavendish Publishing, 2001). The book is distinctive in a number of ways: it is unique as a sustained book-length exposition on law and film by law scholars; it is distinctive within law and film scholarship in its attempt to plot the parameters of a distinctive genre of law films; its examination of law in film as place and space offers a new way out of the law film genre problem, and also offers an examination of representations of an aspect of legal practice, and legal institutions, that have not been addressed by other scholars. It is original in its contribution to work within the wider parameters of law and popular culture and offers a sustained challenge to traditional legal scholarship, amply demonstrating the practical and the pedagogic, as well as the moral and political significance of popular cultural representations of law. The book is a valuable teaching and learning resource, and is the first in the field to serve as a basic guidebook for students of law and film.
Author: Olivier Corten
Publisher: Manchester University Press
ISBN: 1526149907
Category : Law
Languages : en
Pages : 286
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Book Description
The proposed volume consists of an edited collection within the new Melland Schill Guidebooks on International Law (MSGIL) series. In line with the MSGIL objective of inclusiveness, originality, perspectivism and critical thought, the book is the first of an intended series pertaining to perspectives related to the ways in which the arts influence the perception and attitude of the public towards international law, and the manner this affects the discipline, both in terms of its own development and in terms of its social legitimacy. The book contrasts the narratives of international law depicted in cinema and TV productions with the corresponding narratives advanced by legal scholars. It identifies a cognitive dissonance between them and ascertains its implications on general perceptions of international law.
Author: Jon M. Garon
Publisher: Chicago Review Press
ISBN: 1569763976
Category : Business & Economics
Languages : en
Pages : 465
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Book Description
Preparing independent or guerrilla filmmakers for the legal, financial, and organizational questions that can doom a project if unanswered, this guide demystifies issues such as developing a concept, founding a film company, obtaining financing, securing locations, casting, shooting, granting screen credits, distributing, exhibiting, and marketing a film. Updated to include digital marketing and distribution strategies through YouTube or webisodes, it also anticipates the problems generated by a blockbuster hit: sound tracks, merchandizing, and licensing. Six appendices provide sample contracts, copyright forms and circulars, Writer's Guild of America definitions for writing credits, and studio contact information.
Author: Mark Litwak
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 438
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Book Description
A practical guide to current entertainment laws peculiarities and "creative" practices. Includes two new chapters: Legal Remedies and Retaining Attorneys, Agents, and Managers.
Author: James Sammataro
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 780
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Book Description
